‘No story is worth a life’

Ron Nixon,

Ron Nixon, of the New York Times, spoke about how to stay safe as an investigative journalist. Photo: Zelmarie Goosen

Many journalists have suffered whilst reporting or working in countries with laws that gag the media. Investigative journalism has cost many journalists their lives in the pursuit of informing the public.

It is the responsibility of the media to pull focus to issues plaguing the society – issues the public should be interested in – however this does not mean the journalist is not a person, someone with friends and a family

Anton Harber, Caxton professor of Journalism at Wits University, said one should take all the necessary precautions and learn as much as possible about apotentially dangerous story before immersing themselves in it.

“The biggest danger is ignorance. Be careful and understand a situation in as much detail as possible,” Harber said.

“No story is worth a life.”

According to Harber, in cases where a journalist might be arrested there are international networks that might responde with help. However, the ultimate responsibility lies with the news organisation toprotect the journalist. A news organisation will almost always support the journalist “if a story is important enough”.

Harber was himself arrested in South Africa while the editor of the Weekly Mail, now known as the Mail & Guardian. In the course of pursuing an investigation into the apartheid government, the paper was caught bugging a hotel room. The bug was discovered before any incriminating evidence had been recorded.

“Ethically it was wrong but I[only] regret getting caught,” Harber said.

Harber said if he faced the same situation again he would be “extremely hesitant”.

Ron Nixon, an investigative journalist for the New York Times, said the best way for investigative journalists to remain safe is to always let someone know where you are and always work in teams or pairs.

“Be aware of your surroundings and always let people know where you are. Including embassies as well. In case anything goes wrong,” he said.

Many journalists prefer to work alone because they’re after scoops. Nixon advises against this the information isn’t worth the risk of working without a safety net.

“Sometimes the information you are getting is not that exclusive.”

It is then up to the journalist to make an individual decision to either report the story, and possibly be first, or to be safe.

EDITORIAL: Powerful storytelling

PEOPLE speak of being investigative journalists and as we learn and aspire to become some of the best journalists of our generation, we look at these journalists as representatives of the “cream of the crop” in the field. This may ring true, based on our biases and the invisible journalism hierarchy, but French journalist Luc Hermann said it is a tautology to refer to “investigative” journalism.

In his talk Spinning health: How big pharma sells drugs he said every story we write we need to investigate and interrogate, investigative journalism is not a special category where this happens exclusively. In everything we do we must remember our mandate, which is to tell stories accurately and to inform people.

Info-porn

When people think of data journalism the first inclination is to switch off because we all know that “three in one journalists cannot count”.

New York Times investigative reporter Ron Nixon reminded delegates in the data journalism seminars that it is not only about mathematics but about sharing information and helping people understand that information. As journalists we fall into the trap of taking our information, throwing it onto a pretty visual and calling that journalism. A delegate referred to this as “info-porn” and reminded us that we need to remember that even through data we must tell a story.

Data journalism will play a vital role in the 2014 national elections in South Africa. The general public will need accurate and intricate breakdowns of how the polls stand and what that means for the electorate. In the data journalism discussions this was an important topic which served us well as journalists who will be involved in the coverage.

[pullquote]As journalists we fall into the trap of taking our information, throwing it onto a pretty visual and calling that journalism[/pullquote]In our “Your voice” section, we asked delegates what the most important skill they learnt was. For example, sitting in Heinrich Böhmke’s cross-examination for investigative journalists – he spoke of a tool he calls “inherent probability”. The basic principle of this is to question how believable your story is which will determine the amount of tangible proof you will need to have along with your story.

For example, if someone tells you they are late because they were stuck in traffic for 20 minutes you are more likely to believe that excuse from someone in Johannesburg than from someone in a small town like Springbok. The burden of proof on the person in Springbok is higher.  In his opening speech Alex Kotlowitz said: “As a writer your best friend is chronology. If you have it, use it and if you don’t go out and find it.”

Empathetic rather than sympathetic

Kotlowitz said it was important for journalists to be empathetic rather than sympathetic.  In South Africa we are fortunate to experience a broad media freedom. Although there are threats to this freedom we do not routinely experience death threats and corrupt editors as in some other countries.

Idris Akinbajo, a reporter from Nigeria who was central to investigations into oil corruption, spoke about his experiences. A sentiment that most of the Nigerian delegates shared was the negative consequence of exposing the evils of government and large corporations.  As young journos we learned from industry’s greatest and how to think on our feet.

If there is one thing you need to help you write better stories it’s to connect with people and make great contacts.
The Power Reporting conference was the best place to network. Reporting requires one to be courageous and work hard to tell the best story possible.  In the words of Kotlowitz: “Stories open apertures into dark corners of the world.”