Movie Review: Hear Me Move

Starring: Nyaniso Dzedze, Wandile Molebatsi, Bontle Modiselle

Directed By: Scottnes L. Smith

Vuvuzela rating: 7/10

Big23_hear_me_move commercial, South African films are so rare, besides the Afrikaans rom-coms of course, that as a citizen you want to celebrate every one that is released. Hear Me Move is a nice try.

Directed by Scottnes Smith, Hear Me Move might leave some people confused about a few things. South Africa’s first dance film is set against the backdrop of Johannesburg’s neon city lights and townships. Throughout the film, however, you wonder how they get from one place to another, they seem to pass between the two places without effort.

This colourful and pacey film attempts to bring the story of Muzi (Nyaniso Dzedze), the son of a famous pantsula dancer to the screen. Muzi’s father who tragically died 12 years ago becomes the driving force of the film and the reason for many of Muzi’s woes and triumphs as a dancer.

The popular township dance style called sbujwa is highlighted in the movie, and with a love story added to the mix, the built-up passion fizzles to a barely-there kiss.

The directing and producing is almost clean in its execution, and the music refuses to go unnoticed in a great way. But its clear fundamental errors were made at a scriptwriting level.

The premise of the ‘lost son’ looking for his father’s presence is forced onto the viewer and you’re left exasperated by it all. A film driven by events rather than character.

The hard work put in by the dancers is evident, and their bodies reflect this. If there is something to really appreciate, it’s the amazing eye-candy.

However their too-toned bodies are too contemporary and too exercised for the laid back, swanky, almost-too-skinny vibe we know to be sbujwa dancing, the film fails to capture that authentic township feel.

The high-end dancing and the ‘underground’ settings for the competitions, with famous judges and hosts, feels unrealistic and copied from American movies.

Not all is lost however, some moments are golden and they bring the story back to life. Mbuso Kgarebe, who plays the antagonist Prince, is formidably intense and Khanyi (Bontle Modiselle) who plays Muzi’s love interest has the kind of legs that go on forever.

It’s a fun film to watch, because of the dance elements, and as a South African it might be your duty to watch but it scores low on originality and authenticity.

 

 

 

 

Big acts not enough to get Witsies out of Wits.

FIERCE POETRY: Poet Lebogang Mashile spoke out against Israeli apartheid at the IAW concert on Friday. Photo: Michelle Gumede

FIERCE POETRY: Poet Lebo Mashile spoke out against Israeli apartheid at the IAW concert on Friday. Photo: ichelle Gumede

 By Katleho Sekhotho

Four big artists and free transport were not enough to get Wits students out to Bassline for a free concert, according to organisers.

A bus had been provided for the concert on Friday, the last event of Israel Apartheid Week, but then cancelled because of the low turnout, said Wits Palestine Solidarity Committee chairperson Shaeera Kalla.

Lebo Mashile, Tumi Molekane, Reason and Jr who were the acts for the evening, performed to a half-filled space at a free event.

The low turnout is in contrast to a comedy show held the day before at the Great Hall, which was filled to capacity, with some students being turned away.

Bassline has a capacity of up to to 1200 people. Less than 500 people were there, according to Bassline organiser Fattz Kgomo.

Kgomo said that despite the poor attendance, the night was still a huge success.

Tumi Molekane, popularly known for being part of Tumi and The Volume, told Wits Vuvuzela the event was a success: “They were loud you know, they were responsive … I think what I wanted to say to them, I think I said.”

Poet Lebo Mashile also received a warm welcome and told Wits Vuvuzela she participated in the concert because she’s ‘always been politically minded’.

Boycott Divestment Sanctions spokesperson Kamo Nakedi said organisers would work harder to promote future events.

“It will grow … It was the first time,” said Nakedi. “We can always do better.”