An exhibition of traditional Mexican toys is held at the Wits Anthropology museum.
Wits hockey team struggles to keep up with UJ during the first Hares UCT Astro in Cape Town
The creative writing department wants to reach people who are not based in Johannesburg
Students from the Wits Law School will compete in Geneva.
Campus gym changes it payment plan.
Professor Veronica Ntsiea recognised for research in the rehabilitation of patients with brain lesions
Wits students create a non-profit company to help matriculants in Soweto
Professor Bonita Meyersfeld recognized for her work on gender-based violence
Wits engineers help solve electrical shortages
Students at WBS create initiative to tackle socioeconomic issues
SAMIHAH PARGAS is a Wits second-year BA Linguistics and Psychology student who independently published her first poetry collection titled Early Mourning Hours at the beginning of 2019. The 19-year-old regularly publishes her poetry on her popular Instagram account, @shadesofherink, where she has amassed over 28 000 followers. She focuses primarily on themes of love, heartbreak, healing and spirituality.
When did you start writing poetry?
I started in Grade 8. I’d always been writing things actually as early as fourth grade. But my first poem I wrote in Grade 8.
What themes do you cover in your poetry?
The things that touch me very deeply. Spirituality, there’s conflict in the world, heartache of course, and love, self-love, acceptance. All things that I’ve experienced in a very intense sense.
Why did you choose the free verse style of writing poetry?
My style of writing differs sometimes. I think the fact that poetry in this day and age seems to not be confounded by any rules whatsoever allows me to feel free to express myself however I wish. I think it’s just the freedom of it, the freedom of the style. That’s why I use it.
Who inspires you and your work?
They’re not always writers; it’s people who pursue their dreams. In terms of writing this book they would be people who never told me that my dreams are too big. And then, in terms of [poetry] writing, my favourite poets are Yrsa Daley-Ward, Nayyirah Waheed, and writers like Arundhati Roy. How they write in such a visceral way, in such a raw way, really, inspires me to not be afraid of putting my truth on a page.
How did you publish a poetry collection at such a young age?
Two and a half years ago I decided I want to one day publish a book and from then on I started compiling [my poetry]. I would never foresee that I would actually end up doing it, so it’s not exactly as if I decided to do it at such a young age. And again, it was never something I told myself I couldn’t do at this age.
What has the reception been to your collection?
Beautiful. So currently, I’m still working on exposure for my book, marketing it, all the really technical aspects of writing a book. But people who have had it, obviously people who do read my work a lot, really appreciate the offering of love that it’s been. And that’s what I want, that’s the whole intention of it. I don’t write so that I may benefit from it but so that it can be received as love and light by other people. And I think that’s how it’s been for everyone who has read it so far.
Where do you want to go with your poetry?
Well, going back to two-and-a-half years ago, I never saw myself with this book in hand. So I can’t say that I do see myself anywhere besides hopefully, pursuing this passion in whichever way has manifested.