New manifesto aims to save museums

A newly launched manifesto hopes to save and preserve museums, galleries, and cultural sites in Johannesburg.   

Curators at several museums and galleries in Gauteng’s cultural hub used international museum day, to highlight the precarious situation they face as a result of the ongoing covid-19 pandemic. 

The manifesto is a collective effort, drafted and supported by institutions like the Apartheid Museum, Friends of Johannesburg Art gallery, the Johannesburg heritage foundation, Wit’s Origin Centre and the Constitution Hill, to name a few.  

The two-page document calls for a social compact between political parties, the business community, civil society organisations and the public at large, to make a commitment to recover, protect, and manage public art institutions.  

The manifesto points out that museums which house South Africa’s treasures and history faced extreme challenges prior to covid-19, but the pandemic has only hastened their decline. Several important art and historical institutions are on the brink of permanent closure if they don’t get help soon. 

International museum day, hosted annually on May 18, is an initiative by the international council of museums (ICOM) to raise awareness about the importance of museums as institutions for cultural exchange and enrichment. 

This year’s theme was ‘recover and reimagine’ which encouraged museums and communities to create, imagine and share new practices of co-creation for social, economic, and environmental challenges. 

Wits Vuvuzela spoke to Steven Sack, an independent artist and one of the curators that assisted in drafting the manifesto. Sack says the catalyst for drafting a manifesto, was the flooding at Museum Africa in November 2020. During a burglary, a thief stole a sink and broke a tap, causing the whole west wing of the museum to flood, and causing water damage to more than 100 photographs.

Coverage by the media on the closure of museums and sites like Liliesleaf farm and Mandela House further highlighted the need for action. “It struck me that we needed to lobby – [before the local government election]- political parties and get them to make a commitment to museums and it seems the best way to do that was to write a manifesto”, says Sack. 

The aim is to get parties to respond and endorse the manifesto to secure better deals for museums in the future. “We are asking political parties to make it a priority, that these are important institutions that need support”, Sack adds.

All museums built post-1994, which document the liberation struggle and stories of the marginalised communities in South Africa, like the Apartheid Museum and Mandela House, haven’t been able to re-open, because they’ve been set up as private and semi-private museums. Their well-being is dependent on feet through the doors, says Sack. The manifesto addresses these issues and wishes to prevent museums from having to be in this vulnerable position in the first place. 

Dr Tammy Reynard from the Wits Origins Centre and Janine Muthusamy, marketing and communication manager at Constitution Hill share Sack’s sentiments. “We have done huge revamps and maintenance work in the museum and updated the narratives and displays – histories are constantly changing and museums need to be at the forefront of those changes”, say Reynard. The origins centre has also created an augmented reality experience and offers online seminars and museum tours to pivot during the pandemic.  

According to Muthusamy, Constitution Hill has reimagined itself by repurposing museum spaces to support local NGO’s, education and creative sectors  

The social compact and programme of action will be made public on September 24, 2021, on Heritage Day, which will request a report on the state of the City of Johannesburg’s museums and galleries.

FEATURED IMAGE: Priorities and action stated in the Johannesburg manifesto. Photo: Supplied. 


Cool Kid: Zekhu Kheswa

Different environments can affect how one understands and views the world. 

Zekhu Khwesa is a Bachelor of Music student at Wits University, a budding musician majoring in jazz vocals, and goes by the stage name “Lord Zekhu. The Durban born musician said music has been a part of his liver ever since he can remember. “At the age of 11, I would practice at the staff kitchen at my school, that is when one of my teachers noticed me and gave me proper lessons,” he recalls.  

Zekhu creates alternative, Afro-Pop, Trap and RnB music. He manipulates and fuses sounds from different genres that articulate and present the audience with something unique to listen to. “Music needs to introduce different taste, this helps broaden and open the listener’s minds to new, informative and insightful things,” Kheswa said.  

The photograph that inspired Zekhu to write the JungleFever collection Photo: Sedibana Mpho

The love of music runs in the Kheswa family, Zekhu’s mother is an Opera singer and his uncle is a music conductor for orchestras, and lectureat UKZN. At the age of 10, Zekhu would go to UKZN to practice playing the piano. He tells Wits Vuvuzela that as a child he never realised that he was following his mother and uncle’s footsteps, but it is all making sense now.  

Zekhu released his first collection JungleFever on 3 May, 2021. The collection consists of 3 solo singles, the singer explained the work behind JungleFever was inspired by photography shot by his friend, Sedibana Mpho. “I mostly create my work from analysing and interpreting art,” he said.    

Zekhu initially pursued modelling when he first got to Braamfontein in 2014. But he said the experience came with a lot of stress and anxiety, and eventually lead to Zekhu slipping into depression, that’s when he decided to cut ties with the industry altogether. It was one of the biggest challenges Zekhu has faced, “I inspire myself by looking back at what I have done and look what I am going to do next,” he said.

Growing up in a musicafamilyZekhu is inspired by greats such as Michael Jackson and Kanye West, who influenced his fashion and dance style.  “At 9 years old, I would pick outfits for my mother to wear when she would attend meetings at school,” he adds. 

Zekhu had also suffered from the impact that the covid-19 pandemic brought in people’s daily lives. He used to have paid gigs which became scarce, he said the lockdown period was tough, he saw it as an opportunity for learning and regrouping., “Time alone for an artist is the foundation of creativity,” Zekhu said.  

Zekhu is currently working on another project “Cozy Collection” which is also inspired by the photographs he has taken before. 


FEATURED IMAGE: Image of Zekhu Kheswa Photo: Alfonso Nqunjana