A Wits school of arts graduate has been appointed as a new member of the editorial committee for the Nordic Journal for Artistic Research.
Wits dramatic arts graduate Eliot Moleba was appointed as the newest member of the editorial committee for the Nordic Journal for Artistic Research (VIS) in Oslo, Norway, on April 22, 2021.
Moleba completed an honours degree in dramatic arts in 2011 and has a master’s in critical diversity studies that he completed in 2016, both at Wits. He is currently working on a doctorate in theatre directing, which he began in 2019, at the Oslo National Academy of Arts.
VIS, the Nordic research journal is a biannual digital journal published as a collaborative initiative of the Stockholm University of Arts and the Norwegian Artistic Research Programme. They had an open call, from February 23 to March 10, for two new members to join their editorial committee of seven.
Johan Palme, editorial project manager of VIS, spoke to Wits Vuvuzela about the selection process. “We were extremely happy to receive 54 applications from every inhabited continent, including renowned professors from significant educational institutions,” he says. The steering committee at VIS then sorted the applications into a short list for the first meeting, and decided to offer the position to Moleba.
Palme says the new members are required to select themes for topics in the journal. They collectively select and provide editorial feedback on expositions published in the journal. The position as a member of the editorial committee usually lasts for two years. “The members are expected to put in about 80 hours a year, where reading and reflecting on the submitted expositions form the vast majority of the work.”
Moleba is currently developing a new play called Dreamcatcher. Photo: Provided
Moleba (33) told Wits Vuvuzela that to qualify for the position, it is a prerequisite to have strong art practice and be well acquainted with artistic research, preferably across several disciplines. He has worked as a scriptwriter and head writer for several children’s television shows and has directed and written theatre plays, some of which received residency in Germany, France and Wales. He has also facilitated creative workshops around the world, which he says influenced how he thinks and makes art.
He is one of the founding members of Play Riot. He was writer and director for theatre productions Sophiatown (2019), Pondoland (2014) and Sizwe Banzi is Alive (2011), to name a few. His television experience includes scriptwriting for Siyakholwa and Rivoningo, both children’s TV shows.
Moleba grew up in Mokopane, Limpopo where his passion for storytelling started at a young age: “Back in those days we did not have TVs, so I would often sit with my grandmother listening to news and stories on the radio.” Because he did not have the best memory for remembering all the details of a story when chatting with friends, he would fill in the gaps by making up his own story. “Very often people would love my version of the stories because they were slightly different,” he says.
“My academic and creative interests are located at the intersection between old and new South Africa, and how it shapes or affects young people.”
Moleba does not discount that his residency in Norway may have influenced VIS’s decision, saying it is expected that new members are somehow affiliated to and familiar with artistic research within the Nordic context. “It probably helped that I am not only based but also working within the context,” he says, and adds that he hopes to bring a unique perspective to the table and to broaden the scope of questions and concerns being addressed.
Palme says VIS is thrilled to have Moleba on board: “He is not only an excellent representative of the vibrant arts and academic world of South Africa but also a ‘sui generis’(unique) incredibly valuable writer, artist and thinker.”
FEATURED IMAGE: Eliot Moleba is a former resident dramaturge at the State Theatre. Photo: Provided
Focus is on drought at a watermelon farm, with paternity questions thrown in.
A genre-bending play reflects on how our past influences our present when it comes to gender-based violence and the objectification of black bodies. (more…)
Joburg Theatre hosts a play which tackles abuse through the eyes of the abuser.
Celebrating 30 years in new partnership with Drama for Life (more…)
FESTIVAL: “Hamlet” one of the productions from the 969 festival was chosen among the top 20 shows selected from the Grahamstown National Arts Festival. Photo: Zelmarie Goosen
Joburgers looking for a taste of the Grahamstown National Arts Festival have until Sunday to plunge into 969 festival at the Wits Theatre.
The festival showcases 20 of the top performances from art festivals main stages as well as the fringe.
Wits Theatre director Gita Pather called 969 festival a success with sold out performances all week. She said organising the festival is a lot of hard work but her job is made easier because she selects productions only from the Grahamstown festival to bring to Wits.
“This university is about collaboration, about pushing the boundaries of the work we do in whatever we do … and the Wits Theatre is about providing an incubator for new talent,” Pather said.
One of the key changes made this year was moving 969 festival closer to the national event in Grahamstown.
Pather said this year’s festival gained a unique aspect because it has been filled with immensely talented people and different plays which had a mix of dance, drama, physical theatre and stand-up comedy. “I think all theatres and all festivals reflect their artistic directors and their particular bent towards the arts,” said Pather.
One of the productions for the 969 festival, Hamlet directed by Jenine Collocott, had its first performance on Wednesday night with a good turnout. Collocott describes the play as a comedia delighte of the Shakespearean Hamlet.
Hamlet is a 35-minute performance which consists of comedy, physical theatre, and improvisation which is stylistically inspired by the story of Hamlet. It features actors James Cairns, Jaques De Silva and Taryn Bennett.
A student production, Ira, is a physical theatre performance which explores the strange nature of human emotions and how we express or supress them.
It is directed by Wits drama students Daniel Geddes and Mark Tatham. Geddes said he felt good about performing in this year’s 969 festival as it was his first time.
“It’s exciting and it’s also nice to have that it is also recognised in a bigger platform outside of student work,” he said.
They have also recently performed at film festivals in Grahamstown and Pretoria but Geddes says he is glad to be home at Wits because he enjoys the support of his peers.
“It’s nice coming back to Wits where your peers are kind of keen to see it,” Geddes said.
The 969 Festival was originally funded by the Johannesburg Development Agency and Wits University to give locals the opportunity to experience the national arts festival without traveling the 969 kilometres to Grahamstown.
If this storify does not load automatically, please click here.
MEANT TO BE: Witsie, Chelsea van der Merwe fell in love with South African sign language after attending her first class three years ago. Photo: Provided
Witsie, Chelsea van der Merwe, is the go-to-girl when it comes to making sure the deaf get heard.
Van der Merwe, a third year drama and South African sign language student (SASL), said Wits is one of the only institutions to offers a degree in sign language in the country. This year Wits also introduced an honours course in SASL, which is a first for the country.
Van der Merwe said she fell in love with sign language from the first class she attended.
“I went home after class that day and told my mom: ‘I want to sign, this is what I am meant to do.”
Van der Merwe managed to find a way to combine her passion for drama with her love for sign language by interpreting for and acting in many deaf films in Johannesburg.
“When they do a deaf production, they don’t even do auditions anymore. They call me straight away.”
Telling their stories
Van der Merwe administers theatre workshops for deaf people who use the platform to tell their stories and share the hardships of what life is like being deaf.
She said there was a deaf girl who told the story of being raped by acting it out on stage. Because the girl is deaf she couldn’t communicate to the police or to her family what had happened. She had also never been told about rape and did not know that she was not meant to bath before being tested for rape.[pullquote align=”right”]“Most people don’t know that sign language is actually not universal.” [/pullquote]
Another deaf man got tested for HIV and found out he was positive. He was not given a pre-test or post-test counselling or informed about the virus and how it can be managed with anti-retrovirals, because the counsellor could not communicate with him.
These educational productions create awareness about the deaf community in South Africa and expose the lack of support for them.
“Most people don’t know that sign language is actually not universal,” she said.
Van der Merwe was born in South Africa but has lived all over the world and was educated in Dubai.
Having dyslexia, she was sent to a special needs school for pupils with learning disabilities. In Dubai, special needs teachers are highly qualified and know how to teach these children, said Van Der Merwe.[pullquote]There are over 800 000 people in South Africa who are hearing impaired.[/pullquote]
“Moving back to Johannesburg was really hard for me because there is no place for dyslexic people in South Africa.”
Van der Merwe said in South Africa dyslexia is not seen as a disability and there are no “special concessions” for people with learning issues. Because of this she felt a connection with deaf people as another minority group which is compromised in society and marginalised.
“I just wanted to help people overcome the barrier.”
Empowering the deaf
There are over 800 000 people in South Africa who are hearing impaired. For them, getting an education is very difficult as they cannot meet the requirements to get accepted into university.
South African universities require applicants to have been educated in two official languages, but do not recognise sign language in this regard.
Van der Merwe has plans to start a company that will introduce sign language and deaf awareness to the corporate world. This would mean that banks, courts, offices hospitals and other institution will all eventually have a communication policy that includes the deaf.
Van der Merwe also teaches deaf children at St Vincent School for The Deaf in Melrose every Friday.