Q&A with Zeblon Vilakazi 

Zeblon Vilakazi, Vice-chancellor and custodian of Wits University was one of the first African scholars to conduct PhD research at the European Centre for Nuclear Research. The nuclear physicist and Wits alumnus was recently appointed as a fellow of the the Royal Society in the United Kingdom (UK).  Wits Vuvuzela had a chance to have a candid chat with Vilikazi.   


Q&A with Kopano Fanasi

Kopano Fanasi is a Wits master in physiology student and South African model. He has a significant ten and a half thousand followers on Instagram, where he has collaborated with prominent South African photographer Cedrik Nzaka. Fanasi spoke about the future of fashion at UP’s Tedx Talks in June 2020 and has modelled for brands such as Dickies South Africa and Diesel, among many others. Fanasi completed his undergraduate degree in physiology and biology at Sefako Makgatho Health Sciences University, located in Pretoria North. 

When did you start modelling or realise you had a talent for modelling?

I started modelling around 2017 but it really started to pick up in 2018. I remember my first ever job was a Nedbank commercial, one of the biggest sets I’ve been on and especially as someone who had just booked a job for the first time. 

Funny story because the set was one that a friend of mine was taking behind the scenes and I happened to be in their snap then got scouted for African Fashion International week. Literally a few days later I was on set for an entire week preparing for the shows… I even had to take a whole week off school.  

To be honest I still don’t feel like an “actual” model because I respect the profession so much that I feel like I haven’t even done enough work to say I am one.

What inspires you your creative energy when going on a shoot

 I’m naturally a dreamer, I fantasise a lot! So, going out for a shoot is an event for me because I channel what I want to feel like and almost create a new person and personality from my imagination fused together with people I find inspiring…so basically channelling my “spirit animal” but with a bit of me in it. 

I won’t lie though it’s very scary because it’s my responsibility to make sure the shots are great…I can have award winning photographers and producers but if I can’t perform the work is going to look whack anyways. 

Actually, shooting for the first few minutes before the camera rolls are the worst for me because I can’t stop thinking about how I need to KILL IT.

Why is it important for you to still complete a degree even though things could work out for your modelling career?

I’m very passionate about medical sciences and medicine as a whole, all that I’m doing now academically is to really get into medical school, the toughest journey ever, really. So, I wouldn’t really say it’s important for me to get an education but it’s more so my passion and that’s probably the sole source that’s driving me to make sure I achieve what I want academically otherwise school? No! I can’t imagine studying towards something else that’s not medicine

How did you gain a following on your social media and how do you use it for your benefit?

I honestly started posting very model-esque and fashion-esque like content and again with really no intention of modelling or have a significant following. I just did it because it was an outlet, I enjoy seeing myself in a picture. 

Also having become an influencer has helped my modelling career in a sense that with all these deals people believe you’re “somebody” and want to collaborate with you etc. So that’s really also how it picked up

What would you like to see innovate in the modelling in the South Africa industry?

I want a more diverse scene, a one that not only books you based on your following or your presence on the socials. I want to see more fashion, serious fashion…crazy productions that really push the envelope because I think we have mad potential.

Would you say that you market yourself as a brand and leverage it in an entrepreneurial sense? 

Oh absolutely, making money from social media and modelling is also what’s keeping me going. Funny story I had a job actually, I worked as a promoter for a cleaning solution and jeez I couldn’t do it! 

So, I promised myself to rather take the risk, leave the job and take social media seriously and make some money to get by. It worked out and I’m super grateful for that to be honest!

FEATURED PHOTO: Kopano Fanasi posing on his instagram page, dressed in Dickies South Africa. PHOTO: Provided.


Q&A with Gundo Mmbi

Gundo Mmbi, 27-years-old, is the principal at SPARK Soweto. Photo: Provided

Gundo Mmbi is a Wits BEd graduate and former Wits Education School Council transformation officer. She is a human rights activist and a proud member of the LGBTQIA+ community. She played an active role in the #FeesMustFall movement. In 2017, she became an assistant principal at SPARK Turffontein and is currently the founding principal of SPARK Soweto.

How did a young woman from Limpopo find herself at Wits?
I was told that the child of a cashier will never make it to one of the country’s most distinguished universities. I wanted to break barriers by securing a bursary. I studied hard to achieve acceptance to Wits University and secured a bursary from the housing department to study. That’s how my Wits story began!

You majored in mathematics and English. What factors motivated you to study BEd?
Growing up, I have always been curious about who was setting my exam papers and why the quality of the questions was the way it was. The standard of mathematics in South Africa has been lowered for scholars. Each year, I have watched as the pass mark declines, gradually dropping from 50% to 30%. I don’t think it is the teachers or the scholars, but our country’s curriculum leaders and education officials who may lack faith in our abilities.

Have you always been active in student politics and issues of social justice?
Wits is a world on its own, and you learn a lot there about who you are and what type of person you would like to be. Student politics exposed me to a world of leadership and holding people accountable for what they Wits is a world on its own, and you learn a lot there about who you are and what type of person you would like to be. Student politics exposed me to a world of leadership and holding people accountable for what they are responsible for. I was a shy village girl when I got to Wits until I stood up against my English lecturer when he questioned my gender identity: the activist in me was born.

How did your experiences at Wits lead you to where you are now?
A degree from Wits University enables you to proudly embrace your diversity while being proud of your unique individualism. Wits taught me it is okay to come from Limpopo and be raised by a single mother while fighting for free education.

At 27 you are the principal at SPARK Soweto. To what do you owe your success?
I owe my success to the freedom that was fought for by the people of South Africa. Knowing that their fight for my freedom opened doors to higher learning, I was able to go after what I want with no restrictions or prejudice. I owe it to all the teachers that shaped my life, who ensured that I became the best version of myself and not forgetting “my mother and father” (the National Student Financial Aid Scheme) for the financial support when I needed it.

What led to the move from Turffontein to Soweto?
I applied to be a tutor at SPARK Maboneng in 2015 while completing my degree in education. I then became a maths teacher at SPARK Maboneng and taught for two years. An opportunity to grow into school leadership was offered, and I applied for it. I became an assistant principal at SPARK Turffontein and now founding principal of SPARK Soweto. SPARK Schools has 21 schools across South Africa, and I am part of a group of young people who are changing the face of education.

FEATURED IMAGE: Gundo Mmbi, 27-years-old, is the principal at SPARK Soweto. Photo: Provided


Q&A with Lebohang Masango

Lebohang Masango is a poet, author, feminist activist and a masters candidate in social anthropology. In 2017 she published her first children’s book, Mpumi’s Magic Beads, and followed that up with The Great Cake Contest in 2018. She recently submitted her masters dissertation and hopes to begin a PhD soon.

You’ve previously mostly published poetry and features for various publications. What encouraged you to begin writing fiction?

I began writing fiction at a time in my life when I was feeling very overwhelmed with my master’s submission. It came out of a need to do something different with my brain because at the time, poetry was not bringing me joy anymore and neither was my thesis. So I went in search of that joy through writing for children. Which is difficult but I enjoyed the challenge.

Why have you chosen to write children’s fiction rather than adult literature?

I really wanted to create and experience joy. When you’re writing poetry or dissertations you’re very much in the adult world and I remember feeling incredibly frustrated with all of it and like I would rather do something new and interesting with my gifts. And it’s been challenging but so much fun.

You are a master’s candidate in Social Anthropology; how has this influenced your work as a children’s author?

Some of my socio-political beliefs are in Mpumi’s Magic Beads. This book is derived from my honours research on primary school policies on hair and the effect it has on schoolgirls. Being an anthropologist, I care deeply about the world and even though I enjoy anthropology, I understand that work has limits to how well it can reach people as academia has been accused of being exclusionary. As an anthropologist with creative gifts I long ago decided to use my words and body to create things that are accessible to all people. I’m compelled to ensure that my work does not stay in the ivory tower of academia.

Both of your books have featured black and brown children as the protagonists of the story. Why is that?

I doubt authors who feature white characters get asked this question. I’m aware my work is highly political. It’s important to constantly create stories with all black and brown characters until one day this question doesn’t get asked. All of the work that celebrates and affirms black people exists in this canon that is challenging global white-supremacist capitalist patriarchy and the different hierarchies that it has created around beauty and desirability that affect all of us. And through featuring black characters in my work, I want to add to the normalisation of blackness and its representation.

What impact do you Mpumi has already had?

I wanted to produce a text that children love. There have been parents who have sent me pictures of their children with Mpumi’s hairstyle. One thing I’m particularly proud of is that a mother and I managed to change the school code of conduct to allow for braided hairstyles with beads for black girls at her four year old daughter’s school. I’m incredibly proud that my book had a hand in challenging these school policies.

You also regularly host readings at local libraries and bookshops where you spend the day reading your stories to children. Why is this so important to do?

We have very disheartening statistics on children’s literacy rates. Some parents aren’t committed to making readers of their children. That’s why the work of championing literacy is important to me and showing children that to express yourself you have to be able to read and write too.

What are some of the challenges you’ve faced in getting published as a first time author?

I love to have full control of my work and so I chose to self-publish. I used my savings to create my own publishing imprint called Thank You Books. But I’ve since chosen to get a publisher since I’m not particularly interested in the business side of things. They’ve been incredibly good in getting Mpumi’s Magic Beads translated into nine indigenous South African languages, which I’m very proud of.

What other projects are you hoping to put out in the near future?

I’d like to put out another children’s book. I’d like to create a series of Mpumi books so it will most likely be a sequel to Mpumi. I want to continue to create work that affirms and maybe even inspires.


Q&A with Samihah Pargas

SAMIHAH PARGAS is a Wits second-year BA Linguistics and Psychology student who independently published her first poetry collection titled Early Mourning Hours at the beginning of 2019. The 19-year-old regularly publishes her poetry on her popular Instagram account, @shadesofherink, where she has amassed over 28 000 followers. She focuses primarily on themes of love, heartbreak, healing and spirituality.

When did you start writing poetry?
I started in Grade 8. I’d always been writing things actually as early as fourth grade. But my first poem I wrote in Grade 8.

What themes do you cover in your poetry?
The things that touch me very deeply. Spirituality, there’s conflict in the world, heartache of course, and love, self-love, acceptance. All things that I’ve experienced in a very intense sense.

Why did you choose the free verse style of writing poetry?
My style of writing differs sometimes. I think the fact that poetry in this day and age seems to not be confounded by any rules whatsoever allows me to feel free to express myself however I wish. I think it’s just the freedom of it, the freedom of the style. That’s why I use it.

Who inspires you and your work?
They’re not always writers; it’s people who pursue their dreams. In terms of writing this book they would be people who never told me that my dreams are too big. And then, in terms of [poetry] writing, my favourite poets are Yrsa Daley-Ward, Nayyirah Waheed, and writers like Arundhati Roy. How they write in such a visceral way, in such a raw way, really, inspires me to not be afraid of putting my truth on a page.

How did you publish a poetry collection at such a young age?
Two and a half years ago I decided I want to one day publish a book and from then on I started compiling [my poetry]. I would never foresee that I would actually end up doing it, so it’s not exactly as if I decided to do it at such a young age. And again, it was never something I told myself I couldn’t do at this age.

What has the reception been to your collection?
Beautiful. So currently, I’m still working on exposure for my book, marketing it, all the really technical aspects of writing a book. But people who have had it, obviously people who do read my work a lot, really appreciate the offering of love that it’s been. And that’s what I want, that’s the whole intention of it. I don’t write so that I may benefit from it but so that it can be received as love and light by other people. And I think that’s how it’s been for everyone who has read it so far.

Where do you want to go with your poetry?
Well, going back to two-and-a-half years ago, I never saw myself with this book in hand. So I can’t say that I do see myself anywhere besides hopefully, pursuing this passion in whichever way has manifested.

Q&A with Ian Mangenga

IAN MANGENGA is a Wits Geography, Archaeology and Environmental alumnus and recently started an organisation for young African women named Digital Girl Africa, to educate women on using digital technology. She is a former chairperson of Rethink Africa at Wits. She is an entreprenuer with the aim of empowering women by redefining the digital landscape of Africa. (more…)

Q&A with Niza Jay Ncoyini

Niza Jay Ncoyini is a Wits BA Dramatic Arts alumnus and is currently an actor, director, writer and filmmaker. The actor appeared in South Africa’s award winning film, Inxeba: The Wound as well as Green Matter and Hello Au Revoir. Born in Mthatha, Eastern Cape as Ndiziphiwe Izicelo Ziviwe Azamkela Ncoyini, the openly queer young black actor seeks to take over the film industry through telling stories in his own way.

What are you currently working on?
I have a starring role in a new South African feature film directed by Louw Venter and produced by Urucu Media, which will be released later this year. I’m also directing my first play While We Hate, which I also wrote. It will run at PopART Theatre in June.

What inspired your career in acting and directing?
Watching Sarafina. When I saw Leleti Khumalo on screen, I knew I wanted to perform and tell stories in the same way that she did. I’ve only been directing for a few years, so I’m really taking time to define my voice and fine tune my perspective. I want to tell stories that encourage people to be better than they are. I also want to tell stories that make all people proud to be whoever they are, because as much as I have a very unique point of view, I do want to create work and tell stories that resonate universally.

Have you always wanted to be an actor/ director?
Yes. I’ve always wanted to be a performer and a storyteller. I believe that creating art is a sacred act. There are very few professionally trained actors who are working in our industry, and it shows. The quality of our films and TV shows is a testament to the quality of writers, directors and actors that we have in the country.

What has been the highlight in your career thus far?
Being nominated for a [South African Film and Television Award] for my first role, and becoming one of the few openly gay black actors to get nominated for a performance role in a film. I was nominated in 2018 for Best Supporting Actor in a Feature Film for playing Kwanda, one of the lead characters in Inxeba.

What challenges have you faced as a young black gay actor in the industry?
Very few people are writing complex gay and queer characters which I would be proud to portray, so it makes selecting work really hard. As much as I pride myself in being gay, overtly so, I also resent the idea that because I’m gay I have to play gay characters. I have the know-how and the skills to step in and out of any character.

What advice would you give to youngsters who are trying to get into acting?
Know who you are and know what you stand for. Work on your craft, don’t stop taking acting lessons/coaching, no matter how successful you get. There is always room for improvement. Engage with your industry, both local and international. When you know what is happening, you know what is out there for you to go after.

Q&A with Thokozane Dyosi

Thokozane Dyosi, a PhD student and associate lecturer in the Foundation Phase Studies Department of the Wits Education Campus, is the youngest in her department. Having struggled to graduate, she started a motivation campaign called #SeeYouAtGraduation to encourage higher education students of all ages in all disciplines to push through to the end and graduate.


Q&A with Marco Zacchino

Marco Zacchino, 25, is a Master of Law graduate from Wits University who is currently doing articles at Allen and Overy. Not only has he balanced doing his masters and his work, but he is also a part-time blogger, a lover of fashion and has a passion for food.

What do you do?
I did a BA at Wits and majored in Law. Following that I did my LLB and have just received confirmation that I have passed my masters last week. I work for a firm in Sandton, currently doing my articles and it has been keeping me busy for the past six months. When I was in varsity, I was very heavily into blogging and now I want to get back into it.

What inspires your blogging?
Predominantly I have just been fashion blogging, but I want to branch into doing legal blogging. I want to offer legal help to students who are becoming lawyers and to allow people to follow my journey as “a day in the life of a candidate attorney”. It is something that I’m going to enjoy doing. I’m keen to get into that and start blogging my fashion like I did when I was at varsity.

How did you balance working and studying?
The transition from university life to work life cannot be underestimated. Nothing can get you ready for that, no matter what field you work in. I already knew what my hours were going to be like and now I usually work 12-hour days. It just means making sure that if you’ve got to come in early and get something out because you know you have to leave early to get to class to finish your degree, it isn’t about skill, you just learn it when you are forced into the situation. The transition is just a learning experience.

Did you always want to be a lawyer?
Funny enough, I always wanted to be a lawyer when it came to choosing my career in grade 11. When I was 15 I wanted to become a chef, but I was always very argumentative, and I wanted to do the opposite of what everyone else was doing and I was good at it, so Law just stuck.

What would be your one tip to a student currently studying law?
I think job wise, law students need to apply early. The sooner you get a grasp of getting your articles and you know what you want to do, you can get vacation work and start working on it. Do not leave applying for articles in your third or fourth years. Attention to detail is so important as a practical skill. At work, everything is important, each full stop and comma is important.

What are some of your downtime activities?
I think my fashion, blogging and Instagram keeps me busy. I also play a lot of soccer during the week. I think when you are at varsity you don’t appreciate how much you get to socialise and when you start working, socialising is such a luxury and it is something you really learn to appreciate.

Wits Vuvuzela, Q&A with Farai Mubaiwa, August 18
Wits Vuvuzela, Q&A with Nazia Wadee, August 3
Wits Vuvuzela, Q&A with Busisiwe Mkhumbuzi, July 27

Q&A with Sindile Bongela

Triple threat, Sindile Bongela is an academic, magazine producer and conversation maker. Bongela is currently pursuing an MA in African Literature doing research on the visibility of black gay men and black women in literature and the similarities/differences between them. He is also the co-founder of Big Gay Debate and associate editor of Grandeur Magazine, an online magazine for black gay men.

What are you currently researching?
My research is a work in progress. As a gay man, I spend a lot of time with women and effeminate gay men. I noticed a lot of similarities between the way in which we interact with each other and the patriarchal society. So that’s what I’m doing my research on.

How did you come about your research?
I read a lot of women’s literature and I kept finding myself in the way in which women navigate their spaces. Once again, I’ve always been around women so it’s heavily influenced my research.

What impact do you want your research to have on the LGBTQ+ community?
I want my research to continue to open and broaden the honest conversations about the relationship that effeminate gay men and women have, and about the relationship they foster in a culturally patriarchal environment that is not conducive for our existence. I also want my research to explore and strengthen the relationships we can build.

What is The Big Gay Debate?
It’s a conversational space for gay men that seeks to deepen and broaden knowledge about being gay in Africa. The conversations at the debates have been insightful. The gays are finding the space to be safe enough to express themselves fully. They’ve found the space to be validating and educational.

How did Big Gay Debate come about?
I noticed that gay identities in South Africa were heavily influenced by African-American gay culture. Big Gay Debate is trying to remedy that by merging the influence of African-American gay culture with African gay culture. It is about ensuring that the African context is the dominant one in gay culture, but also creating an intellectual hub trying to create writing on African gayness from an African perspective.

What’s your contribution to Grandeur Magazine?
As an associate editor, I’m looking at producing content about black gayness, and showing that we’re a multidimensional people. I’m all about producing content about gay people travelling, starting businesses and creating partnerships. Basically building black intelligencia. The magazine is also focused on the LGBTQ+ community and writing about our experiences.


Q&A with Farai Mubaiwa

Farai Mubaiwa is a leader, activist and African feminist. She is currently pursuing an MSc in the Political Economy of Emerging Markets at King’s College London. Farai has also co-founded the NGO Africa Matters which aims at changing the narrative of Africa in the eyes of the youth. In 2017, Farai was a recipient of the Queens Young Leader Award. 


Q&A with Nazia Wadee

Miss Earth semi-finalist, Nazia Wadee.                                                                                    Photo: Londell Phumi Ramalepe

Nazia Wadee is a born and bred Johannesburger who is doing honours in Media Studies. The 21-year-old Miss Teen Commonwealth South Africa 2015/2016 is a semi-finalist in the Miss Earth competition.

What does Miss Earth mean to you?
Miss Earth South Africa is a women’s leadership programme that aims to empower and educate South African women through the lens of environmental sustainability. It aims to create awareness about issues concerning conservation, sustainability and development. Being a semi – finalist for Miss Earth SA has been an educational and enlightening experience. This platform has allowed me to live out my true potential, break my barriers and to live out what I believe is my life purpose, which is to give back and make a difference.

What inspired you to enter the competition?

Given that I am a responsible active citizen who is passionate about positive change, the core values and duties of a Miss Earth title winner are that which I would like to continue to associate myself with. As former Ms Teen Commonwealth South Africa, I fell in love with the important duties that a titleholder has and the massive platform available to create a better life for all. My journey as a philanthropist had begun with the understanding of human suffering through exploitation or social prejudice at grass roots levels.

What do you do to effect change?
I have been afforded the honour of being the ambassador for the Youth Managers Foundation South Africa. The organisation aims to develop and discover leaders in underprivileged schools, and provides them with the necessary tools, leadership skills and resources to make positive changes in their schools and their community. I am involved in various welfare, cultural and goodwill initiatives, leading me to be a recipient of a Women of Wonder award as well as a second place award for the Nelson Mandela Youth Leadership award hosted by East Wave radio station. My love of goodwill initiatives has recently awarded me with the position of Head of Student Affairs on a university governing body.

How do you balance your studies and modelling?
I have always been active in terms of running charitable projects or initiatives or involved in sports or other extracurricular activities. The most important thing that I have learnt is have good time, management skills and learning to find balance. Passion is a powerful thing, and can drive you do to amazing and sometimes unexpected things, only because we are capable of so much more than we believe.

What do you hope to achieve with the Miss Earth competition?
My goal is to expand my knowledge, grow, empower myself in order to address critical social and environmental issues within my communities. My aim is to create awareness with regard to the various environmental issues that we face, and possibly provide solutions to them; to beautify my environment and make my community a beacon of hope for what is possible, for the betterment of all. I hope to inspire young people to get involved in our community and follow their passions. I hope to touch lives through my projects and initiatives. I hope to build lifelong friendships and bonds with the new people I have had the opportunity of meeting or the people that I will meet in the future. Furthermore, my aim is to empower those I meet along the way as well as those around me. Irrespective of the competition’s outcome, if I achieve this I believe that that will be my success.

What words would you share with young girls who look up to you?
Being from a small town, if I win this title it will raise the hope of others, to believe that nothing is impossible. The human spirit is amazing. In the direst circumstances the instinct to survive triumphs everything – so me winning this title will allow others to follow in my path and escalate humanity and our humanness to a level I know we can achieve.