Powerful African rhythms and poignant reflections on post-apartheid complexities.
Bokani Dyer performing one of Vuma Levin’s movements titled, Chaphela. Photo by: Ayanda Mgwenya
Renowned jazz artists, Vuma Levin and Benjamin Jephta, took to the Chris Seabrooke Music Hall stage, on July 29, 2023, for a combined album launch called The Narratives.
Jephta is a bassist and composer and has performed with prominent international artists like Dianne Reeves and Terri-lyne Carrington.
Levin is a jazz studies lecturer while Jephta lectures in both jazz and film music.
Renowned jazz maestros, such as Sisionke Xonti (saxophonist), Bokani Dyer (pianist), Tlale Makhene (percussionist), and Jonno Sweetman (drummer), performed alongside the two during the launch.
The evening was divided into two sets. Levin kicked off the night with tracks from his fifth album, The Past is Unpredictable, Only the Future is Certain, performing 2/3 parts of the album: The first one titled The Past is Unpredictable with movements Gijima and Chaphela and the second one titled Prayers Made From Grass with Homily and Rites.
Led by Tlale’s poetic chants and Xonti’s melodious sounds, an African rhythmic experience was created. The inclusion of African instruments like the udu ceramic drum, cymbals, chimes, ankle rattles, and triangles added a distinct African essence.
Levin said, “The album blends indigenous and western musical instruments, making it a unique and special representation of Pan Africanism in music.”
Following a short intermission, the spotlight shifted to Jephta’s set, performing hisBorn Coloured, not Born-Free album, Jephta’s compositions delve into the complexities of race in South Africa. The music encapsulated his personal experiences as a coloured male in post-Apartheid South Africa.
Jephta’s set featured soulful tracks like An Incomplete Transition and Gadija (part 1), a heartfelt tribute to his grandmother. The bass-driven Ben-Dhlamini Stomp earned him a standing ovation. Closing the show, Jephta’s last two movements, Acceptance/metamorphosis and Resurgence, delighted the crowd with its infectious rhythm and captivating melody, leaving them singing and bobbing along.
Speaking about the two musicians, Wits Music lecturer, Dr Peter Cartwright said, “They are both new in the permanent staff… so it’s a way to welcome them, you know, with their first public concert.”
Elliot Rogers, third year music student said, “Benjamin Jephta is my lecturer for ensemble, and I do guitar [classes] with Vuma Levin; and seeing this concert where their music is coming together is a beautiful sight, looking at it from a [scholastic] lens.”
The Narratives concert got the audience singing and clapping throughout, the multiple standing ovations received on the night spoke to the pair’s expansive talents.
FEATUREDIMAGE: Benjamin Jephta performing his bass-driven composition, Ben-Dhlamini Stomp, at the Chris Seabrooke Music Hall. Photo by: Ayanda Mgwenya
Jazz musician dazzles music lovers with an acoustic concert
Multifaceted South African musician, Gabi Motuba debuted her new project, The Sabbath in a concert held at Wits Chris Seabrooke music hall on Saturday, May 6.
Motuba is a Johannesburg-based vocalist, composer and music facilitator whose music is centred around world politics, black studies, religion and genre studies. She released her first album, Sanctum Sanctorium in 2016 and Tefiti Goddess of Creation in 2019.
In the project, released on June 28, 2022, Motuba shifted her focus to talk about her experience with grief; as her father lost his battle against Covid-19, during the pandemic. As a result, the project consists of five lamentation songs that would leave any listener in a state of melancholy. Motuba told Wits Vuvuzela that: “The project is largely a very reflective work for me in terms of moving from trauma into grief and into the pursuit of restoration”.
Wits music alumni, Tembinkosi Mavimbela, who played double bass during the performance said that in The Sabbath, Motuba showed immense vulnerability. He described her performance as a form of supplication to a higher power. “Her performance was a prayer indeed; it takes courage to be vulnerable on stage and we shouldn’t look at a Sabbath in one direction because we approach prayer in different ways.”
Thembinkosi Mavimbela interacting with friends and fans after the concert. Photo: Sfundo Parakozov
What added to her performance was the concert took place at the state-of-the-art music hall . The venue is the only space in the city that is exclusively designed to optimize live musical sound with modern acoustic design. This added to Motuba’s exceptional vocal range.
Wits art student, Rethabile Zilila said that she was surprised at how audible everything was but appreciated the spacious nature of the hall.
Motuba explained that as a composure, mostly working with string instruments, she chose the venue because she knew the acoustics of the room will produce a beautiful sound.
The attendees’ sight senses were also activated. While Motuba was performing, there was a background theme inspired by nature on display.
Wits Fine Arts lecturer, Zen Marie, who was in charge of the displays said he sets up the landscape in response to the music.
This was evident as he displayed dark clouds as she was performing a track titled, Nabu Lobosuku , which means here’s the night. This exuded a dimmer and sombre atmosphere with the mood in the room quietening down as everybody was enthralled by her voice.
The final part of the performance had a much lighter and brighter landscape, consisting of clear skies, which was an important moment showing the transition from grief to freedom. One could clearly feel the biblical reference as she sang the last track on the album, Amen, meaning the end.
The hour-long concert was attended by the likes of Thandiswa Mazwai and former head of the Wits School of Arts Professor Brett Pyper.
Rethabile Zilila and Thandiswa Mazwai posing for a picture. Photo: Sfundo Parakozov
FEATURED IMAGE:Gabi Motuba thanking her audiences after her performance. Photo: Sfundo Parakozov
Wit’s University’s Homecoming Weekend saw non-stop celebrations from Friday, September 2 until Sunday, September 4, 2022. The Wits Vuvuzela team was out and about throughout and these are some of the moments they captured.
The Witsie Kudu couple wave to the crowds before the beginning of the parade.
Wits Vice chancellor Zeblon Vilakazi welcomes Witsies and friends to the centenary celebrations. Photo: Keamogetswe MatlalaThe kick-off of the homecoming parade, the crowd begins with a dash from the line as confetti litters the celebratory air. Photo: Colin HugoThe Witsie Kudu couple wave to the crowds before the beginning of the parade. Photo: Colin HugoWitsies took to the streets of Braamfontein to celebrate Wits University’s 100th birthday. Photo: Elishevah BomeBesides the fancy- dress and costumes all those who took part of the Rag parade’s procession were wearing the widest and brightest smiles. Photo: Elishevah BomeA wits parade volunteer proudly wearing her Wits 100 year shirt on the parade. Photo: Colin Hugohe view of the 100 year parade from the 18th floor of the Wits Art Museum as the parade makes it’s way down Jorissen street. Photo: Colin HugoRAG Parade attendees paint their faces blue and gold. Photo: Tannur AndersParktown Boys High School band kicked off the celebrations with a performance. Photo: Tannur AndersWits cheerleaders partake in the first of the homecoming festivities. Photo: Tannur AndersWits Vuvuzela student journalist, Colin Hugo, came sixth in the #Wits100 Parkrun. Photo: Tannur AndersThe famous Great Hall is lit up by the centenary light show. Artists and dancers performed live impromptu art at the feet of the great hall. Photo: Colin Hugo A picture of what Braamfontein used to look like displayed on the face lifted Great Hall. Photo: Colin Hugo South African Rapper, Big Zulu, performing at the Free People’s Concert at Digs Field, West Campus. Photo: Busisiwe MdluliSouth African singer-songwriter, Jesse Clegg, performing the songs of his late father, Johnny Clegg at the Free People’s Concert. Photo: Busisiwe MdluliSome future Witsies taking a look at Great Hall. Photo: Elishevah BomeWits dean of student affairs Jerome September dolled up for the parade. Photo: Keamogetswe MatlalaWits SRC president Cebolenkosi Khumalo cruising along with vice chancellor Zeblon Vilakazi as the parade moved into the streets of Braamfontein. Photo: Keamogetswe MatlalaSongs of struggle marked the separate march against exclusion by PYA and EFFSC student leaders which led the parade pack. Photo: Keamogetswe MatlalaStudent leaders overtake the centenary parade with placards expressing adverse messaging. Photo: Keamogetswe MatlalaVusi Mahlasela performing during his heart-warming set at The Free People’s Concert. Photo: Rufaro ChiswoThe crowd at the Free People’s Concert thoroughly enjoyed themselves. Photo: Rufaro Chiswo Soweto Gospel Choir’s colourful outfits make the stage more vibrant. Photo: Rufaro ChiswoThe woodwind players from Mango Groove blowing everyone away. Photo: Rufaro ChiswoMango Groove’s Claire Johnston giving a jaw-dropping vocals. Photo: Rufaro ChiswoDazzled by the performers, the crowd can’t take their eyes off the stage. Photo: Rufaro ChiswoWits staff could not wait to get their hands on the special edition Wits Vuvuzela newspaper in celebration of the Wits centenary on morning September 2. Photo: Tylin MoodleyA player from the Orlando Pirates Legends team lines up an explosive penalty shot during the Wits Legends and Orlando Pirates Legends soccer match on Saturday, September 3. Photo: Tylin MoodleyWits Legends (left) and Orlando Pirates Legends (right) come together in the heat to watch the penalties that Orlando Pirates Legends won 4-3 during Homecoming Weekend. Photo: Tylin MoodleyWits fans came dressed in their supporter’s gear for the game against Wits Legends and Orlando Pirates Legends at Wits Stadium on the Saturday of Homecoming Weekend. Photo: Tylin MoodleyWits Music Alumnus Mdu Mtshali and various artists perform Gideon Nxumalo’s ‘60th Celebration of Jazz Fantasia’. Photo: Mpho HlakudiTenor Saxophonist, Thami Mahlangu performs an exquisite piece at the Wits Fantasia’ at the new Chris Seabrooke Music Hall on East Campus. Photo: Mpho HlakudiPerformers take a bow as the crowd cheers and applauds their electric performance which earned a standing ovation. Photo: Mpho HlakudiThe #Wits100 Light Show light up by a map of Wits Braamfontein surrounding areas. Photo: Mpho Hlakudi
This collection of music reveals the artist’s vast creativity and his diverse use of traditional African music, making it a must have for ‘Jazzheads’.(more…)
Africa and Europe met at the Great Hall last night. Bassist, composer and Wits lecturer, Carlo Mombelli reunited with his European touring band, the Stories Ensemble, joined by Capetonian pianist Kyle Shepherd. They played music from Mombelli’s latest album, Stories.
PLAYER AND TEACHER: Carlo Mombelli tells ‘Stories’ through music Photo: Michael Hoefner/WikiCommons
Groove met classical and traditional at the Wits Great Hall last night. Composer, bassist and Wits music lecturer Carlo Mombelli and his band, the Stories Ensemble, took jazz music and stretched it. They played music that not only entertained, but pulled at the heartstrings – places indescribable by words.
“I love teaching, and I am very anti the ‘jazz police”
Mombelli brought his European band, the Stories Ensemble, for a South African tour that had them performing at the Cape Town International Jazz Festival, at the University of KwaZulu Natal, in Maputo, Mozambique and ending off at the Wits Great Hall. They mainly performed music from Mombelli’s latest album, Stories (Instinct Africaine), recorded in Switzerland.
Born in Pretoria, Mombelli taught himself how to play the bass at age 16, and later went on to start his own band called Abstractions in 1985. He has performed with South African jazz greats like Marcus Wyatt, Zim Ngqawana and Miriam Makeba. He has, and continues to, perform all over the world.
Last night, the bassist was joined by Zulu ‘traditional’ vocalist Mbuso Khoza, whose clean yet strong and passionate voice effortlessly blended in with the ensemble. Adrian Mears’ warm trombone transitioned from powerful to delicate melodies in an instant. Drummer Dejan Terzic created a full, rounded powerful sound. Cape Town pianist Kyle Shepherd, who was not part of Mombelli’s original recording in Switzerland, merged his Cape jazz style with the eclectic sound of the band. His playing was intimate, compelling and strong, as usual. The classical element was brought by cellist Daniel Pezzotti, bringing elegance and originality to the group.
Mombelli began the set with a composition titled Requiem, originally performed with his band The Prisoners of Strange in 1996. The Hunter had the crowd grooving to its infectious bouncy melody. Shepherd took it to Cape Town, Khoza brought in a dynamic traditional component, resulting in a trance-like element to the music. A poetic tribute to Mombelli’s first piano teacher titled, For Mrs Loveday, then followed. Experimentation, creativity and improvisation. All elements piercing through the music.
On stage, Mombelli was tiny and short, and his bass guitars seemed almost too big for him. But, he connected with his band members like a choir master would to a 60 voice choir. Making eye contact, hand signals and head nods that indicated when to start, stop or pause. A seamless form of communication.
At times, Mombelli played with his back turned to the audience. Not as an act of alienation, but to rather unite – the audience, the band members, and those only among us in spirit.
“I love teaching, and I am very anti the ‘jazz police’” Mombelli told The Cape Argus last year. This shows in the Ensemble’s style of playing – going beyond rigid boundaries. Their music moves. It drives itself, creating new possibilities for the art of making music.
Carlo Mombelli and the Stories Ensemble delivered a solid performance, but what else can we expect from some of the world’s most creative and sought after musicians?
FOURTH year BMus Wits student Sean Jacobs is a jazz vocalist who performs regularly at local jazz venues. His greatest achievement was being chosen to perform at the Nelson Mandela Memorial last year alongside well-known jazz vocalist Lira. He is also a pianist and flautist.
Did you always know you wanted to sing?
I started singing from a young age. Then I stopped in grade ten and took up the flute. It was after a year’s course in theatre that I realised that singing is my passion. I realised I had the desire to use my voice to translate meaning. I believe that music can be used for the social betterment of others and I enjoy doing that.
What has been the highlight of your music career?
It was when I performed at Nelson Mandela’s memorial last year. I got to meet Lira, who was also performing. The great thing about my career path is that I also get to travel and, last year, I got to perform for an Investec corporate event in Mauritius.
Do you think the South African music industry has room for jazz artists?
I think our industry is small but diverse. There is space to be different. Talent needs to be balanced with hard work. Some artists depend on talent and that attitude is what fails them in the end. Musicians of all genres also need to network, a lot, and get as many contacts as possible and make themselves known.
Who inspires you?
I like listening to people who set the trends – music pioneers. I draw inspiration from different people who infuse genres cleverly like Frank Sinatra, Ella Fitzgerald, The Carpenters, Pharrell Williams, Marcus Wyatt and sometimes I listen to rock music.
If you were not doing music what would you be doing?
I would be acting. I’m very involved in the music industry and I wouldn’t trade it for anything else.
What do you think about the notion that a music degree is not like any other Wits degree?
People often look down on music and drama students because they don’t know that, in order to do well, it takes hard work and dedication like any other degree at Wits.
Do you practise your vocals at res?
No, if I had to practise at res it would be disruptive to other students. I sometimes sing in my room but not too loud as I would when I’m practising or performing.
Today we’re taking a look at the #WitsShutdown protests which are over historical debt and unaffordable accommodation, which have seen several students suspended, physical clashes between protestors and security and disruptions to the academic programme for many. In this bonus episode of We Should Be Writing, we let students unpack their views on what has […]
