This project takes the reader on a journey across lands to explore the complex nature of memory; leaving them wanting to explore their own.
Uncovering Memory is a powerful book which unpacks a research project aimed at working through personal, familial and societal memories by using film to locate oneself in the current day.
Living in post-colonial and apartheid South Africa, the book recognises that South Africans live in a society that is filled with imagery from the past, and it wants to unearth how these images affect people’s sub-conscious minds.
Written by Wits film and television professor, Tanja Sakota and published by the Wits University Press in March this year, the book is compilation of understandable and practical examples of the power of practice-based research, film and autobiographical style of academic writing that draws on and analyses the author’s own lived experiences.
For example, the book seeks to answer the question of how a student in the 21st century can look at a statue of Cecil John Rhodes during #RhodesMustFall in 2015, and be so emotionally charged to throw feces on a statue of Rhodes. In an interview with Wits Vuvuzela, Sakota describes spaces and places around us as, “deeply entrenched with the memory of the past”.
Using the camera as the primary research tool, Sakota and fellow participants walk through chosen areas which represent something historically important to that researcher, and later, they narrate and critically unpack the impact these spaces had on them. In doing so, they seek to “uncover memory through space and place” to try and “make the invisible, visible through a camera.” Sakota does this in her book as well as in a series of short-film projects under the same name as the book.
Wits Professor Tanja Sakota is all smiles when showing her newly published book Uncovering Memory on April 28, in front of the Wits theatre. Photo: Seth Thorne
In these films, released and explained in tandem with the book, participants explore their own historical trauma. Specifically, and most memorably, Sakota explores her parents own personal trauma through walking along the train-tracks in Poland which once transported millions to their death during the Holocaust in her own short film titled, Shattered Reflection. The topics that Sakota uncovers of her own are at times heart-breaking memories of both past and present, through these spaces.
The book is separated into three main parts: research with students, then colleagues, and finally the authors. The research focused on locations such as Johannesburg, Cape Town, and Berlin.
As much as each part of the book provides well thought out ideas of the subject matter, the work becomes more powerful for the reader as the book progresses. This is due to the increasingly personal style of writing, where Sakota eventually finds herself central to the research, where she is the filmmaker and researcher unpacking both her own personal and family trauma.
The book challenges the concept of research being separate from oneself, serving as a key reference for students and researchers (particularly filmmakers) interested in undertaking a similar journey of uncovering their own memories, in attempts to locate who they are in a postcolonial space.
The book does not have a conclusive ending, but rather serves as a starting point for its readers to use.
An immortalisation of how the late Archbishop Desmond Tutu inspired South Africa to be a society where peace could prevail.
In her documentary, A Tree Has Fallen – Remembering Desmond Tutu, Swedish journalist Marika Griehsel shows the religious stance of the late Anglican archbishop on a politically-fragmented apartheid South Africa.
A compilation of archive material and interviews, this documentary is not only focused on the apartheid past but also includes present-day footage of children being asked to identify the 1984 Nobel Peace Prize laureate. Its focus is on comparing the type of South Africa he imagined at the dawn of democracy to what the citizens are currently experiencing.
Tutu is famously known for the quote, “If you are neutral in situations of injustice, you have chosen the side of the oppressor,” from a speech given at Stanford University on Martin Luther King Jr. Day in 1986. In the documentary he is introduced to the viewer as a liberal Christian – he applied the teachings of the religion based on social needs rather than what is traditionally taught, such as staying strong in one’s faith and prayer while waiting for a miracle from God.
In A Tree Has Fallen, Tutu describes himself as someone who became a leader by default because the political leaders at the time were in exile. Griehsel does a good job reflecting this statement in reality by showing the viewer Tutu’s transition from standing in front of a pulpit at church to standing at a podium at political rallies, yet still in his Anglican church attire.
Through Tutu’s statements such as, “No human being is beyond the love of God,” Griehsel shows the viewer how the imagination of a “rainbow nation” – coined by Tutu for the post-apartheid multiracial South Africa – began as not only a call to unite all races but also Africans in their diversity.
In an apartheid society where Africans in South Africa were divided along tribal lines and by political affiliation, Tutu is shown emerging as a non-political, pro-peace preacher to the people of South Africa. This is coupled with some parts of an interview by the same producer of this documentary, Griehsel, done on behalf of the Nobel Foundation.
Students and staff watch A Tree Has Fallen – Remembering Desmond Tutu at the Wits school of arts cinema. Photo: Michael Jaspan
On Tuesday, April 25, 2023, at the Wits school of arts cinema, students and staff members had an exclusive chance to see the documentary before its unknown release. Griehsel told Wits Vuvuzela, “I think he is one of our times’ most inspiring leaders, like Nelson Mandela.”
Griehsel does well in visualising the close friendship between Tutu and the former president in the documentary. The use of close-up shots on footage of them holding hands after Mandela was released from prison; footage of their meeting during their pension years and multiple clips that have Tutu referring to Mandela are used as great indicators to the type of friendship they had. In one of the clips, Tutu is caught on camera referring to Mandela in a humorous way: “…he has a poor taste in shirts.”
In the Wits Vuvuzela interview, Griehsel continued to say, “I am very grateful that I was allowed to screen the film [at Wits] and I hope that it will inspire young people and those who have seen [the film] to ask themselves: ‘What can I do?’ ‘What is my role?’”
According to Griehsel, the compilation and production of the documentary began in 2001. With the help of a South African editor and principal photographer, Michael Jaspan, it screened for the first time at the September 2022 Göteborg Book Fair in Sweden.
Vuvu rating: 8/10
FEATURED IMAGE: Pictured at the screening of the Tutu documentary, on the second row, left, Minister Counsellor of the Embassy of Sweden in Pretoria, Christian Fogelstrom, and in front, the producer of the documentary, Marika Griehsel. Photo: Michael Jaspan
Africa’s Gold Mafia made up of self-proclaimed prophets, diplomats and gangsters caught in 4K smuggling gold and ‘washing money’.
A four-part investigative documentary produced and aired on news channel, Al Jazeera, has blown the lid on a syndicate that facilitates well-orchestrated money laundering services for criminals. The first episode, The Laundry Service, aired on March 23, 2023 and new episodes have come out every week since.
The documentary took two years of investigation and much of it hinged on the undercover work of three reporters, who relied on hidden cameras and microphones to catch those implicated red-handed.
Leading the investigative unit (iUnit) is ‘Mr Stanley’, a Chinese gangster in search of money laundering services. Then there’s ‘Jonny’ (or the Hawala Man) a black-market trader who moves money across borders without using banks. And lastly, ‘Ms. Sin’, Mr Stanley’s financial advisor.
The first episode profiles Kamlesh Pattni, a pastor who classifies himself as Brother Paul, and the founder of Hope International. Using his pious cover, Pattni manages to get close to several African presidents and ‘work with them’ on a number of shady deals.
Pattni’s greed is bolstered by his political connections, which enable him to get exceptional licenses to export gold from country to country. Just when it seemed the authorities might be onto him and prosecute him for his crimes, particularly stealing taxpayers’ money, he relocated to Zimbabwe from Kenya.
Pattni does not work alone, his accomplices include Ewan Macmillan and Alistair Mathias. Macmillan has been in and out of prison countless times from the age of 21. He stands accused of smuggling gold worth R436 million through an untraceable bank account in Dubai.
The more unassuming of the two, Mathias, earned his gold smuggling stripes in Ghana and as the group’s ‘financial architect’, builds money laundering schemes for corrupt politicians and criminals.
What stays with the viewer beyond the shocking revelations, is the lengths the iUnit journalists went to, to expose all of the things done behind closed doors. It successfully tracks the illicit and seemingly commonplace way corruption robs resource rich nations of their riches.
The documentary comes to show how even people who claim to be prophets cannot be trusted, as seen through Pattni and Prophet Uebert Angel, a Zimbabwean diplomat who uses his government post to facilitate gold smuggling.
Investigative journalism of this kind clearly still has a place and purpose in exposing wrongdoing and holding people to account. All the episodes are free to stream on Al Jazeera’s YouTube channel.
Vuvu rating: 7/10
FEATURED IMAGE: Al Jazeera Gold Mafia Cover. Photo: Screenshot/AlJazeera YouTube
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