SEX on display at the Stevenson

by | Apr 29, 2016 | Lifestyle

SEX is the stimulating exhibition curated by Lerato Bereng is currently on display at the Stevenson gallery.

Sexual Narratives: Themba Siwela’s Temptations on Madlala’s pension day fictionally depicts social commentary about black South African sex. Photo: Hazel Kimani

Sexual Narratives: Themba Siwela’s Temptations on Madlala’s pension day fictionally depicts social commentary about black South African sex. Photo: Hazel Kimani

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No Education? “On whose Land?”

by | Feb 15, 2016 | Featured 1, Lifestyle, News

The Wits Fees Must Fall movement held a Free Education Live fundraising concert last Saturday, featuring artists like The Brother Moves On, Zethina Moses, Children of The Wind and The Muffinz.

A layer of cigarette smoke lay above the heads of the young radicals, hippies and conscious cool kids of Braamfontein last Saturday at the Free Education Live fundraising concert organised by the Wits University chapter of the Fees Must Fall (FMF) movement.

The Free Education Live fundraising concert is a concept meant to take the struggle for free, decolonised education to the wider public, said one of the organisers and member of Wits FMF, Lebohang Shikwambane. “Also, when we speak about free education we are not solely speaking about finance, or money, or having financial access to education. We are talking about a decolonised education. We are talking about tearing down those walls of colonial knowledge and colonial episteme.”

As part of the programme for the day students of the movement led a discussion into the #Asinamali campaign, the progression of the movement from inception to now and the individual experiences of the students as they navigated and struggled their way through movement and university politics.

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SHARING EXPERIENCES: Sarah Mokwebo telling the story of the formation of the Fees Must Fall movement at Wits in 2015.                                                                                     Photo: Michelle Gumede

One of the most interesting parts of the discussion session was the clarification of the journey of the movement undertaken by one of the members, Sarah Mokwebo.

Mokwebo started from the very beginning, sharing narratives that are rarely heard in mainstream media. She spoke of how the movement initially began, at Wits, as the ‘October 6’ movement which was fighting for the rights of workers in the university space. The following week ‘October 6’ then began a collision with the Wits SRC to shut down the university, under the rallying call of #FeesMustFall and #EndOutsourcing.

She then moved the narrative to the hyper-masculine posture the movement then assumed after former SRC president Mcebo Dlamini and Wits Economic Freedom Fighters chair Vuyani Pambo emerged (or pushed forward – whichever way you choose to look at it) as the main leaders of the movement. The result of two males as the face of movement led the women of the movement to create the #MbokodoLead hashtag and march. The point of this was to push forward female leaders, namely former SRC president Shaerra Kalla and current SRC president Nompendulo Mkatshwa, who are as equally capable as the males leaders and to avoid the erasure of women in the movement.

The unequal power relations that resulted from having leaders aligned to the ruling party, the occupation of the union buildings and the interdicts issued against some of the members of the movement were also discussed in detail.

After the discussions, the performances began interspersed with the loud singing of freedom songs from the crowd.

The artists, The Brother Moves On, Zethina Moses, Children of the Wind and The Muffinz amongst others, performed because, as Shikwambane said, they were “people who also believe in the idea, right? Who believe in a decolonised education.”

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MOVING SOUNDS: Children Of The Wind performed for the ‘woke’ crowd at the #FMF concert.                                                                                                                                                        Photo: Michelle Gumede

The Brother Moves On were as electrifying as usual, The Children Of The Wind moved people with their effortless soulfulness, and as the sun was setting and the heat finally subsiding, The Muffinz lit a different kind fire on stage.

Providing reasons for why they felt it particularly important as artists to perform at the concert, Itai Hakim, guitarist and vocalist for The Children Of The Wind said, “as an artist you know, art needs to speak to the condition of the times… If we [as artists] don’t get together and mobilise the people then what are you doing? what is your art doing? What’s the point? Are you just here just to be popular and just become famous or is there an actual message and a point behind your work and is that point relevant to what is happening in front of you.”

Sifiso “Atomza” Buthelezi, one of the vocalists and guitarists in The Muffinz, said “the fees must fall, there is no negotiations. No zero percent for this year, the fees must fall forever,” to roaring approvals of ‘yes!’ and ‘amandla!’ from the now inebriated crowd. “By prohibiting access to equal education you’re further building this concept of the ghetto … We know we’ve got the brains, but then they say you can’t afford to be here, what does that mean? You can’t afford to be here? On whose land?”

What became clear from the discussions, both inside and outside, was that Fees Must Fall is a contested space. But it is also a space were individuals are allowed the freedom to speak, feel and heal.

*Itai Hakim’s comment added after publication.

 

Fashion woven into the fabric of Fordsburg

by | Nov 12, 2015 | Indepth2015

The neighbourhood of Fordsburg, west of the Johannesburg city centre, is a place of history and a wide diversity of cultures. But is there such a thing as a unique “Fordsburg Style”? 

Aneesa Omar leans against the counter in her store in Fordsburg. A beautiful, bright head scarf frames her face, complementing her trendy tweed crop jacket, white shirt, skinny jeans and jewelled, pointed-toe pumps.

Omar is a designer of Islamic fashion for women, and the owner of Silk, a small but popular boutique on Lilian Road. Silk is famous as the home of the abaya – Arabic for cloak – a traditionally black, robe-like dress that leaves only the face, feet, and hands exposed.

It is worn for modesty, but its simple styling allows for great versatility of design and trimming, which new, young designers such as Omar are taking advantage of.

The intricate detail of Silk’s designs can be seen on any of the mannequins that are on display in the store. Photo: Valerie Robinson.

Once a simply functional garment that signalled religious devotion, the abaya has become a fashion item in its own right and Omar’s beaded, laced and embedded crystal designs are proof of her claim that “Fordsburg is at the forefront of Johannesburg’s Islamic fashion”.

Overshadowed by the skyscrapers of glass, concrete and steel, Fordsburg lies just three kilometres from the centre of Johannesburg. It is a vibrant neighbourhood, not so much a melting pot as a masala of colours and cultures and traditions. A masala is a heady mix of Indian spices often used in delicious curries and it springs to mind in the way Fordsburg tantalises and seduces your senses.

The rise of Islamic fashion

In Fordsburg, you will find a modern building with steel windows right next to a century-old building with peeling paint that reveals the layers of its now-fading colours from over the years. You will find an authentic Egyptian shisha or hookah lounge right next to a Pizza Hut.

But when it comes to fashion and culture, the heart of Fordsburg is Islamic and it beats to the rustle of Silk.

Omar runs her boutique, situated next to a hair salon in the same centre as the Fordsburg Chicken Licken, which she jokingly claims “takes up all the parking”. With her mother Shanaaz Patel, a dressmaker, and her father and sisters, they have made Silk into the epitome of glamour for Islamic fashion.

“It started with my mom 16 years ago,” says Omar. “She realised there are no nice abayas here. So she would go to dressmakers and get the fabric and get them to make it. Then friends asked her, can you do one for me?”

Aneesa Omar and Eunice Modise are hard at work in Silk designing and making an abaya for a customer. Photo: Valerie Robinson.

Omar has no formal fashion training and in fact studied a business degree. But through her mother, she became involved in the business of Islamic fashion. “I sketch with my mom, and then my mom is at the workshop where they do the cutting and putting the design into a garment. It is a lot of trial and error.”

Islamic clothing is often stereotyped in the Western view as being drab and restrictive. In truth, Islamic fashion has exploded onto the fashion scene in a big way.

The British clothing chain H&M made headlines this year as Mariah Idrissi became their first hijab-wearing model.Layla Sallie modles a trendy abaya from the brand House of Yushrah, on the streets of Fordsburg. Photo: Valerie Robinson.

Layla Sallie models high fashion Islamic wear, such as the beautiful peach colored leggings on the streets of Fordsburg. Photo: Valerie Robinson.

Layla Sallie shows off detail such as the shoulder crystals on her abaya. Photo: Valerie Robinson.

Silk has been trading in Fordsburg since 2004. Omar explains that Islamic fashion thrives here because it is central, close to the freeway for visitors from out of town, and essential for supplies that are crucial to the practise of Islamic culture.

‘Islamic fashion is breaking through’

“You know with Islam,” says Omar, “when people eat halaal meat and all that, all the requirements are in Fordsburg. They have to stop here to go to the butcher and the grocer and get their spices. It just makes sense to be here.”

And it makes sense to shop for clothes here too. “Islamic fashion is breaking through,” says Omar.

“When we started 11 years ago, it was plain black abayas with not a lot of other detailing, mainly for religious purposes. So people wore them to cover up, and not really for fashion. Now they are very trendy. We have to change our designs every few weeks, and we have two fashion shows a year just to be able to keep up with the fashion.”

People come to Silk for the unique and trendy abayas and the head scarves, says Omar. But the “must have” item in Fordsburg, according to her, is the “high-low” hemline or the seemingly two-piece abaya. This style comes in a form that looks like a shirt and a skirt, giving the illusion of a two-piece, while retaining its essential modesty.

The low-high hemline is when the front of the skirt is shorter than the back and will come up to mid-calf.  “It’s an abaya but it actually looks like a skirt,” says Omar. “It’s not so traditional, so they wear leggings underneath them.”

Material and fashion – The gold of Fordsburg

While small boutiques like Silk embody the distinctive Islamic style of Fordsburg, the big, bustling centre of the fashion trade here lies within view of Silk’s storefront in the Oriental Plaza. Of the 360 stores in the Oriental Plaza, 128 deal with fashion in some way.

Jerry’s is one of the busiest fabric shops in the Plaza. It is a family business, run by Jerry Sakoor and his son Mohammed.

Mohammed Sakoor says that most of his clients come from other areas of Johannesburg. “I think everyone still likes their own thing, you know. I mean, we get girls that come in and want something classic and then you get girls that come in and want something modern. There is no such thing as one person’s fashion. Everybody has their own thing.”

Right now in Jerry’s, a trio of young women are helping their friend choose the perfect Chantilly lace for her wedding veil. Oohing and aahing, they place one fabric after the other over the bride-to-be’s head. “I just knew the drive would be worth it,” says one of the women, as the bride-to-be signals her excited approval.

Faruk Mdali, Ismail Hossain and Sunih Rayshanon (left to right), are hard at work even on a Sunday afternoon as their tailor shop, Faruk Tailor Shop, has customers pouring in and out of its doors throughout the week. Photo: Valerie Robinson.

Fabric and fashion are a huge part of Fordsburg’s cultural identity and its thriving marketplace atmosphere. “There are a lot of tailors coming here, and they are starting to do designs,” says Sakoor. “People are getting more and more involved in fashion. I mean, if you walk around Fordsburg you will see new tailors, guys copying guys in France and all that, and they are doing pretty well.”

Even as far afield as Sandton, known as the richest square mile in Africa, the fashion influences of Fordsburg make themselves known. The luxurious Michelangelo Hotel is the venue for the twice-annual Silk fashion showcase. Omar explains that it is an invite-only event, to introduce clients to the new range and spoil them. “Even though it is a closed fashion show, people frequently try and crash the event,” says Omar.

“I think we were the first to do an Islamic fashion show. Before that, it was unheard of to put abayas on a runway. That just goes to show how fashion is changing.”

The detail of Aneesa Omar’s work being reflective of intricate art can be seen by examining the detail up close. Photo: Valerie Robinson.

When you look around Silk, it becomes clear that Islamic fashion is full of colour and detail that goes back centuries, echoing the colours and traditions of Islamic art. The fabric ranges from the fluidity of velvet, which Omar explains is a major winter trend, to the coarse yet silky detail within the lace. “Currently, I would say, lace is in fashion and tweed as well,” comments Omar. The trend is reflected in her own outfit.

Fordsburg, she adds, is one of the few places in South Africa where Islamic fashion is still designed and tailored to suit the customer. “Not a lot of people manufacture the garments in South Africa,” says Omar. “They just buy them from Egypt or Dubai and sell them in places like Lenasia. That is what you get mostly. So I think Fordsburg is the only place where they are still manufacturing and designing, which obviously makes a difference, otherwise everyone else just has the same stock.”

 From manufacturing to fashion

One of the local suppliers of fabric to many Fordsburg stores is Nick Keves. He owns Superspun manufacturers, in nearby Albertskroon. He has spent most of his life in the textile business and, at the age of 70, he says he cannot quit as it is almost an addiction to him.

“There were a lot of big companies and one by one they closed down. Now what has taken place is there are a lot of smaller manufacturers who operate from home or garages or backyards or whatever who employ maybe five or six sewing machines.”

This smaller scale of infrastructure lies at the heart of Fordsburg’s fashion and material trade.  “I think Fordsburg has always been traditionally, sort of the place for textiles,” says Keves, “and it still is to a large extent. It has kept pace with the times. They cater for every single thing you can think of.”

Showing off his yellow Converse All Stars Isail Gulam poses on the pavement of bustling Mint Street in Fordsburg. He has been working as a car guard in the area for many years. Photo: Valerie Robinson.

The cultural style of Fordsburg

But the style of Fordsburg stretches further than velvet, Chantilly lace and beautiful head scarves. It is seen and felt in the culture and social habits of the people who live here. One of them is Zunaid Varachia, who owns a printing and graphics company in Fordsburg and has lived in the area his whole life.

“I’ve got a lot of friends of mine who say that there is a certain Fordsburg accent, that you could pick up in certain words,” says Varachia.

Asked what fashion statement item is most important in the area, Varachia replies: “Cars.” But it’s not so much about the car you drive, he adds. It’s about the size of your tyres. “The bigger the tyre, the better. So guys with a smaller car with a 17 or 18-inch tyre, that’s what speaks out.”

And, of course, whatever the size of your tyres, you have to hang out at the carwash if you want to be seen in style in Fordsburg. “There are a few carwashes in Fordsburg and it is quite a community hangout spot for young guys. On a Friday and Saturday afternoon you will find a lot of young guys hanging out at the carwash.”

As for men’s fashion in the neighbourhood, there’s a lot more to it than the traditional Islamic style. “Converse has always been a very popular thing,” says Varachia, referring to the trendy brand of sneakers.

“Another important thing about Fordsburg is that guys like their takkies to be pure white. Pure white sneakers are very important. You can have dirty clothes, but you can’t have dirty takkies.”

It’s that kind of attention to detail that dictates Fordsburg style, says Varachia. “You are not going to get that anywhere else, at the malls or the other areas. It is obviously what makes it unique.”

To understand Fordsburg style, says Omar, one has to note how diverse the area is, making it almost impossible to pinpoint. “Fordsburg is a melting pot of cultures, so I don’t think it has a specific style. Our clients prefer garments that are modern and trendy.”

And this seems to be a consensus across the board. Sakoor agrees, “You get everything here.  The residents are very mixed. There is Chinese stuff, Pakistani stuff, Indian stuff, everything in terms of fabrics and designs is in Fordsburg.”

But even if Fordsburg’s style may prove elusive by definition, one thing is clear. Fordsburg has a sense of spice and soul that you won’t find anywhere else in Johannesburg. That is what makes this little enclave so rare and vibrant. It is timeless, and yet it embraces change and new trends. Islamic or Western, old or new, traditional or cutting edge, the style of Fordsburg … is Fordsburg.

FEATURED IMAGE: The intricate detail of Silk’s designs can be seen on any of the mannequins that are on display in the store. Photo: Valerie Robinson.

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