The hiring of influencers by political parties deprives voters of the opportunity to interrogate what politicians have to offer.
With the 2024 elections around the corner, politicians can be expected to use celebrities and influencers to persuade South Africans to vote for their parties.
Celebrities have become central figures in modern politics globally by using their influence to lead party campaigns and social awareness campaigns. South Africa is not a stranger to this kind of culture. In the 2019 elections, celebrities such as Bonang Matheba took to Instagram with the likes of Cyril Ramaphosa, the ANC presidential candidate, telling followers to follow their lead and vote for the ANC.
Four years after the success of Ramaphosa’s campaign, Matheba is singing a different tune about how the ANC has failed the country. This proves that she did not have the expertise to make any politically influential statements in the first place because now she is calling for Ramaphosa to resign.
The fusion of politics and pop culture has not served our democracy well as thousands of people would have taken endorsement of politicians by Matheba, DJ Zinhle and the late Kiernan Forbes at face value rather than interrogating their utterances.
Some celebrities even take the baton and run with it into politics, as proven by Donald Trump who moved from The Apprentice showto the White House as the US president. Media reports slammed his term in office because of a lack of expertise to make the right decisions that even saw him refusing intelligence briefings that were crucial for his position.
Brookings, a public policy organisation based in Washington, USA reported that his lack of understanding of the political space made Trump to shut down resources such as the global health security team that would have helped minimise the effects of the coronavirus pandemic. “Most American presidents fail when they cannot comprehend the government they inherit,” the organisation said.
Recently in South Africa we have witnessed Kenny Kunene who became famous in 2014 for eating sushi off naked women become an acting mayor of Johannesburg for a day at the beginning of May. Questions of his capability to carry out the duties were raised because of his position as an entertainer. I was one of those who questioned what made him drop the chopsticks and move into politics and why he was entrusted with such responsibility.
An article in the journal Political Psychology highlighted that “Research has shown that a politician’s involvement in a scandalous behaviour can severely damage candidate evaluations and may also decrease voting intentions.” This could cause voters to have mistrust when celebrities move from the entertainment industry to politics.
This raises the issue whether politicians should stick to being public servants and celebrities remain influencers and entertainers. But what qualifies one to be a politician? In 2018 the Mail & Guardian reported that “Many MPs insisted that educational qualifications are not the key to a seat in Parliament — being a good politician is what counts.”
The South African Constitution gives everyone the right to freedom of expression, but that right comes with responsibility. During the 2024 elections, I would like to see less of influencers in the political space and if we do see them, they should be aware that words have meaning. They should educate themselves about the parties they are endorsing to their followers.
I would like to see more politically present politicians with a focus on service delivery rather than those with a social media presence. South Africa is dealing with crises of water and electricity among many challenges. As a voter I would rather know what the different parties plan to do to solve these rather than listen to celebrities who see politics as the next paid campaign.
This thrift maven is not only drastically growing her own local, inclusive, sustainable business, but she also empowers others to do the same.
Wits graduate Gabrielle Onay has redefined much of the second-hand scene in Johannesburg through their thrift store “Crybaby Thrift” and popular sustainable flea market “Picnic and Thrift”.
Born in 1999 in Johannesburg, Onay describes herself as a “seichel” – a Yiddish term which is associated with someone who uses ingenuity, creativity, subtlety and nuance in their work and life.
Sustainable businesswoman Gabrielle Onay posing in her office in front of many of the things she is proud of, one being her BA degree from Wits. Photo: Seth Thorne
While doing her undergraduate BA degree in sociology and Portuguese – she would later achieve an honours in sociology – Onay wanted to find a way to make money as a university student to not only feed her cigarette addiction but to pay for fees.
With a lifelong interest in fashion, “thrifting” (the reselling of second-hand items) and passion for sustainability, culminated in her online business. Onay hates everything about fast fashion due to its harmful effects on both labour and the environment. “[Big companies] have proven themselves as bad for this earth,” she said.
In 2018, she began marketing her second-hand clothing on Instagram using the name “Crybaby Thrift,” which gained a substantial following and quickly expanded into selling merchandise made with upcycled clothes. In the process of upcycling, Onay uses businesses run by other Wits students to print and embryoid designs.
In an interview with Wits Vuvuzela, Onay said that she believes that a new future of exchange is dawning – with thrift being its new currency. “Sustainability is our generation’s way forward,” said Onay.
In 2019 Onay, alongside sustainable gift shop owner and close friend Ruby Prager created a market, Picnic and Thrift, comprised of young business owners from the university community. Onay described them as “the thrifters of Wits”.
Underestimating their pull, Onay and Prager needed to find a bigger space after attracting several hundred visitors to their own backyard in Houghton. The monthly market attracts around 2 000 visitors, with around 40 thrift and sustainable product stalls.
The market also prides itself on being a “queer-friendly space” – one which allows members and allies of the LGBTQIA+ community to not only grow and support their businesses but allow for free, unfiltered self-expression for attendees. Truthfully so, the event has become very much synonymous with the Johannesburg queer scene.
Rewoven, a company that sells materials and products made from textile waste, came across Onay’s work, and wrote the following:
“Crybaby Thrift sits in the heart of queer eccentric culture – it is a curated and unique brand that is centred around sustainability, high fashion, and ethical consumption and development. Crybaby Thrift is also a community and small business development hub.“
Onay describes this as intentional to change a narrative around the Joburg queer community as “not just being associated with hard nightlife.” She describes the space as “lovely, gentle and welcoming.”
Prager described their pure happiness at witnessing Onay’s business and personal growth. “Watching Gabi [alongside other student businesses] grow in the space that they have, has been incredible. I cannot wait to see what they do next. I cannot wait to see what we do next.”
As much as Onay has achieved in this sustainable business adventure, she says that she is just getting started. So, watch out fashion industry – Gabrielle is coming for you one pre-loved item at a time.
FEATURED: Thrifter and businesswoman Gabrielle Onay sorting through her upcycled Crybaby Thrift clothing products. Photo: Seth Thorne
Audience members were lost in translation from time to time but the appreciation for art trumped any temporary confusion.
A rallying call to hold onto what you can be proud of, and a celebration of South African indigenous languages were central at the inaugural poetry concert – Uphethen’ Esandleni?
The Wits SRC in collaboration with 2019/2020 former SRC member Samantha Mungwe hosted the concert at the Chris Seabrooke Music Hall at Wits University on the evening of Thursday, May 18.
Samantha Mungwe is a two-time Wits Alumni, poet and actress. The concert was inspired by the reaction she received from a recital she posted on YouTube in 2021. Uphethen’ Esandleni? – meaning ‘what do you have in your hand?’ – was the question she was asked in her poem, as she held up a degree scroll in her hand.
A duo of energetic MCs in SRC Legal Officer, Lesego Makinita and Wits student Simon waBatho kept the mood in the room jovial. The first round of individual performances saw rapper Cashflow (stage name) and the singer Mercy illicit much head bobbing and foot tapping from the audience.
Members of uThingo Lwamakhosazana aseWits doing their isiZulu reed dance onstage at the Chris Seabrooke Music Hall at Wits University on the evening of Thursday, May 18, 2023. Photo: Otsile Swaratlhe
Cultural clubs and societies took centre stage after those performances. Khomanani Vatsonga Student Society kicked things off with their traditional Xibelani dance, then followed by uThingo Lwamakhosazana aseWits with their isiZulu reed dance before the Wits Zulu Society closed the group performances with a combination of isiZulu reed dances.
The group rounded off their performance with a rendition of Gqom producer, Dladla Mshunqisi’s hit Upheten’ Esandleni. This was met with much screaming and clapping from the visibly impressed crowd.
The latter part of the programme ushered in the poets, the main act of the night. They walked onto stage in an orderly fashion and sat next to one another. After each recitation, poets ended off with the line “upheten’ esandleni?’ before passing the microphone to the next poet, a symbolic passing of the baton.
Attendee, Njabulo Nxumalo (21) said that she found the concert spectacular. “I think the diversity of it all: the different cultures, the different [use of] language and the mixture of poetry with music [lyrics]…I have to give it a ten out of ten,” Nxumalo said.
Poet of the night and AFDA student, Tiisetso Maeane (21) told Wits Vuvuzela, “[In poetry] the main thing is to be relatable,” and apart from doing the poem in Sesotho, he achieved this by making his poem about abortion. He titled the poem, Pray after death and according to Maeane, “This poem is a resurrection of a baby that was aborted. I am the voice of the baby that was aborted.” This is where he called on to the youth to practise safe sex.
Event organiser and main act, Samantha Mungwe (24) said that she just wanted to create something that would inspire other people and create a platform like this at Wits. “[My aims for this concert were] for students to be inspired, for concerts like these to continue happening and for people to love art.”
FEATURED IMAGE: Members of the Wits Zulu Society dance on stage during their performance. Photo: Otsile Swaratlhe
Time spent with a higher power is a perfect moment for self-introspection.
The Easter period and Ascension Day have come and gone without me showing my face in church. This has left me feeling guilty as if I have compromised and abandoned my spirituality.
The Very-Well-Mind website describes spirituality as a belief in something beyond the self which can be expressed religiously, traditionally, through meditation or in whichever form anybody desires.
Spirituality has been a very important aspect of my life that I have expressed through praying, reading the Bible and going to church. The time spent with a higher power is a perfect moment for self-introspection and finding out whether you like who you are, or the terms and conditions set by your faith.
I have experienced spirituality as a way of looking within and escaping from the physical world. It has helped me to find purpose and meaning in my life and to cope with stress and depression.
Research from Psychology Today shows that spiritually inclined people are associated with better physical and mental health, lower blood pressure, stronger relationships and improved self-esteem. This resonates with me because every time I have distanced myself from God, I have felt a sense of disorder and uncertainty in my life.
However, the indoctrination of religion by the people closest to us is a large contributing factor to feelings of guilt, shame and insecurity when we “derail” from what is expected of us. A 2015 academic paper says that feelings of guilt motivate more religious participation because of the pressure to conform and to be accepted by society.
This is true in my experience because my grandmother entrenched the idea of praying and going to church every Sunday. Therefore, not going on these essential days feels like a betrayal of her and God.
I questioned my faith after the death of my aunt in August 2021. I was furious because she had always been fiercely spiritual. How could she die? Most importantly, what God would take away a mother of two young boys, a sister, a daughter and aunt from her family?
A few months later, my neighbours invited me to youth sessions at their church, Christian Missionary Fellowship International based in Melville. For a change from other evangelical churches I had attended, I met people who did not claim to have all the answers about God.
Being with my peers also made it a more relatable experience as we were all trying to find our identities within the religion as opposed to trying to blend into something I did not comprehend. For example, we discussed complex yet relevant topics such as premarital sex, how to deal with addictions and how to create a better relationship with God.
This helped me realise that spirituality does not prevent bad things from happening, it just helps one to deal with them with a clear and hopeful mind.
The guilt I have been feeling since not going to church for Easter had nothing to do with societal expectations of me but my expectations of myself and my spiritual journey.
To forgive myself and move on, I have started the journey of nurturing myself through prayer and meditation. I believe that spirituality can die out like a plant when it does not receive enough water and sunlight. That is why I will keep working on myself to be the best version of me.
Wits fourth-year students administered free healthcare assessments to the public on campus.
Pharmacy students put the adage ‘prevention is better than cure’ to the test on May 18. 2023, when various tests were made available to staff and students at Solomon Mahlangu House at Wits University.
Fourth-year pharmacy student Caitlynn Pillay checking the blood pressure measurements of her patient, mechanical engineering student, Xolani Radebe. Photo: Georgia Cartwright
The Screening and Testing Programme by Pharmacy Students (STEPPS) puts students in the driving seat for the first time. A battery of tests were on offer, including but not limited to blood pressure, blood glucose, HIV and Body Mass Index (BMI).
Dr. Ane Orchard who organized the event and observed the students’ said the aim of the program was to show people that pharmacists can also conduct healthcare assessments. Orchard said screening helps in “identifying risk factors” so patients can be proactive with their health.
Orchard went on to explain how, like working professionals in healthcare, each pharmacy student had to sign a confidentiality agreement which serves to protect patients’ personal information. The pharmacy students also ensure that tests such as HIV tests are kept hidden from public view when they are being conducted and that only the patient receives the results.
If a patient tests positive for HIV after two confirmed tests, they are referred to the Wits Campus Health & Wellness Centre or the Counselling and Careers Development Unit (CCDU). “A further test is then conducted, and the patient may choose which recommended treatment plan they would like to follow,” said Orchard.
Master of pharmacy in clinical pharmacy student, Ebenezer Maimele, told Wits Vuvuzela that, “It is nice to put [the] clinical skills we have learnt over the years into practice and to interact with people who need our help.”
Although some pharmacy students were nervous at first, this changed as the day progressed. Makhosazana Zindela, described the experience as “fulfilling,” as she finally put her training to the test.
One patient, Xolani Radebe, said: “I trust the students because I understand that the only way to truly learn a skill is to practice it and these students are simply practicing being good pharmacists.”
Maimele explained that it is important to get regular checkups as a simple blood pressure test could reveal and prevent a future heart attack while other tests could prevent some serious health conditions later in life.
There will be further free healthcare assessments as part of the STEPPS programme on July 6 at the Health Science campus, July 20 at the Education Campus, and August 3, 2023, on main campus for those interested.
FEATURED IMAGE: Pharmacy student Thabiso Mdhlovu receiving a blood pressure measurement from classmate Sydney Mamogobo on May 18 in Solomon Mahlangu House at Wits University. Photo: Georgia Cartwright.
The Wits School of Business Sciences Students Council are making plans to install free pad dispensers throughout the University.
Feminine hygiene and access to sanitary products were the topic of conversation, as members of Project Revolutionize engaged strangers in an awareness drive on May 8, 2023.
Period Poverty refers to the lack of access to menstrual products, and this is what the project is aiming to eradicate by installing free pad dispensers across campuses.
Transformation officer of Project Revolutionize, Yolisa Sphambo said that they identified the need for the project while in a bathroom. She said “where are the pads” had been scribbled next to a free condom dispenser.
Sphambo said that Project revolutionize is different to similar past projects as they are focusing on sustainability and making the provision of pads a norm.
She said their project was aiming to revolutionize a women’s whole period, “Revolutionary [to us] means to feel comfortable to be soft within your period cycle”.
A business sciences student, Babongile Tshabalala said that “I think it is something we truly need within the Wits society, because pads are more of a need than a want compared to the condoms that are readily available in the bathrooms.”
Sarah Eram, the chairperson of the project said to Wits Vuvuzela, “The quality of pads students use is important as using unsafe menstrual products can lead to health issues and these are some things students don’t know.”
“We have started speaking with people that are going to install the dispensers, we have found some people who are going to fund pads for the dispensers and some of lectures have committed themselves to donating” said Sphambo.
Melissa Zulu, senior lecturer of marketing told Wits Vuvuzela “I decided to support this project because… girls and women should be able to go through it with respect and dignity.”
This is a three-part launch, and the awareness week is the first step, the next steps involve having a workshop around the education of feminine hygiene and the installation of the dispensers.
FEATURED IMAGE: Babongile Tshabalala shares her opinion on the importance of free pads. Photo: Aphelele Mbokotho
Not even personal phone calls to Vice-Chancellor Zeblon Vilakazi stopped the screening of the documentary that focuses on the state of India’s democracy under current prime minister.
The screening of India: The Modi Question at Wits on Friday, May 12, was a powerful example of the importance of media freedom and open discussions in exercising democracy.
Difficult conversations about nationalism, police brutality, media freedom and command responsibility – the idea that a commanding officer is responsible for atrocities committed by their subordinates – are very often shied away from in postcolonial contexts.
The Humanities Graduate Centre (HGC) hosted the screening and panel discussion of the two-part documentary about Indian Prime Minister Narendra Modi and his relationship with the Muslim minority in the country. It was released by the BBC in January 2023 and subsequently got banned by the Indian government as “anti-Indian propaganda”.
The first part follows Modi’s early political life, extending into his time as chief minister of Gujarat province, when in 2002 deadly violence shook the province, with Muslim populations targeted by extremists following the burning of a train carrying Hindu pilgrims.
Among many accusations that followed was that direct orders from Modi had allowed for the violence to play out – an accusation that Modi was acquitted of by India’s Supreme Court in 2021.
The second part of the documentary follows Modi’s career after the riots, focusing on his re-election as prime minister of the country in 2019 for a second five-year term. This is when he presided over a controversial policy changing the status of the Muslim-majority region of Kashmir and the Citizen Act which revoked the citizenship of many Muslim Indians.
The documentary also covers the ever-increasing suppression of media in the country, with Reporters Without Borders stating that press freedom in the country has declined.
Sociology professor Srila Roy and Mellon Chair in Indian Studies, Professor Dilip Menon, made up the panel at the screening, with more than 30 people from diverse backgrounds in the audience. The discussion began by highlighting the fact that students at New Delhi’s Jamia Millia Islamia university were arrested for hosting a screening not unlike the one that was held at Wits.
The state of India’s democracy came under the spotlight. A group of four individuals in the audience voiced their anger at the BBC during the discussion, labelling the documentary “propaganda” and “hypocritical from colonial Britain” – responses very similar to those made by the Indian government.
Roy rebuked these comments, stating that it was in bad faith to have a debate of “what ifs” when the subject matter was about the loss of human lives during a time of ethnic violence. The real question, she said, was, “Why is there a ban and why are university students being arrested for watching [the documentary]?”
The screening was championed by the director of the HGC, Professor Lorena Núñez Carrasco, following weeks of external pressure from pro-Modi supporters for it not to go ahead. Not even personal phone calls made to Vice-Chancellor Zeblon Vilakazi stopped the screening.
Menon alluded to the possibility of the pressure stemming from not wanting to ruffle any feathers ahead of the Brics summit being held in Durban later this year. He highlighted the contradiction of India being the world’s largest democracy due to the largest population actively taking part in voting, and yet having the documentary being banned where there “should be free, open discussion”.
The full documentary is no longer available on YouTube, with the site saying this was for copyright reasons. Menon suspects the Indian government could have played a role in its removal.
FEATURED IMAGE: Wits hosted a screening of the documentary, India: The Modi Question, which is banned in India. Graphic: Seth Thorne
My fourth year of living on campus has allowed me not only to acknowledge and appreciate the privilege I have, but to encourage others to give it a try.
Applications to study at Wits are open and will be closing at the end of September. One of the decisions applicants have to make is where they will live while studying in Braamfontein or Parktown.
While there are factors that are influential for staying off campus, there are factors that are influential for staying on campus, too.
A 2020 academic paper reveals many students prefer to stay off campus because they get to become independent, unrestricted by the rules that come with staying on campus, and get a chance to grow.
My experience as a resident at West Campus Village – a postgraduate accommodation at Wits – would imply otherwise because living on campus has made my studies and social life easier. Bearing in mind that according to a 2022 Wits report, while the university has approximately 40 000 students, only 2 000 can be accommodated on campus. So, I am not tone-deaf to the student accommodation crisis.
I have been living on campus since my first year in 2020 when I lived at Barnato Hall on West Campus for the duration of my undergraduate degree. In my fourth year staying on campus, I have witnessed the introduction of three private off-campus student accommodations. Every year, their advertisements tend to lure in students with basic amenities such as: 24/7 Wi-Fi, increased laundry tokens, 24/7 security and how close they are to main campus.
Unlike staying off-campus, on campus residences minimise the worry of travelling to class. You get to do your laundry an unlimited number of times and I have found myself coming back from studying during hours that would compromise my safety had I been living off campus.
During orientation week of my first year, I got a guided opportunity to familiarise myself with the campus space. It was in the tours of libraries, computer labs and study labs that I got to see the lengths Wits goes to make sure we all have an equal opportunity to participate in our academics. For example, campus is never without electricity, students with no laptops have access to computers and the commerce, law and management library is open 24/7 together with access to its printers.
I had only been living at Barnato Hall for a few weeks when loadshedding hit for the first time. To my surprise, the Wi-Fi remained on. As I was still wondering what I would be doing in the absence of electricity, it came back on in less than five minutes as the university’s generators kicked in.
Coming from the township of Mabopane in Pretoria, this was all very new to me because we experience unscheduled power cuts on top of the loadshedding. Those living off campus are not as fortunate as they remain in darkness during such episodes. This has become worse this year after Eskom announced in February an indefinite implementation of Stage 6 loadshedding, signalling no end to the national energy crisis.
I have not enjoyed everything about living in a university residence, such as when we had to wear our yellow freshmen t-shirts and welcome everyone with the residence’s war cry. However, I am grateful to have met and made so many friends during those team-building events in first year. Some remain my friends to this day.
My experience has been vindicated by another academic study, published in 2021, which found that living on campus comes with a greater opportunity to feel like you belong, a more welcoming perception of how campus is and a greater ability to cope with studies as compared to living off campus.
Jazz musician dazzles music lovers with an acoustic concert
Multifaceted South African musician, Gabi Motuba debuted her new project, The Sabbath in a concert held at Wits Chris Seabrooke music hall on Saturday, May 6.
Motuba is a Johannesburg-based vocalist, composer and music facilitator whose music is centred around world politics, black studies, religion and genre studies. She released her first album, Sanctum Sanctorium in 2016 and Tefiti Goddess of Creation in 2019.
In the project, released on June 28, 2022, Motuba shifted her focus to talk about her experience with grief; as her father lost his battle against Covid-19, during the pandemic. As a result, the project consists of five lamentation songs that would leave any listener in a state of melancholy. Motuba told Wits Vuvuzela that: “The project is largely a very reflective work for me in terms of moving from trauma into grief and into the pursuit of restoration”.
Wits music alumni, Tembinkosi Mavimbela, who played double bass during the performance said that in The Sabbath, Motuba showed immense vulnerability. He described her performance as a form of supplication to a higher power. “Her performance was a prayer indeed; it takes courage to be vulnerable on stage and we shouldn’t look at a Sabbath in one direction because we approach prayer in different ways.”
Thembinkosi Mavimbela interacting with friends and fans after the concert. Photo: Sfundo Parakozov
What added to her performance was the concert took place at the state-of-the-art music hall . The venue is the only space in the city that is exclusively designed to optimize live musical sound with modern acoustic design. This added to Motuba’s exceptional vocal range.
Wits art student, Rethabile Zilila said that she was surprised at how audible everything was but appreciated the spacious nature of the hall.
Motuba explained that as a composure, mostly working with string instruments, she chose the venue because she knew the acoustics of the room will produce a beautiful sound.
The attendees’ sight senses were also activated. While Motuba was performing, there was a background theme inspired by nature on display.
Wits Fine Arts lecturer, Zen Marie, who was in charge of the displays said he sets up the landscape in response to the music.
This was evident as he displayed dark clouds as she was performing a track titled, Nabu Lobosuku , which means here’s the night. This exuded a dimmer and sombre atmosphere with the mood in the room quietening down as everybody was enthralled by her voice.
The final part of the performance had a much lighter and brighter landscape, consisting of clear skies, which was an important moment showing the transition from grief to freedom. One could clearly feel the biblical reference as she sang the last track on the album, Amen, meaning the end.
The hour-long concert was attended by the likes of Thandiswa Mazwai and former head of the Wits School of Arts Professor Brett Pyper.
Rethabile Zilila and Thandiswa Mazwai posing for a picture. Photo: Sfundo Parakozov
FEATURED IMAGE:Gabi Motuba thanking her audiences after her performance. Photo: Sfundo Parakozov
The Wits EFF is trying to find the woman to ascertain whether she has pressed charges.
Wits University is investigating a case of assault that took place at Wits Junction residence on Saturday, May 6, around 22:00.
The university’s spokesperson, Shirona Patel, told Wits Vuvuzela that, “This weekend the dean of students and others were made aware of a gender-based harm matter. The matter has been passed on to the Gender Equity Office (GEO) and is receiving attention.”
According to Junction residents, a female student was visiting her boyfriend who stays at the residence when she was assaulted by the boyfriend. Neighbours heard her screams and went out of their rooms to stop the alleged perpetrator, whose name is known to WitsVuvuzela. Residents called Campus Protection Services guards and the woman was taken home after she had written a statement.
Awelani Mathiba, a Junction resident who had rushed to the scene, told Wits Vuvuzela that, “I am not happy with what happened especially when I went to the scene and heard the girl screaming, the situation was bad. Honestly, it’s not good and what hurt me the most is that when it was announced in the Junction [WhatsApp] group, a lot of guys didn’t come to support.
“Some of his friends just laughed about the matter, I didn’t believe it. I think we can do better as men to stop GBV (gender-based violence). Campus control took time to come to Wits Junction. The securities should do better and know what to do in situations like these,” Mathiba said.
Following the incident, a meeting was called the next day at 18:00 by concerned Junction residents. About 30 people attended and residents voiced their concerns that they did not feel safe anymore and that the university had to do something to ensure their safety. Wits Junction manager Faith Nkonyane told the meeting that she had reported the matter to the GEO and it was being dealt with accordingly.
In a statement emailed to Junction residents on Tuesday, May 9, house committee members Luyanda Lebatla and Anesu Pisira wrote: “The house committee strongly condemns any form of violence especially gender-based violenceand is committed to ensuring that all residents feel safe and secure in the residence. We understand that incidents of this nature can cause fear and distress and want to reassure all residents that we are taking this matter seriously.”
The Wits EFF Student Command also weighed in on the matter in a statement posted on their Instagram page. “As the mighty EFFSC we maintain a clear stance against any abusive treatment against women and we also understand that this institution has expressed itself as being one that shares the same stance of GBV. With that in consideration we are calling for necessary action to be taken against the alleged perpetrator and his friends.”
The EFFSC told Wits Vuvuzela on Thursday, May 11, that they were trying to find the woman who was assaulted so that they could find out whether she had pressed charges or not.
The alleged perpetrator is on the run according to Wits Junction residents, and has not been seen since the weekend.
Patel has encouraged the Wits community to visit the GEO website for information on the university’s policies and procedures.
FEATURED IMAGE: Wits Junction residents are urging the university to do something to ensure their safety. Photo: Sinazo Mondo
Prince Mashele’s latest book focuses South African citizens’ gaze on their next political leader
UPDATE: On Monday May 22, Jonathan Ball Publishers withdrew The Outsider from retailers, effectively pulling the book from shelves. The publishers of the supposed “unauthorised” biography, did so in reaction to allegations made by Brutus Malada, ActionSA member and a researcher on the book project, that a sum of R12,5 million was paid to the author, Prince Mashele by the book’s subject, Herman Mashaba.
In a statement, Jonathan Ball publishers said they were “left with no option but to withdraw The Outsider from the market” as they see Mashaba’s involvement as “a material non-disclosure…and as a breach of trust.”
Mashele has since appeared in a number of broadcast interviews, attempting but failing to dispute the allegations. His utterances include pointing the finger at the publishers for the book’s title, calling the payment a loan and routinely and inconsistently citing ‘binding contracts’ when asked relevant questions.
ORIGINAL STORY:
Former Johannesburg Mayor, Herman Mashaba visited the Wits Business School to help launch the book, ‘The Outsider’ written by well-known political analyst and author Prince Mashele. The launch took place at the Donald Gordan Hall earlier this week.
The book follows the personal, financial and political life of Mashaba, from his development as an entrepreneur to the formation of his own political party, ActionSA.
This is the second book written by Mashele, the first being, The Fall of the ANC, What Next? , which outlined the problems and failures that currently plague the ANC’s leadership. Mashele explained that he wrote his latest book because he felt he had not answered the question of who is next to lead South Africa – but he realised that maybe the answer lies outside of the ANC.
Mashele identified a global trend of non-politicians entering politics, “outsiders”, using examples such as the banker Emmanuel Macron in France and Donald Trump in the United States of America. In South Africa’s case, Mashele pustulates in his book that Mashaba is one such outsider.
The former mayor was primarily a businessman, having founded the successful company, Black Like Me in 1985 at the height of apartheid. Mashaba joined the DA after losing faith in the ANC and became mayor of Johannesburg as representative of the DA in 2016. He resigned from the party in 2019, after disagreements with other members. It is after this experience that he formed Action SA in 2020.
The fall of the ANC, according to Prince Mashele, began with the election of Jacob Zuma as president in 2009. Since then, support for the party has waned, as the country battles with corruption, load shedding and unemployment. After losing control of Tshwane, Johannesburg and Nelson Mandela Bay in 2016, coalition governments took over which caused further chaos as disagreements between parties arose. Mashaba was one of few mayors to successfully balance the interests of the coalition in Johannesburg between the EFF and the DA.
However, instead of solely focusing on the contents of the book, the audience members shifted the focus of the panel to the shaky political landscape field of South Africa, questioning Mashaba on what he will bring to the table if he becomes the next president.
Not all impressions of the book were positive. Professor Themba Maseko another panelist, said that the book “does not give the reader [Herman Mashaba’s] vision for the future” adding, “I now know what the problems are but not the solutions.”
The audience further emphasised this critique, asking Mashaba to provide specific points of action that he would take to improve the country’s political and economic situation. Mashaba ambiguously responded by saying, “watch this space.”
Mashaba told Wits Vuvuzela that young readers of the book can learn “personal responsibility and independence” from his career as a businessman and as a politician. “I have been invited to speak at many business schools over the years and I say the same thing; don’t tell me about role models. If Herman Mashaba is my role model, others will follow.” Mashaba encourages young people to take charge of their own lives and work to being their own role models.
The biography was written without any input from Mashaba himself. Aside from the facts, Mashele had full artistic license with the text. This is why he calls it an “unauthorized biography.” Nicole Duncan, one of the book’s editors from Jonathan Ball Publishers, said that the editors did their best to “keep Prince’s voice Prince’s voice.”
FEATURED IMAGE: The discussion panel for the book launch of The Outsider held at the Donald Gordon Hall at Wits Business School on Tuesday, May 9. From left to right: Professor Themba Maseko, Herman Mashaba, Prince Mashele, Stephen Grootes. Photo: Kimberley Kersten.
Young women artists and entrepreneurs, some still at university, gathered to display their work and celebrate their creativity.
Constitution Hill’s old Women’s Jail held Ode to the Woman, an exhibition and pop-up market on Sunday, May 7 to showcase women artists and business owners.
The event was organised by the community called Among the Lillies, who are frequent hosts to creative happenings in Johannesburg. On the choice of location for the exhibition, Sandile Pooe the technical manager, said that the old women’s jail was “culturally, historically and artistically” appropriate for an event which brings together a creative community of African women.
One such exhibiting artist was Wits’ own Zukhanye Ndlaleni, a fourth-year fine arts student, chosen by curator Penina Chalumbira for her collection of paintings of a character she calls “Blue”.
Ndlaleni told Wits Vuvuzela that her art is inspired by her own personal experiences of mental illness. This collection in particular deals with “derealisation and depersonalisation.She uses the colour blue “to situate different spaces” and for the Constitution Hill display, she chose “dreamscape”.
She evokes the idea of healing through symbols of tea and pillows featured alongside the character. Writing on the event’s social media page, Ndlaleni said, “When individuals encounter my work, I want them to get a sense that they are not alone, that we are all navigating this space together … We all have a little Blue in us, but to different degrees.”
Being a part of this event was an honour for Ndlaleni who said she was thrilled to be exhibiting alongside artists she had followed on social media for a long time, “It’s flattering to be considered on par with them.”
One of Kaebetswe Seema’s collages hangs on the walls of the Women’s Jail at Constitution Hill on Sunday, May 7, 2023 while visitors to the exhibition admire the art. Photo: Kimberley Kersten
Also featured at the exhibition were Tshegofatso Tlatsi, a recent graduate of the University of Johannesburg, for large-scaldrawings and paintings exploring her “personal experiences as a black female existing”, and Kaebetswe Seema, a University of Pretoria fourth-year fine arts student for her work using collage and mixed media to explore identity.
Pooe emphasised the value of collaboration in organising the affair. Collaboration was definitely the word of the day in an exhibition combining market stalls, visual artwork as well as musical performances by women DJs. The market stalls surrounding the art featured young women entrepreneurs and their products, such as Refilwe Modise, co-owner of the Enjoyment Co. Her small business is based in Linden, Johannesburg and produces environmentally friendly scented candles. Modise said she was happy to be involved in Ode to the Woman. “I’m hoping people will see us and know what we do [by the end of the day].”
FEATURED IMAGE: Zukhanye Ndlaleni’s oil painting, The Green Teacup is displayed at the Women’s Jail on Constitution Hill on Sunday, May 7, 2023. Photo: Kimberley Kersten
In episode six of We Should Be Writing season 7, the team unpacked the evolution of music as a form of expression and protest, through four decades in the South African context. The episode explores the journey of South African music and its consumers from the 80s, 90s, early 2000s and contemporary listeners. From the […]
