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Drama for Life dedicates 11th conference and festival to creating a child-centred society.
The Wits University Youth Choir held their summer concert at Wits Theatre.
“She is a not so silent whisper of how the dream was altered, of how it did not turn out as envisioned”
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So Solo theatre festival will give audiences an exciting and diverse theatrical experience with 12 solo performances from September 27 to October 8.
A Wits lecturer is resigning following a student being injured whilst under her supervision.
The 969 theatre festival at Wits this year will aim to attract a younger audience. (more…)
A new theatre culture is being created at The Market Theatre. A culture that goes beyond the boundaries of the spoken word by using a collection of languages, performances and emotions.
Vumani Oedipus is a collaborative effort between the Wits Theatre and The Market Theatre in Johannesburg. The play is a reworking of the classic Greek tragedy Oedipus Rex into an African rendition. Directed by Wits School of Arts (WSOA) lecturer Dr Samuel Ravengai, the majority of the cast and crew are Wits students with two students from The Market Laboratory Drama School also included.
Friday night’s performance was nothing short of energetic and focused making it difficult to choose a single stand-out moment. Each action was met with an equal reaction that made the story flow effortlessly and the hour fly by quicker than one would have hoped.
Lucky Ndlovu (Edipha) and Nomfundo Shezi (Jocasta) are the striking lead pair whose interactions captivate the audience throughout the performance.
The theatre was filled with a diverse group of audience members who laughed, gasped and sympathised with the characters.
The play is performed in about 60 percent English and the remainder in a variety of Nguni languages such as isiZulu, Seswati, isiXhosa and Ndebele. Despite the variety of languages used in the play and the intentional abscence of subtitles or interpretation, it is simple to follow even if you only understand one of the languages used.
The performance relies far more on emotion and physical performance than the spoken word. The facial expressions from perfomers such as Sibusiso Mkhize (Kiliyoni) were more than enough to follow what is happening.
Although the story of Edipha was one of prophesised tragedy and the audience left the theatre feeling heart sore for the characters, there were a number of light-hearted moments. Fumani Moeketsi (Thilesi The Sangoma) was responsible for many of these moments with her witty retorts and fiesty attitude.
The performance flowed perfectly from beginning to end and it was a pleasure to watch young talent perform with such passion, energy and professionalism.
Vumani Oedipus is showing at The Market Theatre’s Barney Simon Theatre until Sunday, October 11.
Wits Theatre has collaborated in The Market Theatre for a play called Vumani Oedipus, opening in October.
Vumani Oedipus, a play by Wits School of Arts (WSOA), will be showing at The Market Theatre in October.
The collaboration “came about by default, it wasn’t planned” said director and WSOA lecturer Dr Samuel Ravengai. Due to a number of productions running simultaneously, there was a shortage of performers so Ravengai had the idea to approach The Market Laboratory Drama School, the training branch of The Market Theatre. “Three [The Market Laboratory students] got places, one of them has fallen out so I’m using two and the rest are from Wits Theatre”.
Vumani Oedipus is an “an Africanisation of the classic murder mystery”, the ancient Greek tragedy Oedipus Rex or Oedipus The King, according to the WSOA website. “The play is classified as a Greek play but if you look at the history of performance, the so-called Greek civilisation and it’s so called Greek plays are actually an off-shoot of African performances” said Ravengai.
Ravengai explained that his motivation for doing this play was to ground the work in an African context, saying that he was, “appropriating what was stolen or taken or appropriated from Africa and replanting it back into the African stories”.
Ravengai hopes the play will show “the possibility that South African theatre has, which is a celebration of our collective identities”. He added that, “It is possible to create a uniquely South African theatre that celebrates everybody in this kind of performance, which I think has not been done in many years at Wits and at The Market Theatre”.
The play strives to develop a new theatre culture that encourages transformation by incorporating a number of languages and traditions.
“For the first time at Wits and the first time at The Market Theatre we are going to do a play where English occupies about 60 to 65 percent of the linguistic content of the play and the rest of it will be Nguni languages, which is Zulu, Seswati, isiXhosa and Ndebele. I am not going to be using titles because theatre has its own language.”
Vumani Oedipus runs from 6 -11 October at the Barney Simon Theatre at The Market Theatre.
The second annual So Solo festival is coming to the Wits theater this spring and it promises a line-up of thought provoking theater .
The So Solo festival of one person plays is coming to the Wits Theater for a month from September 11. A unique concept in theater, the festival will feature a solo actor performing a story in each show, accompanied only by lights, props and music.
“So Solo is an edgy festival and this years’ productions are works that push the boundaries of the art form further,” said festival director Gitanjali Pather.
16 plays written by diverse writers, directors and actors will be showcased over the month-long festival. Some of the artists featured are current Wits students including Kelly Eksteen, star of Kullid. Eksteen says the experience of working physically alone has taught her the value of having other actors on stage supporting the storytelling process.
“I think that no matter whether you’re in an ensemble of 20 cast members or if you’re by yourself, it’s never about you,” she said.
Pather says she chose to target young talents who are creating work despite the obstacles they face.
Many graduates of the Wits School of Arts (WSOA) are producing their own work and this will be performed for audiences at the So Solo festival. The likes of MoMo Matsunyane, the writer and director of this years commissioned piece, ‘Penny’ and Tony Miyambo who performs the award winning Kafka’s Ape will also make an appearance during the festival.
“I took two plays down to the national arts festival this year; Kafkas Ape and The Cenotaph of Dan Wa Moriri which was the commissioned play for the first ever So Solo festival last year. I was given the opportunity to tell stories that are close to my heart and received an amazing response for both pieces,” said Miyambo.
Having a space to perform is important for young people in the arts, according to Pather. She said students get to “shape, and reshape their stories, hone their skills and understand that magical thing that happens between performer and the audience.”
Aside from the student participants, the festival also hosts well-known theater personalities like Carina Nel who will perform the critically acclaimed ‘Suster’ – a story about a woman who is diagnosed with Multiple Personality Disorder following her parents’ death.
Makhaola Siyanda Ndebele, the writer and performer of ‘Cantos of a life in exile’ deploys the South African performance genres of iiNgoma (healing rituals), iintsomi (storytelling) and IziBongo (praise poetry) in this tale about finding home. This autobiographical performance journey explores the complexities of identity faced by a South African citizen exiled during apartheid.
Craig Morris’s hilarious delivery in the award winning ‘Johnny Boskak is feeling funny’ is sure to leave the audience in stiches. This spin-off to Greig Coetzee’s White men with weapons, is based on Johnny Boskak’s journey to find his place in the new South Africa. It’s a story about defying the odds at any means necessary with a comedic twist.
“I created the So Solo season to celebrate the solo artist”
The works of captivating works of multi talented writers and actors like Philip M. Dikotla in ‘Jokes 4 sale’ , Billy Langa in ‘Ngwed1’ , Wiseman Mncube in ‘Giving birth to my father’ and Tefo Paya in ‘Morwa: the rising sun’,will ensure that any genre you crave will be satisfied.
Pather says, “more and more artists are using the solo performer vehicle to tell stories AND practice their craft in a way that makes it economically viable.” Performers agree saying that there’s no better way to advance ones career but through doing the work they love.
Book online at www.webtickets.co.za or purchase your tickets from box office. The ticket prices range from R70 to R85
Students from the Drama department had the most complaints at the first Wits School of Arts student imbizo (meeting).
At an imbizo hosted by the Wits School of Arts (WSOA) student council on Monday afternoon, students from the drama department took the opportunity to file their frustrations. The imbizo was intended to acquaint students with the council, which was elected three months ago, and brainstorm ideas on future activities.
One of their more serious complaints was that drama students felt that they did not have enough access to the Wits theatre. Students are not allowed to use the theatre unless it is during an exam or an actual production.
“The Wits theatre is a separate entity from the school of arts. It functions as a business that need to generate profit.”
Each student is only given 30 minutes to familiarise themselves with the theatre stage before their exam starts. Students said their performance marks suffer because 30 minutes is not enough time to familiarise themselves with the space and use it efficiently.
Chairperson of the WSOA student council Nolo Mmeti, said they have looked into the problem before. “The Wits theatre is a separate entity from the School of Arts. It functions as a business that needs to generate profit.” For this reason there is very little they can do about it. He also said when students are allowed to use the theatre often things are broken and equipment is not returned on time which leaves them with very little room to negotiate around the matter.
Students also complained that the School rules state that students are to receive their provisional marks a week before their exams but this does not happen for all departments. While others said that some lecturers do not give clear criteria of how students will be assessed. One student went on say that“sometimes I think marks are dependent on how close one is to the lecturer”.
The council gave feedback on some of the requests that they received last semester and assured students that all new matters would be looked in to.
From language barriers between students and lecturers, to marks that are released with students names, students felt that council had done a great deal in raising real student issues with management and getting timely results.
Mmeti said they hope to have more of these imbizos to “instil a collaborative culture” between students and their council. He also said there isn’t enough “artist collaborations between students of various study years” and they hope to change that.
Students are encouraged to keep an eye on the Wits School of Arts social media sites to find out about events and information regarding their various departments.