Wits university celebrates academic brilliance, inspiring a culture of achievement and innovation.
The awards as a platform for networking, collaboration, and enhancing Wits’ reputation for academic excellence.
Fostering a culture of promoting shared values among students.
Recognition and rewarding students with exceptional academic performance.
On Wednesday May 14, the Student Representative Council (SRC) of the University of the Witwatersrand (Wits) hosted the first Academic Excellence Awards in the Senate Room to honour top achievers from all faculties, recognising their outstanding academic performance and dedication to excellence.
The event was attended by the Dean of Students Mr. Jerome September, who spoke about the importance of the event.
“This event aligns with Wits University’s mission to promote academic excellence and innovation, as outlined in its strategic framework”.
The Dean of Students committed to contributing to future editions, ensuring the event’s continuation.
The awards were designed as a legacy project, receiving enthusiastic support from key university leaders, including the Senior Deputy Vice-Chancellor Prof. Ruksana Osman.
By celebrating student achievements, the SRC aims to foster a culture of excellence and inspire others to strive for academic greatness.
The awards were also attended by the different house committee members, who commented on the SRC project.
“The initiatives taken by SRC have been highly supportive and the ‘Kubo ya thuto’ fund has been one of the most crucial projects that has significantly contributed to the academic success,” said Buhle Ndiniso, a David Webster house committee member.
A photo of SRC academic officer Jostino Mbiza congratulating the students on their academic excellence .Photo by: Nomfundo Zungu
The event honoured students who excelled academically, with the selection process based strictly on 20 students per faculty who achieved a minimum of 75%. The SRC hopes to expand the categories in future ceremonies to include special awards, such as most improved or community-engaged students.
One of the award winners, Laquita Bennett from the faculty of humanities, expressed her gratitude and joy.
“It is very nice to reap the fruits of my hard work. Sometimes you put effort into academics and never get the credit. This is the first event I have been exposed to so far, I’m so honored, and it feels very nice to be academically involved,” she said.
FEATURED IMAGE: A photo of dean of students Mr. Jerome September and Wits SRC. Photo by: Nomfundo Zungu
Legendary storytelling through soothing melodies, a journey you don’t want to miss
If you’re an old soul like me, you will appreciate Ringo Madlingozi’s new album, Ikhwelo, a musical feast for the ears, with rich instrumentals and soulful vocals that speak directly to the heart.
I must admit, it took some time to get used to the new style. Some tracks feel a bit too different from Ringo’s original sounds.
The very first song, uQamata is quite peculiar, with beats and underpinning riffs. Ringo shows off his vocals with a subtle vibrato pitch, adding warmth and expressiveness. I listened to more and appreciated the nuances.
For every song the instruments are given so much room to shine, creating a soundscape that’s both soothing and thought-provoking.
The song Hello Bhabha starts with a catchy whistle (ikhwelo) and follows to a chorus “Hello baby, hello dali, hello lovey, hello sthandwa sam, kudala ndilindile” that adds a touch of charm. I was taken aback and reminded of his earlier hit, Into Yam featuring Oliver Mtukudzi,which explores the perks of a sweet, innocent relationship.
Although this new album is more laid back and mature, we still find elements of melodies, instruments that shine with delicate guitar work, subtle percussion that adds depth to music and breath-taking harmonies in the background.
You might expect a more upbeat and energetic sound, however with Ikhwelo, settle in and indulge into a more mellow vibe, the perfect antidote to a busy world.
Vuvu rating 8/10
FEATURED IMAGE: Ringo Madlingozi’s new album cover image. Photo: Ringo Madlingozi’s Instagram
Africa brought its own unique take on black dandyism to the biggest night in fashion, blending cultural pride with bold fashion statements.
African stars embraced the 2025 Met Gala theme, Superfine: Tailoring Black Style, and represented our fashion history while doing so. The event celebrated the impact of dandyism and black men’s style on tailoring and menswear.
This year, Africa didn’t just get a seat at the table. It bought the whole thing.
In a historic first, Africa Fashion International (AFI), a marketing, retail and development organisation, was a sponsor at the Met Gala. Founder, Dr Precious Moloi-Motsepe, walked the red carpet wearing custom David Tlale.
Her presence wasn’t just symbolic, it was a powerful statement of Africa’s growing influence on global fashion. As a South African lover of fashion, seeing her on that red carpet made me proud.
My three standout guests from the continent were the African giant himself Burna Boy, songstress Tems, and South Africa’s own Nomzamo Mbatha, who all interpreted the theme through looks that merged cultural pride and global fashion trends.
Styled by British-Ghanaian designer Ozwald Boateng, Burna Boy looked dapper in a sharply tailored red suit and oxblood cape made of eel skin.
He told Vogue that his look was a nod to his roots in the Niger Delta. “The eel and fish in general are the lifeblood of my people. They symbolise survival, spirit, and the flow of tradition through generations,” he said.
Tems stunned in a dramatic blue gown with a mermaid-style hem, also styled by Boateng. The peacock print at first glance reminded me of the traditional shweshwe fabric found in South Africa.
Her braided hairstyle topped off her interpretation of Afro-dandyism. “I wanted to express this theme in a way that was true to me and paying homage to my West African roots,” she told Harper’s Bazaar.
Wearing a bold burgundy two-piece outfit by MmusoMaxwell was Nomzamo Mbatha, who attended as the AFI red carpet correspondent. The crème de la crème of her look was the intricate updo that screamed unapologetically African.
While many guests focused their outfits on European tailoring, these African stars reminded us that black dandyism was never just imported, it’s long been alive in Africa.
In Congo, the sapeurs have turned heads since the 1960s, wearing brightly coloured suits and shoes from designer labels, that they often purchased against the odds.
Their style isn’t just about flair, it’s defiance. A way for men across generations to make a statement of joy and pride amid their difficult circumstances.
In 1950s South Africa, swenkas became a popular subculture among Zulu migrant workers, wearing tailored suits, fedora hats, and patterned ties. They competed in fashion competitions that showcased their dignity, against the backdrop of a dehumanising apartheid regime.
By the 2010s, skhothanes took centre stage. They were flashy and fearless, and known for their dance battles (and those infamous Carvela shoes).
These subcultures show that African men have used fashion to speak volumes, long before any Met Gala invitation.
This year’s theme was about more than just fashion, it was about retelling our history through style.
FEATURED IMAGE: African stars brought their own cultural flair to the Met Gala’s theme of ‘Superfine: Tailoring Black Style’. Graphic: Mbali Khumalo.
Pope Leo XIV may be American, but his impact will be felt across the globe. He is here to lead all Catholics, not just his countrymen.
As a lifelong Catholic, I too watched the chimney of the Sistine Chapel on May 8, with anticipation. After one unsuccessful vote, white smoke finally billowed, the bells rang, and the Catholic world waited to meet its new pope.
This moment, usually marked by unity and reverence, quickly shifted into a debate.
Not about faith, but about nationality.
For the first time in history, the Pope is American, and this has stoked political anxiety. Pope Leo XIV, formerly Cardinal Robert Francis Prevost, has barely had time to settle into the papacy, and his past is already being dissected with a fervour we haven’t seen before, for a new pope.
His voting history and perceived ideological leanings are being examined with a scrutiny that one would expect for a political candidate, not for a faith leader. Those doing the digging are not just internet sleuths or political fanatics. Respected media houses have joined in too, legitimising this politicisation of the new pope.
Al Jazeera reported that according to Pope Leo ‘s voter information, his party affiliation is undeclared, but “he voted in the 2012, 2014 and 2016 Republican primaries”, which implies a connection with the Republican party. A primary is an election that political parties in the United States use to select candidates for the general election. The New York Times, ABC News and NBC News also reported on the Pope’s recent voting record.
This response is not entirely surprising. America has become an extremely politically divisive nation, so a global figure of authority coming from that landscape is bound to be scrutinised.
Understanding the Pope’s views on contentious issues like abortion, violence caused by war or political strife, contraception, refugees, or the role of women in the church is very important. After all, these views will ultimately shape the direction he chooses to steer the church. They will also impact every single member, especially young Catholics like me, who reconcile their faith with modern life every day.
However, it is important that his views are not seen as an extension of the American voice.
The Pope is not a symbol of American Catholicism. He is the spiritual leader of over a billion Catholics across the world. Reducing his leadership to being defined by American political discourse undermines the universality of the Catholic church.
The Pope’s influence is rooted in Rome, not in Washington.
Roman Catholic values should be the foundation of his leadership, not his personal beliefs (whatever they may be).
In his first Sunday address on May 11, I was impressed that he called for a ceasefire in Gaza, boldly saying “I would also like to address the powerful people of the world, repeating the always current call, no more war”.
On May 12, during the first news conference of his pontificate, he reaffirmed the church’s solidarity with journalists who have been imprisoned for calling out injustices. As a budding journalist, this endeared me to him to even more.
I anticipate that he will remain focused on the moral issues of our time, as he should.
The relevance of his leadership will be measured not by his country of origin, but by how well he advocates for justice, dignity for all, and peace on Earth.
FEATURED IMAGE: Mbali Khumalo, 2025 Wits Vuvuzela journalist. Photo: File/Paul Botes.
Wits University academic confronts the ongoing dispossession of Black communities in post-apartheid South Africa in new book.
Growing up under the shadow of stark inequality, Dr. Dineo Skosana developed a lifelong commitment to understanding and challenging the historical forces that shaped them. Now a lecturer in politics and researcher at the Society, Work and Politics Institute (SWOP) at Wits University, she weaves her academic and activist role around the themes of land, memory and social justice.
These are not just abstract ideas in her work, they are rooted in South Africa’s contemporary reality. “There’s a dangerous and growing discourse that says Black people don’t need land back, just jobs,” she says.
Dr. Dineo Skosana. Photo: Supplied
For Skosana, this narrative is both ahistorical and harmful. Her work consistently pushes back against such distortions, asserting that land is not only an economic asset but also a site of identity, heritage, and spiritual connection.
In her newly released book, No Last Place to Rest: Coal Mining and Dispossession in South Africa, Dr. Skosana reveals how coal extraction continues to dispossess Black communities, not just physically, but spiritually. “Dispossession is a continuing lived experience,” she explains. As South Africa faces both an energy crisis and an unresolved land reform debate, her book arrives at a crucial moment. It challenges whose knowledge and experiences are centred in national policy and how we define the meaning of land.
As a Black academic working in a historically white-dominated institution, Skosana has had to navigate systemic barriers. When she first entered Wits as a student, there were few Black South African lecturers. “Academia was associated with whiteness,” she recalls.
That legacy, she says, still lingers. “Many of us are challenging this,” she says. Urging senior African scholars to mentor emerging academics rather than gatekeep. “To bask in the company of European scholars can’t be our measure of success. We must build legacies with our communities and younger Black scholars.”
Her teaching is deeply informed by her research and by the knowledge of African communities themselves, co-producers of the insights she brings into the classroom. “Understanding the correlation between research and teaching maintains the integrity of what I teach,” she says.
Dr. Skosana’s journey is a reminder that academic spaces can be sites of resistance, and that knowledge especially when grounded in lived experience, remains a powerful tool for justice.
FEATURED IMAGE: Photo of No Last Place to Rest: Coal Mining and Dispossession in South Africa book. Photo: Supplied by Dr. Skosana
South Africa was crowned the country with the most press freedom in Africa after moving up 11 positions this year.
South Africa guarantees media freedom, as indicated by the recent World Press Freedom Day Index.
The 2024 general elections are to owe for the increase in ranking.
Despite improvement, some challenges still need to be addressed.
South Africa climbed the ladder and ranked 27th globally for press freedom, a jump from last year’s 38th ranking, according to the 2025 World Press Freedom Index released on May 2. Earning the top spot in Africa.
The World Press Freedom Index (WPFI) is an annual report, published by Reporters Without Borders (RSF) on World Press Freedom Day, ranking 180 countries according to the degree of freedom available to journalists in the previous year.
The country’s media freedom ranking is identified as ‘satisfactory’.
South Africa’s global media freedom ranking over five years. Graphic : Lukholo Mazibuko
“There is no question that journalists in South Africa work freely across the spectrum,” says Slindile Khanyile, Sanef’s (South African National Editors Forum) media freedom subcommittee chairperson.
But she adds, “Of course, it is not to say that there are no attempts to intimidate or censor them, but these are rare.”
The shift in position is believed to be indicative of the prominent 2024 elections. “I think being able to freely cover the 2024 general elections, which led to a coalition government at national level, for the first time since the dawn of democracy contributed to this,” says Khanyile.
On the elections, Reggie Moalusi, executive director of Sanef, adds, “Fortunately, we saw very few incidents when it comes to journalists being harassed and media freedom transgression where journalists or media houses were not allowed to do their work.”
Despite the progress, Moalusi critiques that the improvement on the mitigation of online harassment among female journalists would positively agitate the country’s ranking, for though the critical importance of media freedom is highlighted in the index, the treatment of journalists should not be overlooked. “There’s still a whole lot more of work that still needs to be done,” he said.
Khanyile also believes that “the continuation of investigative journalism in the public and private sector(s) played a role and contributed to the growth of independent media ownership.”
Waste Land covered by News24’s Sikonathi Manthshantsha and The Laundry by Dewald Van Rensburg of amaBhungane are examples of award-winning investigative series that reflect quality journalism.
Therefore, as Khanyile says, “[The index] reaffirms the country’s commitment to freedom of the press and freedom of expression.”
The effects of hunger among students need sensitivity and cannot be ignored.
The continued struggle of access to food for students in South Africa is a cause for concern and an urgent matter that needs to be addressed. Government feeding schemes are designed to help alleviate hunger among learners from primary school to high school level. Yet, even with these measures in place the problem of food insecurity persists.
Food insecurity refers to the physical unavailability of food where people are undernourished due to their lack of social or economic access to adequate food. It is worth emphasizing that food insecurity is not only the lack of food, but also a lack of access to nutritious and nourishing food.
Empty refrigerator with few consumable items. Photo: Simphiwe Maduma
Students without food or those who can only afford one meal a day are forced to attend classes on an empty stomach while waiting for lunchtime to receive their meal for the day. This poses serious implications in learning and concentration capacity and ability, therefore affecting students’ academic performance.
There is also the social well-being aspect of this problem for students such as difficulty in socializing. These students feel the need to hide their hunger and need for food to avoid being ostracized by their peers. This also affects their enthusiasm and ability to partake in campus life which forms part of socializing and engaging in new experiences.
The proportion of households in South Africa that experienced moderate to severe food insecurity was estimated at 19,7% in 2023. For students who come from such households, learning can be a nightmare.
FEATURED IMAGE: Small size empty takeaway container. PHOTO: Zanele S. Maduma
The first Obiter Lounge at Wits provided a platform for debate and re-imagination of freedom.
Wits students launched the first-ever Obiter Lounge with raw, unfiltered debate on what freedom really means 31 years into democracy.
Tensions flared as students clashed over gender, power and justice proving freedom is still a battleground in South Africa.
It is a bold space for truth-telling, growth, and uncomfortable but necessary dialogue.
Marking 31 years of democracy in South Africa, the Wits Law Students Council (LSC), hosted their first Obiter Lounge at Solomon Mahlangu House on April 25, 2025, designed as a space created for unfiltered, student-led dialogue.
This is in collaboration with the Wits Moot Society, the Black Lawyers Association Student Chapter (Wits BLA-SC), and the South African Women Lawyers Association (SAWLA).
The event invited students to speak openly about the promises enshrined in South Africa’s Constitution and question whether these are reflected in the daily lives of ordinary citizens.
Lesedi Lekoto, LSC gender and transformation officer opening a new topic for discussion. Photo: Lukholo Mazibuko
Initial hesitation gave way to passionate contributions as students reflected on freedom as it relates to race, gender, class, education, and safety. Finger snaps and applause punctuated personal encounters of freedom: from political to academic, economic to social, and from safety to justice.
The turning point of the event came when controversial opinions sparked gasps, murmurs of disbelief, and passionate rebuttals, raising tensions as someone on the floor expressed that that once some black South Africans have been liberated in terms of wealth they isolate themselves from assisting those in lower positions than them, making them the most selfish out there.
This was received with backlash as others critiqued that blaming others for upward social mobility should come with the awareness that many were indoctrinated and fought for their freedom and others reminded the individual that black people must work twice as much to earn half as much and that escaping poverty is the point.
Students attentively listen in as a speaker expresses their thoughts on what freedom means to them. Photo: Lukholo Mazibuko
This conversation was exactly what Mihle Kunju, LSC Chairperson, hoped the session to spark, “The main takeaway I envisioned was the creation of tolerance for unpopular but somewhat logical views.”
He believes that it is through uncomfortable and brutal conversation that the country will realise its true purpose.
“The National Dialogue needs to be spearheaded by young people and requires an unwavering commitment to even the most radical ideals”, he said.
Third-year LLB student Mandisa Khathi captured the spirit of the evening: “It has opened my eyes to how much we can learn from one another. Spaces like this that bring people together are truly special.”
She said: “It’s refreshing to meet like-minded people who are as hopeful about the future of South Africa. Plus, it’s a great space for those who might not usually be heard to share their voices.”
The Obiter Lounge has officially set the tone for a new era of student dialogue that is raw, reflective, and urgently necessary.
FEATURED IMAGE: Students gathered in Solomon Mahlangu House for the Obiter Lounge. Photo: Lukholo Mazibuko
When degrading women is the punchline, what does that reveal about the audience laughing along?
“Minnie’s pretty bro. Why can’t she keep a man?”
“Bro, I’m telling you man. There’s got to be something wrong with her. Maybe her coochie smells or something. You know this happens, bro, it happens, especially with the hot girls.”
“Mac, what if she can’t cook?”
That’s not an out-of-character quote or a harmless joke gone too far. It’s yet another example of the routine misogyny that fuels Podcast and Chill, the cult-like podcast and online show that’s been trading integrity for views since 2018.
On April 24, Podcast and Chill co-hosts Macgyver Mukwevho “MacG” and Sol Phenduka once again crossed the line between edgy commentary and outright misogyny. While discussing media personality Minnie Dlamini’s recent breakup with businessman Brian Monaisa, the conversation quickly spiralled into provocative territory as the pair speculated on the reasons for their split.
This is not new or surprising. This is exactly what a large amount of South African entertainment has become – a breeding ground for lazy, degrading speech against women dressed up as unfiltered commentary.
The irony came fast and loud when, on April 28, Moja Love condemned MacG’s remarks. Yes, that Moja Love. The channel that built its brand on exploiting poor, vulnerable and black South Africans, suddenly wants to be the voice of reason.
The same Moja Love that the Broadcasting Complaints Commission of South Africa (BCCSA) fined in 2023 for airing scenes of domestic violence on Isencane Lengane without trigger warnings or adequate support for the abused being filmed. The same broadcaster that aired Uyajola 9/9, a show that turns toxic relationships into Sunday night entertainment.
Spare us the moral high ground.
Where are the gatekeepers? Unfazed, it seems. By carrying Moja Love and MacG’s content, broadcasters like DStv fail to uphold the principles of the BCCSA’s code of conduct.
This code protects viewers from harmful content and ensures fair and balanced programming. It states that broadcasting licensees must “exercise exceptional care and consideration in matters involving the privacy, dignity and reputation of individuals.”
The code goes on to expressly state that licensees “must not broadcast material which […] sanctions, promotes or glamorises violence or unlawful conduct based on race, national or ethnic origin, colour, religion, [or] gender.”
Let’s be honest. Podcast and Chill isn’t the disease, it’s the symptom. The South African entertainment industry has fallen in love with controversy because outrage pays. Misogyny and vulgarity are now marketed as “being real.” The uglier the take, the better the numbers.
Podcast and Chill is one of the most consumed shows in the country, with 1.57 million subscribers on YouTube. Moja Love still pulls audiences despite constant public backlash.
So what does this say about us? Is our appetite for entertainment so bottomless that we’ll swallow anything, even casual violence or gender-based humiliation?
We’re not just bystanders. We’re complicit.
If the South African entertainment industry won’t change, then maybe the public should change the channel.
Or at the very least, ask ourselves, “why are we still watching?”
FEATURED IMAGE: Podcast and Chill co-hosts MacG and Sol Phenduka have ignited another sexism scandal, this time taking aim at actress Minnie Dlamini. Graphic: Mbali Khumalo.
The Constitution Hill opened its doors for free entry to commemorate Freedom Day.
Free tours were given to honour South Africa’s journey from apartheid to democracy.
Visitors reflected on the painful history of apartheid and the importance of protecting constitutional rights.
Civic organisations and young South Africans called for stronger civic education and wider access to historical spaces.
Visitors at the Constitutional Court foyer at Constitution Hill. Photo: LikhoMbuka
Exactly 31 years after the fall of apartheid, Constitution Hill opened its doors to South Africans, offering free tours to unite them through shared experiences that give meaning to South Africa’s constitutional democracy.
The tours on April 27 allowed visitors to explore the historic prison cells and exhibitions free of charge. For many, it was a powerful and emotional reminder of a painful past.
A bench marked ‘No Whites Only’ on display at Constitution Hill. Photo: LikhoMbuka
For Nomonde Velaphi, a community activist, walking through the harsh prison conditions was a sobering experience, one that reminded her not to take her freedoms for granted. “Sometimes we forget our history.” She said.
Sipho Sibiya, said the tour stirred deep emotions. Seeing the cells where prisoners once suffered made the reality of injustice in South Africa’s past feel immediate and personal. For him, the constitution’s Bill of Rights stands as a reminder of the responsibilities that come with freedom.
Irfaan Mangera, from the civic education group We The People South Africa, said Freedom Day is not just about commemoration, but about sustaining democracy through civic education. The group recently launched a free online constitutional literacy programme, supported by Saturday workshops in partnership with institutions like the Constitutional Court and Alt Advisory.
Two visitors watch the Freedom Day exhibition on a TV screen. Photo: LikhoMbuka
Katlego Mahlasela, a student cyclist, echoed the day’s message of civic learning. She said spaces like Constitution Hill are essential for her generation to understand the roots of freedom.
Constitution Hill’s communications officer, Janine Muthusamy, reinforced this sentiment, adding that the “Free for All” initiative is about more than just opening doors. ‘It’s about ensuring access and engagement, especially among young people, to deepen constitutional awareness,” she said.
The day’s visitors made one thing clear: remembering history is important, but building an inclusive, evolving democracy is the task that lies ahead.
FEATURED IMAGE: Visitors explore exhibitions at Constitution Hill during a free tour on Freedom Day. Photo: LikhoMbuka
Despite democracy, inequality remains deeply rooted in South Africa. Colonial-era systems and weak leadership keep many struggling, making true freedom feel like an illusion rather than reality.
South Africans celebrated Freedom Day on April 27, marking 31 years of freedom, but a nation once propelled by the dreams of liberation, finds itself in a paradox where democracy exists in name but fails in practice. The leadership that once embodied conviction and purpose has been replaced by individuals who merely perform the motions of governance without substance. The country’s political landscape reflects a deeper crisis, one rooted in the mechanisms of governmentality and the remnants of colonial power.
Governmentality and the Performance of Power
Scholar, Derek Hook, describes governmentality as a form of power that operates by managing perceptions rather than delivering structural change. By repeatedly acknowledging inequality and promising reforms that take time, leaders create the illusion of progress. This performance encourages citizens to self-regulate, internalise patience, believe change is underway and at times defer their demands of justice.
South African leaders lack the conviction necessary to drive transformative change. They have settled into a comfortable routine of political theatre; reciting the language of democracy and equality while presiding over systems that perpetuate inequality. Nowhere is this more painfully visible than in the education system.
Recent studies highlight persistent educational inequalities. The 2023 Trends in International Mathematics and Science Study (TIMSS) revealed that well-resourced schools in affluent areas continue to outperform poorly resourced schools in marginalised communities. Basic Education Minister, Siviwe Gwarube acknowledged that, despite post-apartheid reforms, the education system remains highly unequal, with significant disparities in infrastructure, teacher absenteeism and learning outcomes.
A pattern exists where leaders publicly commit to addressing educational inequalities, but the lack of decisive action and effective implementation perpetuates the status quo.
The people, distracted by the spectacle of governance, remain trapped in a system designed to keep power in the hands of the privileged.
Frantz Fanon, one of the most influential thinkers on colonialism and decolonialism, provides critical insights into South Africa’s predicament. In Black Skin, White Masks and The Wretched of the Earth, Fanon explores how colonial rule systematically dehumanises the colonised, stripping them of agency and trapping them in a cycle of psychological inferiority.
Despite South Africa’s political independence, the psychological scars of colonialism continue to shape governance and societal structures. The black mind, conditioned by generations of oppression, has internalised the logic of colonial rule, accepting leadership that fails to challenge existing power dynamics.
The Contradictions of Freedom and Democracy
Freedom in South Africa is often celebrated through constitutional promises; rights to equality, dignity, and movement. Yet, the gap between legal freedom and lived experience is undeniable.
For instance, the right to freedom of expression, particularly in university spaces, is often suppressed by fear. Students hesitate to speak out, fearing institutional retaliation. Recent protests against financial exclusion or poor accommodation conditions are met with resistance, reinforcing the limits of supposed freedoms.
Self-censorship becomes a defence mechanism, a response to the unspoken threat of expulsion or punishment. This psychological fear sustains oppression, ensuring that power remains unchallenged.
As long as fear dictates action, true freedom will remain an illusion. If fear keeps us silent and institutions such as government and universities etc, prioritise self-preservation over real change, can we truly call this freedom?
TikTok’s Creator Rewards programme has yet to be implemented in African countries, and South African are looking to government for help.
Minister Solly Malatsi advocated for the monetization of TikTok at The Safer Internet Summit held in Cape Town
TikTok needs to improve its monetization features for content creators in South Africa and on the continent
TikTok has committed to further engagements with the Minister
TikTok has faced increasing pressure from its African users for monetization and expand its outreach programmes to African countries. TikTok has 17.6-million users in South Africa (SA), with most of them unable to get monetized through the Creator Rewards programme.
Despite SA having more users, countries such as South Korea and Chile enjoy access to the Creator Reward Programme, enabling their creators to sustain themselves through their content creation
At the Safer Internet Summit, Minister of Communications & Digital Technologies, Solly Malatsi, made a call to action for TikTok to implement monetization tools for all African users. The TikTok-sponsored summit gathered political leaders, digital media consultants, & experts to discuss online safety and policies.
Carmen Ramsay (22), a Political Science graduate from the University of Pretoria, said that she left the app due to feeling demotivated from creating lifestyle content that she wasn’t making enough money from.
“We are all in the same market but it’s actually harder for us…we spend so much more effort, money & time into actually creating content that can compete with international level content creators,” she said.
Siphesihle Ntombela (24), a Bachelor of Education graduate at Wits University, stated that content creators should focus more on creating profitable spaces for their content and audiences. Ntombela is weary of government intervention, stating: “If the government is involved, I think content creators would have to register with government organisations and have contracts.”
Content creator, Brendan Roberts, has been advocating for this programme to be implemented and has been working to ensure that users understand that this would not be the case. The fund would simply make it possible for creators to generate income from videos that go viral and have high engagement numbers.
Postgraduate Diploma in Management in Business Administration student Lesego Makinita (24), popularly known as @lesegothebrand on TikTok, argued that the app helps people make ends meet. People such as teachers use the app to connect with their students & to make extra income. Sharing his wisdom gained as a content creator, Lesego advises upcoming content creators by saying: “authenticity is where it’s at…your perspective is your currency & these brands are looking for that. Plan, put in the time, & be consistent. ”
TikTok has informed the minister that they are committed to further engagements with South Africa. Malatsi enthused that economic justice needs to happen & that TikTok must ensure improved online safety measures and policy protocols.
FEATURED IMAGE: TikTok app logo on the screen and a finger about to touch it. Photo: Adobe Stock
Since her announcement as the Democratic Alliance’s mayoral candidate for Johannesburg, Helen Zille has dominated national headlines. In this bonus episode of We Should Be Writing podcast, hosts Lulah Mapiye and Bonolo Mokonoto dissect a media meet-and-greet with the mayoral hopeful. From her extensive political résumé to her controversial public utterance, we examine why the Democratic Alliance has chosen Hellen Zille as their candidate for the 2027 local mayoral elections. Additionally, […]
