Strike action to continue at Wits

by | Jan 29, 2018 | Featured 1, News

Wits workers march down Jorissen street in Braamfontein on Monday, January 29. Photo: Ntando Thukwana

The workers’ strike at Wits University is expected to continue tomorrow, January 30, following an impasse in negotiations between the institution’s management and unions.

After lengthy engagements that started over the weekend, unions and Wits management met today in a meeting facilitated by an independent commissioner where the institution’s latest offer was discussed. By the end of the day though, no agreement had been reached and as a result the strike is set to move into its seventh day, according to Nehawu chairperson for the Greater Johannesburg region, Columbus Ncuthe.

Acting secretary for Nehawu Wits, Tumisho Madihlaba, said that the university’s newest offer is 7% for grades 5 to 8, 7,8% for grades 9 to 15 and 9.2% for grades 16 and 17. Wits had previously offered an 8% increase for the grades 16 and 17 with 6,8% across all other grades.

Ncuthe, told Wits Vuvuzela that, “They (Wits) proposed that for the lowest paid (grades) they are giving them 9.2%. That’s what’s in discussion now, among other things,” Ncuthe said.

He added that the long service award in cash form and medical aid increases formed part of today’s discussion. “If the parties agree then we might summarily suspend the strike,” he said.

Sam Mangena, chairperson of Wits Nehawu, speaking to the workers, addressed the no work no pay approach that the university had applied for the duration of the strike. He told the striking workers that the matter was under discussion with management. The draft offer from Wits suggested that workers may be allowed to use their leave for the work days lost during the strike action.

“We don’t want your money to be deducted,” he told the workers assembled at Solomon Mahlangu House this afternoon.

Wits Communications officer Buhle Zuma told Wits Vuvuzela that the university had plans in place to deal with the disruptions on campus. “Some University activities were disrupted (taps were opened so that bathrooms were flooded), but contingency plans have been put in place … Classes start on Monday, 5 February 2018,” She said.

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Nehawu on strike at Wits University

by | Jan 24, 2018 | Featured 1

Workers at Wits University hold a picket in the Solomon Mahlangu House concourse on Tuesday, January 23. Photo: Odwa Mjo

Wits University staff affiliated to the National Education, Health and Allied Workers’ Union (Nehawu) have embarked on a strike following a deadlock in salary negotiations with the institution on Tuesday, January 23. This follows two weeks of lunchtime pickets during which the union engaged university management over annual salary increases.

Wits Nehawu acting secretary and spokesperson for the Unions’ Caucus – the joint representative body for Nehawu, the Academic Staff Association of Wits University (Asawu), the Admin and Library Staff Association (Altsa) and the National Union of Metalworkers of South Africa (Numsa) at Wits – Tumisho Madihlaba, told about 500 Nehawu members during Tuesday’s picket that Wits management had only revised the offer for grades 16 to 17 to 8% while the offer of 6,8% for all other grades remained the same. “They are saying they do not have a mandate to renegotiate or review the offer,” Madihlaba added. Members of Nehawu at Wits include staff of the security and cleaning services, sport administration, libraries and bus drivers.

“Cost of living has not remained the same since December 2014 when we signed that multi-year agreement of 6%. But this university believes that the 6% of 2014, we will still survive on,” he said.

Wits library staffer, Pisto Marema, told Wits Vuvuzela that union members were demanding a wage of at least R12 000 a month. “We need 9%. At least that can take us somewhere. As we sit now, most of us can’t even afford to apply for a bond,” said Marema.

According to Madihlaba, Numsa and Asawu will be joining the strike as of today, January 24. A statement released earlier today by the office of the vice-chancellor, Prof Adam Habib, confirms that Numsa intends to strike and has given the university 48-hour notice of its intention to do so. Asawu is set to hold a Special General Meeting with its members on Friday, January 26.

With less than two weeks before the academic year kicks off, Madihlaba added that strike action will continue until the union’s demands are met “We are going to shut down this university and management will not believe it,” he said.

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Restoring the spirit of a village

by | Nov 11, 2017 | Indepth2017

The Credo Mutwa Cultural Village is a site of importance for African beliefs, spiritualities and traditions. Rich in African aesthetics, it is tucked away in the middle of Soweto, in Jabavu, in stark contrast with the eventful, urban and modernised township lifestyle.

The sound of crickets and chirping birds, and the swaying of tree branches in the gentle breeze is magnified in the tranquil and serene setting of the Credo Mutwa Cultural Village. Secluded in the woods of the Oppenheimer Gardens historic park, the village seems to be a world away from Soweto, which is only steps away.

The sculptures, so robustly representative of the heritage of the Zulu, Sotho, Ndebele and Arab people among others, are all supersized. The village is also a holy grail for traditional healers because of its greenery consisting of indigenous plants which are used for healing and other traditional purposes.

“ALL LIARS, FOOLS, SKEPTICS AND ATHEISTS MUST PLEASE KEEP OUT!” These are the words on the village entrance’s welcome board, undoubtedly capturing the attention of many visitors. The signage, in black and red bold hand lettering, further cautions that a curse lasting seven years may be cast upon any visitors who destroy any part of the place.

KWA-KHAYALENDABA: Sculptures in the storytelling arena of the village. Photo: Ntando Thukwana.

“There are a lot of people who are skeptical of the village,” says the well-spoken man who spends most of his days at the village. The 35-year-old says he was only six when he paid his first visit to the village, and, since then, it has been a place of solace where he also undertakes some of his spiritual and traditional rituals.

“My name is Mojalefa Njase”, he says, and, adding in emphasis, “wa ha Mofokeng (a child to the Mofokengs).” Njase is his mother’s surname, while Mofokeng is his father’s. He says that according to the BaSotho people, if your parents were never married, you use both your parents’ surnames to symbolise that, ultimately, you are an heir to your father’s family.

Njase wa ha Mofokeng says the sculptures’ eerie and strange qualities create unease in some visitors. Not surprisingly, since some are triple headed and others have skulls on strange parts of the body.

“Ntate Mutwa (Mr Mutwa) did not create the sculptures to be worshiped, but some people twist it and think that the people who are living here are worshiping the sculptures, because we refer to them as Modimo mme, Modimo ntate, Modimo morwa and Modimo moya o halalelang (God the mother, God the father, God the son and God the holy spirit). The truth about them is that he wanted us to keep our heritage so that we could pass it on and remind ourselves constantly that this is where we come from,” Njase wa ha Mofokeng says.

Siza Mpye (48) a Christian woman and first time visitor, was not moved by the caution at the entrance warning about the curse. “I am not superstitious,” she shrugged.

However, she was not convinced by another quotation at the village: “A woman is equivalent to God whereby she’s given the honour as God the mother.” Her response was that, “As a Christian, I’m hearing this for the first time and it doesn’t make sense. I don’t dispute that women are powerful leaders and deserve all the respect.”

NDUMBA: A traditional medical clinic in the cultural village. Photo: Ntando Thukwana

In 1974, traditional healer, author and artist, Credo Vusamazulu Mutwa, was given a piece of land with which he created the cultural village, erecting sculptures and homesteads of different African tribes to demonstrate and teach people how different tribes in Africa lived.

The Village was built for the purposes of preserving traditional beliefs of African people in a society that was fast developing towards western beliefs.

During a time of political unrest in the apartheid era, Mutwa is said to have been misquoted by an Afrikaans publication, and this led to student protesters burning the village down. According to the current village dwellers, he was misquoted as having said that the apartheid government should send armies to attack students rioting at the time.

Njase wa ha Mofokeng, who describes himself as a “cosmopolitan man”, says he received his calling three years ago and has still not accepted it, citing the difficulties that come with practising as a young traditional healer.

“As an individual that grew in this cosmopolitan life, it’s not something that one would like to follow and just leave your life behind,” he says.

Mutwa’s renouncement of Christianity in favour of African beliefs was met with a lot of controversy and many believed that he dabbled in witchcraft because of his boldness and unapologetic stance on African beliefs and traditions.

He is said to have predicted the September 11, 2001 Twin Towers catastrophe by way of a painting that hangs in the village’s Green Room that is signed “1979”, long before the crash.

Another claim that has been met with a lot of controversy is that he predicted the HIV/Aids pandemic, and that this is represented in his village in sculpture form.

A phase of neglect

ructures, such as the KwaDukuza Village which is representative of Zulu people’s huts, have been newly thatched.

Before 2008, the entire village had been under maintained resulting in it being crime infested and a danger to surrounding locals.

Lebo Sello (42), a prophet and the site manager of the cultural village, who speaks of Credo Mutwa and the village with the greatest admiration, has been using the village as his sacred sanctuary for almost 10 years.

Sello started making the village his home in 2008 when it was being misused and abused by locals. In him was a desperate need to restore the legacy of Madala (sir) Credo, as he fondly calls him, and much like Mutwa, to continue spreading teachings about African ways of living, especially for the people of Soweto.

SAVING GRACE: Site manager Lebo Sello
keeps bad elements out of the village.

Noma yini bhoza yami, woza (Anything my boss, come),” he says in mimicry of the troublesome young men addicted to nyaope that he constantly has to keep out the site.

“The village was not being used the way it was supposed to be used,” Sello says. “It was destroyed, e nne eli pleke ya di tsotsi. Batho ba tsuba di drugs, ba e fetotse brothel (It was a place for criminals. People used drugs here and turned it into a brothel).”

Sello seemingly possesses a sixth sense that is able to notice even the slightest of movements in the village. He looks over my shoulder and with a squint of the eye, looking into the distance, he spots a pedestrian coming from the end of the village attempting to use it as a shortcut to his journey. “Hey, kgotlela moo otswang teng! (Hey, go back where you came from!) That is not the entrance,” he shouts.

Sello says they have to deal with such challenges daily. “I had to fight first by cleaning out the drug users and the gents who chilled here. I started fighting those that turned this place into a brothel. Even though it’s still happening, it’s happening on a very small scale,” he says, gesticulating with index finger and thumb in front of his face. “So, public indecency, those are the challenges we still have,” a weary Sello says.

Makhosi Jabulani Sibanyoni (52), a traditional healer who has been practicing for 34 years, uses the village not only for his personal spiritual betterment but as a graduation space for his trainees and as a place of teaching for his sangoma initiates as well.

He is the founder of the South African Traditional Medicines Training programme and a member of the Gauteng Traditional and Faith Medical Practitioners.

Sibanyoni attributes the neglect and damage of the village to the student riots that took place in 1976. “After the ’76 riots a lot of negative things happened which we are still trying to get rid of, hence there’s renovations,” he says. “We’re trying to revive the spirit of this place. A lot of wrong has been happening because of the neglect.”

Although the process of cleaning out the wrongdoing started in 2008, renovations to the village started early in 2017 and were expected to finish in December.

The village’s restoration is administered using funds from donations made mostly by visiting tourists.

The heritage site, as declared by Joburg City, is more than just an attraction for the amusement of tourists. The village has a constant bustle of traditional healers looking to pick traditional plants for their medicinal practices as well as Soweto residents needing to find a noiseless space to connect with their ancestors.

The village has been used by the locals to perform cleansing rituals away from their busy lives at home.

Sibanyoni describes his divine discovery of the village saying a dream led him to it in 1989. “I dreamt of this place and then I came just for a visit and I saw the village and started frequenting it. Ngize ngizo phahla (I’d come to appease my ancestors) and connect with the spirits.

Plants used for traditional healing: Intelezi or skanama is used for cleansing three months after the death of a family member.

Then I stopped coming here for quite a long time until 2014. What brought me back here was wanting something that could connect amathwasa (sangoma initiates). We needed a place that would take us back to tradition,” adds Sibanyoni.

Contrasting the current state of the village to how it was before it became rundown, Sibanyoni says, “It was still very tidy, very neat, very very sacred. When you came here as a lady you wouldn’t come here dressed in trousers and without a head wrap.

A guy wouldn’t come here in shorts. Your appearance would be respectful. That was a basic law of this place and you would connect with your ancestors, from the village’s entry point, you’d feel a sense of connection,” he says proudly.

Njase wa ha Mofokeng says his mother was a traditional healer who used to frequent the village for her own spiritual practices. The village to him, extends to more than just a sacred space for centering his spirit and mind, it is an important part of his relationship with his mother. Here, as a young man, he watched very closely her practices.

“My mum was a traditional healer. The mother to my mum was a traditional healer. I knew that they came here and did some rituals,” he says as he reminisces about her.

“When I had my down times and my high times, I spent time here. To revive my soul and spirit. One of the reasons that made me love and be interested in this place was my mum. Mme waka natla mo a dula a tlo pahla a tlo batla moreana (My mum used to come here to appease her ancestors and to look for medicine).

The whole Credo Mutwa Village has indigenous plants,” Njase wa ha Mofokeng says.

This aloe variant is used to flush out toxins in the blood.

Despite the lengthy process of the renovations, this village continues to be a significant part of the lives of the likes of Sello, Njase wa ha Mofokeng and Makhosi Sibanyoni who come from different walks of life in the excessively busy Soweto township.

Since Sello’s attempts at the village’s restoration, the village welcomes members from the Soweto community to join in on the Shamanic drumming sessions held each Friday as well as the celebration of annual rituals welcoming the four different African seasons.

“This place helps me to connect with my inner being, that’s why it’s so very important to me. My favourite teaching is when they speak about the importance of a woman in this world. It brings me back to who I am and where I come from,” Sello says.

Sello truly is the hope of the village. If he had the chance to have the world in one place at the same time, he’d tell them, “Idlozi likhona, liyaphila (Ancestors are real), they are not demons,” he says.

FEATURED IMAGE: Huts at the Credo Mutwa Village. Photo: Ntando Thukwana.

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Q&A with Kanyisa Qaba

by | Oct 9, 2017 | Featured 1, News, Opinion

FIRST-YEAR BA Law student and fashion designer Kanyisa Qaba, has been running a clothing line, House of Manik, that caters for youth. She started the clothing line in high school with a friend, but has been running it as a solo operation since 2015 when the partnership ended. Wits Vuvuzela caught up with the 20-year-old ‘stylista’ to find out about how she draws inspiration from international trends and fits them in the South African fashion scene.

Kanyisa Qaba’s House of Manik                                 Photo: Provided

How would you describe yourself?

I would describe myself as a very motivated person, a very hard working person. I’m very direct and I also like to have fun. I’m a free spirit.

 

Why the name ‘House of Manik’?

I chose House of Manik by default. I wanted to name it Manik. When I was registering the company, Manik was taken so I decided on House of Manik.

 

How did the business get started and what was the inspiration behind it?

The business started out in 2014, first as Manic UK. The ‘Manic’ part of it, we just liked the name and then the UK stood for [the first letters of our first names]. When Unathi decided that she didn’t want to be part of the business anymore, I decided that “fine let me just keep the Manic but then change the C at the end of Manic, put a K which represents obviously my name, which is Kanyisa”.

What inspired the business was the fact that we didn’t want to ask our parents for money anymore. We thought, “Let’s do something for ourselves and let’s emancipate ourselves financially.”

 

How is your business funded?

I regenerate capital through sales and my parents have been very supportive of the whole thing. My mom put in an initial investment of about R10 000.

 

Who do you design for and why?

I have international trends in mind and things that will obviously sell. I am a business so I need to be able to keep the assembly line going. But I also have specific people like umama [my mother] for instance. She explored herself fashionwise in the 80s and 90s, so I take inspiration from her old clothes.

 

How do you handle varsity and running House of Manik?

It is tough because at some points, one has to fall. I have to just know what is right at the time. So obviously if I have a lot of work, I’d rather let the business kind of slide or take a back seat because at the end of the day I came to Wits to get a degree so that needs to be my number one priority. It has its challenges but it’s so rewarding.

 

What challengeshave come across?

There are so many people doing the same thing. So originality and just trying to express yourself as a fashion designer and as a business person without letting one of the components fall. That’s very challenging for me.

 

Who are your style icons locally and internationally?

I would say locally, my mother. Half of my stuff that I wear are hers from the 80s. Internationally, I would definitely say the likes of Rihanna, Gigi Hadid and Kendall Jenner. I like that very-high-fashion-but-comfortable look.

 

Do you get designers block?

I never get designers block. Sometimes I feel like there’s too much out there for me to even handle. My ideas are endless. I love designing, putting trends together and the whole creative process of coming up with a garment, trying to find material that will work. All those things for me are just so rewarding. I never get bored and I never run out of ideas.

 

What collection are you currently working on?

I’m really focused on selling Ebony and Ivory which is our current Spring collection. However, I am designing a capital collection which basically means that it’s a collection that is for the brand and the collection is going to be called Customs by Kanyi. So I’ll be starting off with my own ideas and making myself my own custom range and kind of spreading out from there. What I’m going to be doing with Customs by Kanyi is that I’m going to be making customised items for specific customers. So if a customer approaches me, I’ll try and take whatever idea or concept that they have and make it into a garment.