The play Sophiatown balances the tragedy of displacement and forced removals with the joys of human connection, jazz, singing and dancing.
It is Saturday, April 11, 2026, and the theatre kid in me is geeking throughout the entire experience of witnessing the revival of Sophiatown on stage. A legacy, a history so rich, words cannot begin to describe the greatness embodied through the characters, the storytelling and the finer details that reflected the true intentionality in honouring and remembering Sophiatown.
Upon arrival, I was excited and deeply curious about what the play Sophiatown would actually be about. The audience sat in the lounge area of the Wits Theatre, anticipating the journey we were about to embark for the next two hours. Chatter and joy filled the lobby as we patiently waited for the show to start.
Boy, were we in for a true treat! Drum rolls and a groovy jazz tune is how we were introduced to Sophiatown, a fitting opening for a place known for its sonically rich cultural heritage and legacy. One of the main characters, Jack, took us back in time. It is the 1950s: typewriter on the desk, a bookshelf in the background, blue lights and the interior of a warm family home, await the rest of the characters.
Jack, an aspiring journalist, resurrects the legacy of Drum magazine by calling out names of the 1950 Drum legends such as: Can Themba, Lewis Nkosi, Bloke Modisane, and Todd Matshikiza, he highlights how they paved the way for African storytelling in Sophiatown at that point in time. Soon after, the rest of the characters join in on a chorus and soothes our ears with a sweet melody, the peanut gallery begins to cheer, and we have officially taken off.
The play is truly nothing short of amazing, and it importantly showcases how Sophiatown can never be solely understood through a singular lens or a singular story. It is culturally rich, consisting of diverse people, multiple races and different lived experiences. We are taken through a story of history, as the play reflects the severity of living under the apartheid regime which pushed for racial segregation and alienation. As one of the main characters Mingas says, “Sophiatown is not just about clubs and jazz, it is about war.”
The play explores the plight of BantuEducation, and the complexities of interracial relationships as we see through the arrival of a white Jewish girl, Ruth Golden, who is originally from Yeoville. She finds herself in Sophiatown after seeing an advertisement in the Drum magazine for the “diamond lady, number 17.”
Ruth’s presence at 65 Gerty Street in Sophiatown reflects the different living conditions between the white people and black people. Ruth is forced to adapt to life in Sophiatown, in a smaller house where everyone shares rooms, it enhances the complex relational dynamics between characters such as Lulu and Princess, Mingas, Jack and Fafi and the mother who all occupy the home.
Above all else, the play highlights the brutality of forced removals in Sophiatown with reference to the Native Resettlement Act of 1954. The apartheid regime used to remove black people from their homes, through bulldozing houses and destroying the infrastructure. The wound of displacement is so deeply felt by the audience as the characters are forcefully moved to Meadowlands.
Actors of Sophiatown play on stage. Photo by: Sikelelekile Pahlana
The play effectively and harmoniously balances light-heartedness through humour, singing and dancing with the seriousness of how violent the apartheid regime was.
The play asks to be remembered, embraced, and treated as a real point in time because it was and forever will be. We are urged into carrying the memory of Sophiatown with us and be conscious enough to ensure we never forget the pain, the joy and the collective fight it took for us to taste freedom, not idealistically yet in reality – to feel the things, the legends of those times always hoped to one day be a witness to.
I spoke to the writer, Malcolm Purkey, who said the play Sophiatown was created 40 years ago, in 1986 and it still stands today, a true testimony to its importance and relevance. When I asked him what he wanted people to take away from the play, he said, “If we found the right way, we could live together with respect. The gap of poverty and inequality is still there, and the war is not over,” Sophiatown reminds us of our common humanity and truly reflects the times, with dignity.
We are reminded, as Don Mattera once articulated, “Memory is a weapon!” Our history, South African history awaits you on the stage, it is worthwhile to go check it out and experience it for yourself. The play runs from April 11 to May 8, 2026. You will laugh, you may shed a tear, yet you will not regret it.
Vuvu Rating: 10/10.
FEATURED IMAGE: Picture of stage during Sophiatown play. Photo by: Sikelelekile Pahlana
Rising fuel costs are forcing Wits students to choose between paying for their daily commute and basic essentials like meals and data
The recent fuel hikes have increased taxi fares by R6 per trip, costing students an extra R240 monthly.
Daily commuters are walking long distances to save fare money, resulting in late arrivals and lost study time.
Two weeks after South Africa’s fuel increase, some Wits University students who commute daily say rising transport costs are already affecting their ability to attend lectures, manage time, and meet basic living expenses.
According to Bloomberg, petrol is currently around R 23 per litre, following recent increases in global oil prices and local fuel adjustments.
While the increase in fuel prices continues to place pressure on household budgets, its impact has now extended directly into the public transport costs.
The National Taxi Alliance (NTA) confirmed that taxi fares have already increased by R6 per trip. For daily commuters, this translates into an estimated additional R12 per day for a return trip, about R60 per week, and roughly R240 per month.
A Wits student passing their taxi fare to the front of the vehicle. Photo: Alice Dhlamini
For students who rely on taxis from the surrounding areas, the increase has turned daily travel into a financial strain.
“I live off campus in Benoni, and I have to travel every day to get to class,” says Afrika Mbangiso, an honours in Psychology student.
“From Wanderers Taxi Rank in Johannesburg, I have to walk the rest of the way to Wits just to save money for lunch or sometimes, for my trip back home,” Mbangiso adds.
It has also affected her punctuality and workload. “I am sometimes late for class, meaning it’s more work that I must catch up on later”, she adds. For students like her, longer commutes and additional walking reduce time for rest, studying, and academic preparation.
Nontobeko Zulu, a Postgraduate Certificate in Education (PGCE) student, argues that the increase has forced what she calls a “displacement of funds”. “For many of us, these aren’t just transport fares, they represent a radical displacement of funds,” Zulu says.
FEATURE IMAGE: A picture of a passenger passing forward taxi fare, which has increased by R6 per trip due to petrol hitting R23 per litre. Photo: Alice Dhlamini
A deeply human reflection on fathers and sons, masculinity, healing and what gets passed down through generations
Imran Hamdulay’s feature debut, The Heart Is A Muscle, is a moving exploration of intergenerational passing, the complexities of masculinity and the relationship between fathers and sons. Set within Cape Town’s layered history, the film was South Africa’s official entry for Best International Feature Film at the 98th Academy Awards (Oscars) 2026.
The Cape Flats, an area shaped by apartheid and systematic marginalisation, has been misrepresented in cinema. It is often reduced to a single narrative of crime and conflict. Hamdulay pushes against this stereotype. The history of violence is acknowledged but never dramatised. Instead, he reflects on fear, hope and defiance. The Cape Flats feels like more than just a setting, it becomes a character in itself. Fractured but resilient, carrying its complexities, dignity and fragile connections.
During a Johannesburg screening at The Bioscope Independent Cinema on March 11, Hamdulay was in attendance and explained how the story was inspired by a real-life incident. While at a barbecue, he saw a friend’s son briefly go missing. In that moment, Hamdulay witnessed fear and anger in his friend like never before. This sparked his curiosity and the film’s narrative, which begins with a young couple discovering their five-year-old son has disappeared. The story continues to follow Ryan, the young father, as he confronts his own brokenness, masculinity and the unspoken histories passed down through generations.
Still from The Heart Is A Muscle. Photo: Supplied/The Bioscope
Shot entirely on location, it captures both Cape Town’s grittiness and colour. Hamdulay has explained that he tried to lead every part of the production with kindness. From the set, the shoot, the camera, to the performances. The cinematography reflects this, emphasising intimate, character-driven storytelling. Imagery such as the ocean creates feelings of isolation and unresolved emotions. Close-ups reveal personal histories through subtle traits. Instead of over-rehearsing, a lot of time was spent discussing the characters beforehand and how the actors themselves related to the story. Keenan Arrison, cast as Ryan, delivers a raw, lived-in performance, and the film’s emotion lies in the pauses, silences and gestures.
Still from The Heart Is A Muscle. Photo: Supplied/The Bioscope
The film asks: What do we inherit from our fathers? And how can we become better versions of ourselves in difficult circumstances? Masculinity is usually discussed through power and control, but Hamdulay looks at the importance of softness and healing. What begins in feelings of apprehension transitions into a meditative reflection, heightened by a score that balances tension and vulnerability.
Although the film is set in South Africa, The Heart is a Muscle also speaks to an international audience. At its core, it is a reflection on belonging. It is not only about fathers and sons but about facing inherited pain and finding a path to forgiveness and change. Hamdulay has created a film that is intimate, layered and deeply human.
FEATURED IMAGE: The Heart Is A Muscle poster. Photo: Supplied/The Bioscope
On Tuesday, March 31, the SRC announced a new structure and reshuffling of their council. They added a new representative to the executive wing and reinstated a member suspended due to a rape allegation late last year.
This change in leadership comes after the resignation of the former Secretary General, Antonett Khoza, on February 26, 2026. In her resignation statement she defined her tenure as being led by a “passion for fighting for access, accountability and dignity of students”.
She added that, “stepping down is not surrender”, but “a strategic withdrawal from a position that no longer allows me to serve effectively under its current conditions”.
The reshuffle resulted in the co-option of an existing member of the executive student governing body by the Dean of Student Affairs. Final year Medical student, Nonhlanhla Siwela, will fill the role of Student Development and Integration Officer.
“Whether elected to a particular position or not, I’ve always strongly believed in advocating for progressive change and making a meaningful difference no matter how small,” she told Wits Vuvuzela after accepting the position.
Alongside these structural changes, an update has also been provided on the sexual and gender-based harm allegations laid against, Musawenkosi Mavuso, in November 2025. After failure to reach the complainant for further information, the conclusion of the inquiry resulted in the lifting of his suspension. Mavuso reassumed his position in the SRC, taking up the portfolio of Bursaries, Fundraising and Stakeholder Relations.
SRC President, Nchabeleng Gilbert, said, “We are glad investigations have been conducted. The SRC reiterated the university findings and find that due diligence has been conducted.”
He added that the changes would not impact existing administrative processes.
The positions and their new representatives are as follow:
Secretary General: Aphelele Qwabi Deputy Secretary General: Matlhatsi Mosima Portfolio of Bursaries, Fundraising and Stakeholder Relations: Musawenkosi Mavuso Student Development and Integration Officer: Nonhlanhla Siwela
What these changes will mean for the student body, remains to be seen.
FEATURED IMAGE: Image of the Wits Great Hall, with students walking in front of the building. Graphic: Amahle Ngqwemla
Rirhandzu Shilubane uses her platform to challenge beauty standards and empower women and children.
In a world increasingly shaped by changing beauty standards where weight-loss culture dominates and more young people feel pressured to change their bodies, Rirhandzu Shilubane is working to rewrite that narrative. When she entered the room, she did so with bright energy and a welcoming smile that immediately put one at ease. She has a presence that reflects both confidence and intention.
Shilubane, is a 24-year-old third-year law student at Wits University. She is also a Top 14 finalist in the Face of Plus-Size South Africa 2026 pageant. For her, the pageant is not about appearance, but about the impact.
“I’ve always known that I wanted to be a vessel of change,” she says. “Even before I fully understood what that looked like, I knew I wanted to work in a space where I could contribute to something bigger than myself- especially in advancing rights and justice.”
Her academic journey reflects this purpose. “I became interested in how laws actually work in people’s lives, how we make sure rights are not just written but realised.”
Her decision to enter pageantry is rooted in deeply personal experiences. Growing up, she often felt excluded because of her body size during pageants at her primary school.
Rirhandzu Shilubane, Top 14 finalist in the Face of Plus-Size South Africa 2026 pageant. Photo: Dzulani Muthaphuli/ Plain World PicturesRirhandzu Shilubane, Top 14 finalist in the Face of Plus-Size South Africa 2026 pageant. Photo: Dzulani Muthaphuli/ Plain World Pictures
“I wanted to be part of something that tells young girls, especially those who look like me, that they are worthy, that they are seen,” she says. “Representation matters. When you see someone who looks like you taking up space, it gives you permission to do the same.”
Through her initiative, Elevate Her and Children, Shilubane has translated advocacy into action, running food and clothing drives, supporting a children’s home, and organising programmes centred on dignity and care.
“Dignity is a basic right,” she says. “Sometimes we think it’s something abstract, but for many children, it’s about being acknowledged, being cared for, being given space to just be children.”
Her advocacy for body positivity is equally extensive. “It’s not just about plus-size women,” she explains. “It’s about everyone. You could wake up tomorrow in a different body, but if you’re not at peace with yourself, nothing changes. Body positivity is about being comfortable in your own skin, regardless of size, shape, or appearance.”
Despite criticism that often surrounds beauty pageantry, Shilubane remains steady in her purpose. “I understand the criticism, because some spaces do reinforce harmful standards,” she acknowledges. “But for me, this platform is about deconstructing those ideas. Even if I only reach one person, if one girl starts to see herself differently, then that is enough.”
Rirhandzu Shilubane, Top 14 finalist in the Face of Plus-Size South Africa 2026 pageant. Photo: Dzulani Muthaphuli/ Plain World Pictures
Her resilience, she says, is rooted in her upbringing. “My mother taught me that when a door closes, you don’t stop- you find another way in,” she says.
Looking ahead, Shilubane hopes to use her law degree to expand access to justice and empower communities through education. “People are not voiceless,” she says. “They have voices, they just need platforms that amplify them. I want to be part of creating those platforms.”
Her message to young women is both simple and profound: “When you fully embrace who you are, you give others the freedom to do the same. And that is where real change begins.”
FEATURED IMAGE: Rirhandzu Shilubane, Top 14 finalist in the Face of Plus-Size South Africa 2026 pageant. Photo: Dzulani Muthaphuli/ Plain World Pictures.
The pressure of the beauty maintenance day is piling up and emptying the pockets of many.
There was a time when “beauty maintenance” meant styling your hair and maybe getting it trimmed before school picture day. That was all that was required of you. Now? The expectations for women in particular feel endless – lashes, nails, hair, waxing, eyebrow shaping, facials, wig installs – the list just keeps growing. What used to be simple personal grooming has evolved into a full-time job, that requires a whole day off.
Let me be clear: personal grooming is important. Looking after yourself can boost your confidence, self- esteem, improve hygiene, and contribute to your overall self-care. There is nothing wrong with wanting to feel put together. However, somewhere along the way, beauty maintenance stopped being about feeling good and started feeling like a requirement.
Hair being braded. Photo: Bonolo Mokonoto
A full “maintenance day” for me can easily cost up to R1500. That’s a significant amount of money to spend. Between work, transport, and everyday expenses, budgeting for lashes and nails every few weeks isn’t always realistic. Social media and societal pressures can make beauty maintenance feel necessary.
Nails being cured under a UVA light. Photo: Bonolo Mokonoto
Braamfontein and Johannesburg CBD has a huge selection of beauty salons and maintenance spots. On almost every corner there are nails, brows, or hair services on offer. The options are endless, but unfortunately, the quality isn’t always guaranteed. Many students have experienced rushed appointments, unprofessional service, or results that don’t match the price paid.
The bigger issue, though, is the societal pressure attached to it all. When i walk into a lecture hall and the majority of people have their nails done and frontals installed, it makes me feel like I do not fit in. There is this unspoken expectation that to be “put together,” you must have your lashes done, nails fresh, edges laid, and brows perfectly shaped. And for young women, especially myself, navigating identity and confidence, that pressure can weigh heavy.
A wig getting prepared to get installed. Photo: Bonolo Mokonoto
I think beauty regiments should be about self-expression, self-care and evoke joy. They should make you happy, not anxious about keeping up with the trends. It should feel like self-love, not a compulsory checklist, added onto your budget.
So, before you book your next appointment, do it because you genuinely love how it makes you feel, not because it’s trending.
FEATURED IMAGE: Hair being braded. Photo: Bonolo Mokonoto
The increase in the minimum wage amount is not as impactful as the minister of labour and employment would suggest.
The minimum wage amount has increased to R30, 23 per hour from R28, 79 per hour.
The new minimum wage is still not enough to sustain South Africans.
Millions still struggle to cater to their basic needs.
The minimum wage amount is set to increase to R30,23 per hour, from R28,23 per hour as of March 1, 2026. South Africans are beyond frustrated by this small change.
“The income is basically the same, given that the economy is also changing. [The government] increasing the minimum wage doesn’t change the fact that things are also getting more expensive. If, lets say, they were increasing the wages, but the economy’s status was still the same at least [there] would be a bit of a change, compared to right now,” said Rose Mongwe, a third-year bachelor of education student.
The minimal increase, means Mongwe, whose mother is a domestic worker will not get an allowance increase this year. She uses what her mom can give her for toiletries and other personal needs. “It is not [as much] as I would want it to be but then it kind of helps here and there and sustains me when I’m unable to get some money for myself,” she said.
Muhammed Siyad the Regional Investment Growth Manager for Southern Gauteng at Absa said, “At the rate at which inflation is climbing, this increase of the minimum wage amount per hour I don’t feel it would affect any households in a positive sense, the reason for that is everything else is getting more expensive, its making it harder for people to manage based on the current salaries.”
Neo Bapela honours in bachelor of education said, “I feel like the [minimum wages amount] is very little, but also it goes according to peoples’ responsibilities, I might think that the money is enough for me, because I don’t have kids, I don’t have other responsibilities.”
The increase of the minimum wage amount does not keep up with the rising cost of living. Many households continue to stretch out their money, the increase of R1,44 offers little to no relief.
FEATURED IMAGE: Cash and coins. Photo: Bonolo Mokonoto
South Africa is again debating the name changes of provinces and towns.
Over the past month, there has been nationwide debate over the name changes of various towns and provinces. This puts into question South Africa’s history and if we should preserve the current names as a reminder or change them to honour our heritage.
Name changes carry real and expensive costs. The updating of maps, road signs, business branding and tourism material require funding and resources that could be used elsewhere. The country has a multitude of more pressing issues – such as a high unemployment rate, and water and electricity shortages- changing the names of provinces and towns shouldn’t be the top priority for the current economic climate of South Africa.
The Eastern Cape’s is currently undergoing a massive transformation on this front. Gayton McKenzie , the Minister of Sports, Arts and Culture, approved 21 geographical name changes, including renaming East London to KuGompo and Graaff-Reinet to Robert Sobukwe Town. This has been in line with public consultations and recommendations made from the South African Geographical Names Council.
The name changes are yet to be confirmed as it is the department’s ongoing commitment to ensure that the names highlight the country’s diverse heritage and history. Most residents in Eastern Cape are against the name changes highlighting that the towns historical identity and heritage should remain, as this keeps history intact.
Other residents argue that the changes are long overdue, as the original names are reminiscent of our history and it is important to keep reminders around, so that people do not forget. The renaming project can be viewed as a form of decolonialisation and reclaiming our history and instilling pride over the South African landscape.
King Misuzulu kaZwelithini recently reignited the debate by calling for the removal of “Natal”, from the provincial name “KwaZulu-Natal”, he argues that before colonial efforts the area was simply called KwaZulu. The Zulu king is pleading with politicians to broaden the public debate about these historical boarders as they have been shaped by colonial authorities.
The African National Congress (ANC) has responded cautiously, particularly around the proposals to rename KwaZulu-Natal, stressing that it has not yet adopted an official position on the matter. The party emphasised that any provincial name changes must follow proper constitutional and legal processes.
As the debate continues, we need to critically ask ourselves what impact the name changes will have on the community, whether positive or negative, it will be the residents that deal with the massive changes, and their opinion is of high importance.
FEATURED IMAGE: Geographical name changes debate. Graphic by: Bonolo Mokonoto
Four seasons in, Bridgerton struggles with originality, yet it feels as genuine than ever.
Dearest gentle reader, in this highly anticipated new season of one of Netflix’s most-watched series, Bridgerton season four, part one, is not quite what we expected.
This season focuses on the notorious playboy Benedict Bridgerton’s love story and his quest to find life partner. He meets a lady named Sophie at a masquerade ball and makes it his mission to find her after she leaves the ball in a hurry. This season uses the Cinderella trope, but instead of a glass slipper, Sophie leaves behind a glove. This story line makes the story predictable, as many audience members are very familiar with this trope, it lacks originality.
A very interesting aspect of this new season is that we get an inside look into the servants’ quarters. We are offered a behind-the-scenes glimpse of how the lives of the rich and royal are kept in-order by those who are rarely noticed in these spaces. It is reminiscent of renowned period drama, Downton Abbey.
Through this shift in perspective, the series highlights the invisible labour that sustains the grandeur of high society. Lady Whistledown makes a point of exposing and sharing the stories of these workers, further emphasising their importance in society.
A carriage driver remarks on the behaviour within the ton, stating, “It’s thrilling for them, chaos for us.” This line emphasizes the immense labour servants must perform to maintain the magnificence or grandeur of the balls and social events hosted during the debutante season.
Throughout the Bridgerton series, Benedict has been depicted as sexually fluid, which makes his search for a wife this season feel out of left field and somewhat out of character.
It would have been more compelling to watch him seek companionship with both men and women, ensuring that the character development establishing him as pansexual in previous seasons, did not go to waste.
The chemistry between Benedict and Sophie is undeniable. This is the first season where the main couple get to know each other in a friendly manner, and this was entertaining to watch.
The playfulness and gentle ease they have with each other is refreshing, from the conflict we initially see with the previous main couples in the series.
Despite the predictability and missteps on Benedict’s character development, Bridgerton season four succeeds in feeling emotionally sincere.
This may not be the most original chapter in the Bridgerton storyline, but it proves that familiarity, when written well, can still be engaging.
Vuvu rating: 7.5/ 10
FEATURED IMAGE: Bridgerton season 4 review. Photo: Netflix
Technology is advancing and getting involved will help postgraduates not get left behind.
The Wits Postgraduate Orientation introduces students to their chapter as ‘seniors’ on campus.
App development in academic research is encouraged.
Apps can be beneficial but also have various limitations.
From left to right, Simone Dahms Vester, Tasneem Hassem and Lesego Molefe, at the Post Graduate Orientation panel discussion session. Photo: Bonolo Mokonoto
In the age of artificial intelligence, postgraduate research needs to adapt quickly to not just keep up but lead the way. This is what new students were told during their Postgraduate Orientation on January 28, 2026 at the Great Hall.
Beyond using apps and tools that already exist, students were encouraged to be creative and develop their own apps instead of relying heavily on AI for their research. “[With] something like ChatGPT, we need to know who developed it and what data it has been trained on, especially with mental health, a lot of the phrases or tools that have been developed come from the west, so when we transfer it to South Africa there is a mismatch on how we understand mental health” said Tasneem Hassem Senior lecturer in Psychology.
Students were urged to take advantage of digital platforms to create their own apps, using a data collection tool or analysis app. The speakers noted that by identifying everyday research challenges, students can find practical solutions without having any app development background.
Postgraduate students in attendance at the Postgraduate Orientation. Photo: Bonolo Mokonoto
As beneficial as apps can be, they also have their own flaws. Lesego Molefe, a master of science student, shared some concerns regarding the Wits app. “I will always reference the Wits mobile app, it is literally the one stop shop to everything, but there is one problem- it’s that, it’s a bit fragmented” she said. The Wits app needs to bring together the student element, by making it more interactive for it to function as a social media platform.
New technologies should be seen as an opportunity to enhance research rather than an obstacle to tackle.
FEATURED IMAGE: From left to right, Simone Dahms Vester, Tasneem Hassem, Lesego Molefe and Prof Jennifer Fitchett, at the Post Graduate Orientation panel discussion session. Photo: Bonolo Mokonoto
Being a first-year can conjure up a rollercoaster of emotions, and navigating it can turn survival into belonging.
The moment my parents’ car disappeared down the road outside my residence four years ago, reality hit me. Standing there in a new place, surrounded by unfamiliar faces and unpacked boxes, I felt a knot in my stomach and my chest tightened with anxiety. It was bittersweet watching them leave, I felt a mixture of both excitement and fear settling in all at once. As shy as I was, I knew this was an opportunity of a lifetime.
Around me, students laughed as their parents helped them carry boxes upstairs, rooms and corridors buzzed with conversation, and new friendships seemed to form effortlessly. I knew no one. I kept questioning if I truly belonged here. I did not realise then, what I know now, which is that almost everyone around me was feeling the exact same way I did. Even in my loneliness, I promised myself that I would make the most out of this experience.
Walking onto the Wits University campus for the first time can be both exciting and terrifying. Your first year at Wits represents a sense of freedom and possibility, but also pressure and uncertainty, this marks the beginning of a journey that will test you in ways you never expected.
Wits is more than just attending lectures and keeping up with submission deadlines. Outside of classes you will quickly come to realise that this university has so much more to offer. Whether you are grabbing something to munch on at the Matrix, sitting on the Lawns with your new formed friends, or doing the occasional people-watching on the Great Hall steps, these spaces become the heart of student life on main campus.
The fountain separating the Great Hall from the Library Lawns, it brings a relaxing white noise during stressful days. Photo: Bonolo MokonotoThe Matrix, located on east campus. This is a busy student center, with food vendors, banks and the Campus Bookshop. Photo: Bonolo MokonotoThe Main campus bus stop. This is where you will catch the Wits bus that takes you to the other wits campuses and residences. On the same road is AMIC Deck which is the bridge that connects east and west campus. Photo: Bonolo Mokonoto
Hundreds of events are hosted by various clubs and societies and pop- up performances are frequent; this is to remind you that Wits is a community, as much as an academic space. Ensure that you get involved as it will help make campus feel less stressful and more like home.
Speaking of stress, the change from high school to university is drastic and this can be overwhelming. No one is here to remind you of deadlines or check if you are keeping up academically, it is important that you take agency over your own life. First year is not about being perfect, it is about learning how to manage your time efficiently to avoid unnecessary stress later on.
Making friends can be tricky, campus is constantly busy and it is easy to feel alone in the crowd, as was I upon arrival. People might seem like they have it together, but they are silently navigating the confusion and anxiety just as you are. Do not be afraid to talk to the person sitting next to you in a lecture or ask questions in tutorials, you would be surprised how many people feel exactly the way you do.
Zesti Lemonz on west campus, this eatery provides light meal takeaways for students on the go and provides an outdoor seating area to mingle with friends. Photo: Bonolo MokonotoJimmy’s, located on west campus with a corresponding location at the Matrix. Photo: Bonolo MokonotoThe Wits Anglo American Digital Dome is a 360° immersive digital facility on east campus. It provides a state- of -the art venue showcasing science, arts and culture. Photo: Bonolo Mokonto
As the year continues, it is important to know where you can seek out help. Wits offers academic development units such as the Wits Writing Centre, tutors, and libraries that are there to support you. Make use of these facilities early on, there is no shame in seeking help.
Recreational sports facility located on west campus, this is where you can bond with other sports lovers and engage in the ever therapeutic team sport. Photo: Bonolo MokonotoOutdoor gym on west campus close to Barnato Hall Residence. Photo: Bonolo MokonotoA deeply hidden dam and water feature located on west campus next to Barnato. This is known to the seasoned witsies as a secret getaway from the constantly hectic wits campus. Photo: Bonolo MokonotoAlumni House on the lower end of west campus, it houses Olives and Plates a restaurant on campus for all to enjoy. Photo: Bonolo Mokonoto
First year will test you, you might fail a test, or question whether you belong or not. Do not give up, keep showing up and take it one day at a time.
Oh and remember, once a Witsie always a Witsie!
FEATURED IMAGE: The Great Hall at Wits University. Photo: Bonolo Mokonoto
The Vanderbijlpark scholar transport accident exposes how reckless driving and weak enforcement continue to cost lives on South Africa’s roads.
On Monday, January 19, a scholar transport minibus was involved in a devastating collision in Vanderbijlpark, situated south of Johannesburg. The tragic accident resulted in fourteen fatalities, sending shockwaves through Gauteng and the country at large.
As investigations continue, the 22-year-old driver appeared before the Vanderbijlpark Magistate’s Court, where the case took a drastic turn as he abandoned bail and additional charges were added. The National Prosecuting Authority confirmed on Thursday, January 22, that the driver, Ayanda Dludla, now faces 14 counts of murder, upgraded from the initial charges of culpable homicide. Other charges include three counts of attempted murder, one count of driving without a valid permit and one count of operating an unlicensed vehicle.
Initial reports and video footage point to reckless driving during peak traffic. Too often, scholar transports operate in a grey area where unroadworthy vehicles, missing permits and unqualified drivers are treated as a miner issue, rather than a life-threatening risk for the lives of people on the road.
The tragedy that unfolded in Vanderbijlpark is not just a heartbreaking reminder of how dangerous our roads have become; it is an indication of the disappointing system that has repeatedly failed to protect even its most vulnerable users. For years, communities and road safety advocates have warned about reckless driving and weak enforcement from road officials.
The Department of Transport’s recent push to verify scholar transport operators, to ensure proper registration and the possession of valid documentation, is crucial. This raises an uncomfortable question: why did it take the loss of fourteen young lives for this urgency? Road stops after such a tragedy are not enough, enforcement must be consistent and uncompromising, not just reactive.
Scholar transport drivers are entrusted with young lives, and that responsibility needs discipline, patience and respect for the rules of the road. Reckless overtaking, speeding and a complete disregard for traffic laws are acts of negligence with inevitably devastating consequences.
Parents and community members should be empowered to play a role and verifying whether a scholar vehicle is properly registered, checking operating permits, and refusing to use services that cannot prove the above should be normalised. Communities should feel supported and not intimidated or discouraged when reporting unsafe drivers.
The way forward requires more than apologies and condolences. It demands stricter enforcement, routine vehicle inspections and serious consequences. The Vanderbijlpark tragedy must mark a turning point for South Africans. Our children deserve to travel safely to and from school, anything else is a failure we can no longer accept.
Investigations into the accident are ongoing and the case has been postponed to March 5, 2026.
FEATURED IMAGE: Bonolo Mokonoto profile image. Photo: Paul Botes
Since her announcement as the Democratic Alliance’s mayoral candidate for Johannesburg, Helen Zille has dominated national headlines. In this bonus episode of We Should Be Writing podcast, hosts Lulah Mapiye and Bonolo Mokonoto dissect a media meet-and-greet with the mayoral hopeful. From her extensive political résumé to her controversial public utterance, we examine why the Democratic Alliance has chosen Hellen Zille as their candidate for the 2027 local mayoral elections. Additionally, […]
