Wits lecturers co-launch jazz albums 

Powerful African rhythms and poignant reflections on post-apartheid complexities. 

Bokani Dyer performing one of Vuma Levin’s movements titled, Chaphela. Photo by: Ayanda Mgwenya

Renowned jazz artists, Vuma Levin and Benjamin Jephta, took to the Chris Seabrooke Music Hall stage, on July 29, 2023, for a combined album launch called The Narratives. 

Levin is a guitarist, recipient of the 2021 Standard Bank Young Artist for Jazz award and holds a master’s degree from the Amsterdam Conservatorium in Music. 

Jephta is a bassist and composer and has performed with prominent international artists like Dianne Reeves and Terri-lyne Carrington.

Levin is a jazz studies lecturer while Jephta lectures in both jazz and film music. 

Renowned jazz maestros, such as Sisionke Xonti (saxophonist), Bokani Dyer (pianist), Tlale Makhene (percussionist), and Jonno Sweetman (drummer), performed alongside the two during the launch.

The evening was divided into two sets. Levin kicked off the night with tracks from his fifth album, The Past is Unpredictable, Only the Future is Certain, performing 2/3 parts of the album: The first one titled The Past is Unpredictable with movements Gijima and Chaphela and the second one titled Prayers Made From Grass with Homily and Rites

Led by Tlale’s poetic chants and Xonti’s melodious sounds, an African rhythmic experience was created. The inclusion of African instruments like the udu ceramic drum, cymbals, chimes, ankle rattles, and triangles added a distinct African essence. 

Levin said, “The album blends indigenous and western musical instruments, making it a unique and special representation of Pan Africanism in music.” 

Following a short intermission, the spotlight shifted to Jephta’s set, performing his Born Coloured, not Born-Free album, Jephta’s compositions delve into the complexities of race in South Africa. The music encapsulated his personal experiences as a coloured male in post-Apartheid South Africa.  

Jephta’s set featured soulful tracks like An Incomplete Transition and Gadija (part 1), a heartfelt tribute to his grandmother. The bass-driven Ben-Dhlamini Stomp earned him a standing ovation. Closing the show, Jephta’s last two movements, Acceptance/metamorphosis and Resurgence, delighted the crowd with its infectious rhythm and captivating melody, leaving them singing and bobbing along. 

Speaking about the two musicians, Wits Music lecturer, Dr Peter Cartwright said, “They are both new in the permanent staff… so it’s a way to welcome them, you know, with their first public concert.” 

Elliot Rogers, third year music student said, “Benjamin Jephta is my lecturer for ensemble, and I do guitar [classes] with Vuma Levin; and seeing this concert where their music is coming together is a beautiful sight, looking at it from a [scholastic] lens.” 

The Narratives concert got the audience singing and clapping throughout, the multiple standing ovations received on the night spoke to the pair’s expansive talents.  

FEATURED IMAGE: Benjamin Jephta performing his bass-driven composition, Ben-Dhlamini Stomp, at the Chris Seabrooke Music Hall. Photo by: Ayanda Mgwenya

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