Motorists must know their rights and avoid paying bribes to stop the cycle of police corruption. (more…)
By: Palesa Tshandu and Anazi Zote
A tow-truck driver was fired from his job yesterday when his employer would not allow him to miss work to vote in yesterday’s general elections.
Nymhardt Black (48) who was an employee at A1 Assist in Industria, North Roodeport said he lost his job because he took off from work to cast his vote.
According to Black, his former employer told him to “come park your truck because you’re fired”. Black responded by saying, “We can’t get fired because we want to vote.”
The frustrated former employee lodged a complaint with the Independent Election Commission (IEC) in the hopes of arguing for his right to participate in the elections.
The employer, who is a manager at the tow-trucking company refused to give Wits Vuvuzela comment on the matter.
Black, who is the sole bread winner in his family of four, does not regret losing his job in exchange for exercising his right to vote but said, “My wife is not happy that I got fired.”
He says the decision for leaving his job is also related to the working conditions at the company. His lack of regret for losing his job is also related to the bad working conditions at the company. He only earned R1300 per week, which amounted to R5200 per month while working the whole day, every day.
He does not wish to return to his former job but is currently looking for a new one.
- Wits Vuvuzela: ELECTIONS:Being ‘special’ is not a privilege. May 5, 2014
- Wits Vuvuzela: ELECTIONS: Witsies choose not to vote. May 6, 2014
- Wits Vuvuzela: ELECTIONS:Police officers on hand to ensure safety of voting polls. May 6, 2014
- Wits Vuvuzela: ELECTIONS: Wits SRC President walks with his 86-year-old grandmother to cast their votes together. May 7, 2014
Walking onto the eerily silent ramp that leads to the new exhibition at the Wits Art Museum, one is met by death. Small mounds of sand stand,holding up colourful wooden crosses that have dates of birth and death written on them.These graves that lie in glass containers are in the Zanele Muholi’s Mo(u)rning section of the exhibition.
The next piece of the collection, Faces and Faces catches the eye immediately as a wall of black and white portraits look one in the eye. There are some gaps between some of the photographs by Muholi which speak to the nameless but dated graves.
“The spaces were left there to show that they could have been a part of this section of the exhibition if they weren’t killed for being gay and lesbian,” explained facilitator Ace Kekana, whose face appears in one of Muholi’s portraits. Queer and Trans Art-iculations: Collaborative Art for Social Change is a collaborative exhibition by visual artists, Muholi and Gabrielle le Roux. [pullquote align=”right”]”…men who gang rape women, who murder lesbians, who beat their wives – they walk the streets as free men.”[/pullquote]
Muholi’s work is on the ground floor of the museum with a focus on the LGBTI community in South Africa – their beauty, their struggle, their murders and more. Muholi is not only a photographer, so her work varies and in this exhibit includes some of her bead work and a documentary film.
The most elaborate display in Muholi’s section are rosaries that hang from the ceiling. The beads in the rosaries are tennis balls and kitchen utensils. The vertical end of the cross at the end of the rosary is made from a knife which represents the violent killings of members of the LGBTI community experience, and the horizontal end from braai forks to represent the supposed hell killers think they’ve sent their victims to, or perhaps the lived hell victims endure.
“When people kill based on gender they like to say it’s for religious reasons, these crosses represent how dangerous that kind of thinking can be,” said Kekana.
The most moving part of Muholi’s exhibited work is a wall with a number of written messages from victims and their family members about their experiences. One of the messages read: “Here in South Africa you have judges sending women to jail for stealing a loaf of bread to feed her baby, but men who gang rape women, who murder lesbians, who beat their wives – they walk the streets as free men.”
In contrast to the quiet reception on entering Muholi’s floor of the exhibition, walking down the ramp into the basement area, sounds from the television screens set up with short documentaries by Le Roux lure attendees with their mixed up buzz.
Le Roux’s collection, Proudly African & Transgender and Proudly Trans in Turkey looks at the experiences “trans and intersex people in Turkey and Africa,” said Kekana. Another facilitator, Thekwane Mpisholo is in one of the portraits put on display by Le Roux.
The painted portraits are inclusive of their “subjects” and this can be seen in the quotes the artist let them scribble on their actual portraits.
The newly launched Wits Centre for Diversity Studies, helped to find the funding for this project. “They’re the ones who helped us with the planning and funding because they (Diversity Studies) study things that aren’t ordinarily studied by other faculties – that’s how they came on board,” said Mpisholo.
There is a lot to read, watch and see at this exhibition and people can do so until March 30 2014 at the Wits Art Museum.
- Wits Vuvuzela. WITH GALLERY: The 1913 Land Act realised through photos. August 24, 2013.