Wits hosts the first PSI Conference in Africa
Performance enthusiasts from all walks of life came from across the globe for the first performance studies international conference held in Africa, hosted at Wits University.
Wits University theatre and performance and Drama for Life departments took delegates and attendees on a journey around Johannesburg when they hosted the first Performance Studies International Conference, with theatre performances, panel discussions and presentations in line with the theme, Uhambo luyazilawula.
The conference was hosted between August 2 –5, 2023, with performances across several cultural sites in Johannesburg including but not limited to the Wits Theatre Complex, Soweto Theatre and Constitution Hill.
Performance Studies International was founded in 1997 to create communication and exchange among thinkers, artists, researchers, and activists working in the field of performance.
“We themed the whole conference around ‘Uhambo Luyazilawula: Embodied wandering practices’ and we located uhambo both as a practice and as a way of thinking about performance studies, looking at the ways in which journeying and collaboration and community function as fundamental ways in which artists and scholars within the African continent position and locate performance studies” said Kamogelo Molobye , the co-organiser of the PSI conference.
Wits Vuvuzela attended a presentation session called Ekhaya which translates as home from Isizulu and IsiXhosa in which music lecturer, Mbuti Moloi presented a paper on the significance of cultural diversity in higher education and what uhambo luyazilawula meant for traditional/African music.
One of the primary challenges he spoke to was bias. Moloi’s views of the bias towards African music comes from the challenges of the past in which African music was modernised.
When speaking to the solutions to some of the primary challenges presented, Moloi said: “There is one solution, we need to get back to ourselves as African people. We need to use higher [education] learning to get back to ourselves.”
In a different session Kwanele Thusi, a casting director presented his paper ‘I dance in my Mother’s language’ in which his argument was exploring the boundary between the body and its surroundings are blurred, all while the decolonisation of African Studies.
“The drivers of language still create and maintain cultural power so there is cultural order, this is seen through systematic foundations set in media, politics and sport…,” he said.
Thusi posits that an everyday example of this is job interviews, most black people struggle to express themselves well in English, which is the barometer of intelligence in those settings. As a byproduct, opportunities for employment and wealth creation remain limited.
“Growing up in KZN and moving to Johannesburg to find a job, I realised how much I struggled and when I spoke to my friends who were black, they also struggled the same way and I wanted to understand why it was so hard for a black person to be sufficient and happy”
“An attendee in both sessions Sihle Makaluza, a student from University of Johannesburg said, “The papers were thought provoking and have left me asking myself questions on what I am doing to get to my true African self.”
The conference was wrapped up at Constitution Hill where they focused on installations and panel discussions and the attendees and delegates were invited to a closing party.
FEATURED IMAGE: Bruce Barnes performs ‘These bones they walk” piece. Photo: Aphelele Mbokotho
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